Wicked (West End)
Ends Jun 2025 2h 45m
Wicked (West End)
90%

Wicked (West End) London Reviews and Tickets

90%
(2735 Ratings)
Positive
92%
Mixed
5%
Negative
3%
Members say
Entertaining, Enchanting, Great singing, Delightful, Absorbing

About the Show

Stephen Schwartz's long-running hit musical about the untold story of the Witches of Oz. 

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Show-Score Member Reviews (1,257)

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S
Sonia
100%
Absorbing, Ambitious, Delightful, Enchanting, Entertaining

See it if I went to see the show with my 3 daughters and my son and we loved it it was a fantastic show with amazing cast. Definitely recommend it!

Don't see it if There is nothing bad about the show

B
Billie & The Toots
100%
Absorbing, Delightful, Enchanting, Wonderful!!!

See it if You need a refresher before the cinema production is released in November 2024...Elfie and Galinda were truely delightful

Don't see it if ...

J
Jt86
95%
Clever, Delightful, Enchanting, Entertaining

See it if Really enjoyed it. Loved the staging and costumes. Mesmerising and very clever. West End at its best

Don't see it if Wouldn’t recommend for children under 8

E
Ella
53%
Average Songs, Clever, Confusing, Delightful, Entertaining

See it if You love defying gravity

Don't see it if It’s your first musical

A
Alina
98%
Clever, Delightful, Wonderful

See it if Very good show to go to for adults and with kids, wonderful story

Don't see it if N/a

M
Michael Agius
50%
Absorbing, Banal, Confusing, Dated, Entertaining

See it if The lights and the background is very good

Don't see it if I found that it was ok very standard I don’t think it was capturing enough and that the singing was ok

T
Toni
100%
Absorbing, Clever, Delightful, Enchanting, Entertaining

See it if You enjoy a good story, great music and great scenery

Don't see it if You want something serious to watch

C
Christine Griffiths
100%
Absorbing, Clever, Delightful, Enchanting, Entertaining

See it if The beautiful singing

Don't see it if No reason not to see it

Critic Reviews (6)

The Guardian (UK)
September 28th, 2006

“Although it has been a hit in New York, it seems all too typical of the modern Broadway musical: efficient, knowing and highly professional but more like a piece of industrial product than something that genuinely touches the heart or mind...’Wicked’ lapses into knowingness and moralism...Worse still, the musical decides it has to make a public statement about the importance of sisterhood...Admittedly, the show is well performed.”
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The Stage (UK)
September 28th, 2006

“Schwartz’s score, arguably his best so far, is an ebullient mix of grandiose anthems and lyrical ballads while Winnie Holzman’s book expertly blends fairytale whimsy with broad moral issues. Much of the appeal of the story is our recognition of so many memorable characters...A fine ensemble company fizzes with Broadway pizzazz.”
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The London Evening Standard
November 29th, 2017

“A solid West End favourite. We’re definitely not in Kansas anymore for this heartwarming prequel of ‘The Wizard of Oz’, showing us why the Wicked Witch of the West turned out to be such a meanie...It has some seriously heavyweight casting history...The show’s big banger is ‘Defying Gravity’...A must-see for anyone hoping to sample a modern musical classic.”
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The Telegraph (UK)
January 1st, 2009

“Unexpectedly witty, enjoyable though far from flawless...At times the show undoubtedly slips into the preachy, but mercifully Holzman's script keeps the gags coming...Schwartz's lyrics are occasionally touched with wit, but what he really specialises in are big gloopy power ballads that allow the two female leads to...soar...At times it's a bit of a mess - but it proves far more enjoyable than I had dared to hope, and deserves a wider audience than adolescent schoolgirls.”
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Tim Talks Theatre (UK)
November 11th, 2022

“Lucie Jones as Elphaba is amazing, her vocals are incredible...overall I personally think that Lucie [g]ave an outstanding performance...I give this production 5 stars, why didn’t I see it sooner!”
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Time Out London
January 1st, 2015

“This stylish and bombastic musical still delivers, sailing over its patchy score thanks to a gravity-defying performance from its current leading lady Tucker...She's closely followed by Beck...The Tim Burton-inspired ensemble oscillate between the hypnotic and grotesque...As in classical ballet, this is all about the women and, even by previous lead Menzel's standards, they are in soaring form here.”
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