Open run


Members say: Quirky, Delightful, Great singing, Enchanting, Entertaining
60 reviews
450 reviews

Based on the beloved 2001 Oscar-nominated movie, this new musical stars Phillipa Soo ('Hamilton') and is directed by Tony winner Pam MacKinnon ('Who’s Afraid of Virginia Woolf?').

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Amélie is an extraordinary young woman who lives quietly in the world, but loudly in her mind. She covertly improvises small, but surprising acts of kindness that bring joy and mayhem. But when a chance at love comes her way, Amélie realizes that to find happiness she’ll have to risk everything and say what’s in her heart.

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Reviews (510)

See: Critics' Reviews | Members' Reviews
Avg Score

The New York Times

"It is pleasant to look at, easy to listen to and oddly recessive. It neither offends nor enthralls...'Amélie' the musical seems to have no nationality, or sensibility, to call its own...All credit to this show’s creative team, overseen by the director Pam MacKinnon, for giving coherent life to a tale that exists as much in Amélie’s imagination as in anywhere else...That the show’s creators are aware of the potential dangers of cloying cuteness probably accounts for its seeming so subdued." Full Review

Broadway News

"Soo almost single-handedly transforms this sugar-rich, gossamer adaptation of the popular French movie into an emotionally rewarding evening...The show does not condescend to the material, instead choosing to embrace its assorted oddities full-heartedly, even adding some of its own...MacKinnon’s status as a relative newcomer to musicals reveals itself in the somewhat cramped staging...Fortunately, front and center for most of the musical’s modest duration is the luminous Soo." Full Review


"A tepid take on a much bolder film. Suffering from a derivative score, it features a main character who doesn't seem fully present in her own story...Director MacKinnon does capture the playful editing of the movie with her cinematic and inventive production..Not an unpleasant way to spend two hours; it's just not that memorable. Between its blandly whimsical score and inoffensively quirky love story, we cannot shake the feeling that we've seen this show before." Full Review


“MacKinnon enhances the quirks of the oddball text, set to Messé's indie-style music, with a delightful array of surprising, slightly surreal visuals applied with a strong hand that keep the whimsy from floating out of control. Which is fortunate, because 'Amelie' tends to meander about a bit when it comes to storytelling and song placement…A low-key charmer. Phillipa Soo plays the young Parisian introvert with sly intelligence that welcomes you to her improvisational life.” Full Review

Time Out New York

"During this promising but never delivering musical fantasy, you can easily (and frequently) dream up ways the creative team might have better turned the 2001 film into a stage event that didn’t cloy and harden into static quirk halfway through...Book writer Lucas and songwriters Messé and Tysen are at pains to articulate a singable emotional center of the source while staying true to its careening, cinematic narrative. The two duties ultimately cancel each other out." Full Review


"It’s almost mandatory to have seen the movie if you hope to follow the erratic events of Craig Lucas’s twee book...Soo's lovely voice isn’t enough to animate the character...As listlessly played by Adam Chanler-Berat, Nino is a case study in vapidity...Messe’s music is emphatically insipid, with zero flavor of Paris, and the songs keep landing in awkward moments...In the end, it’s just wearying, looking for some logic in all this relentless whimsy." Full Review

The Guardian (UK)

"Blandly enjoyable...There’s nothing very much wrong with this musical. The book is affectionate; the songs are inarguably pleasant. But it’s tricky to build a show around a protagonist whose main trait is wistful passivity...This is not to diminish the efforts of Soo and the director, Pam MacKinnon...'Amélie' is the creme brulee of musicals – a little sweet, a little mild, but difficult to push away all the same." Full Review

Lighting & Sound America

“There's one indisputably great thing about ‘Amélie,’ and her name is Phillipa Soo…A faux French frolic that consists of nothing but the frothiest conceits and allegedly adorable oddballs, all tethered to a plot so inconsequential that a meringue would weigh it down…The songs often feel as skittish as Amélie…In its overreliance on a general mood of winsomeness, it can be something of a trial to sit through.” Full Review

New York Theater

“Amélie’ features a fine cast; clever, playful design; and a pleasing if unmemorable pop score…The colorful characters and fanciful subplots all felt part of the enchanting if ironic swirl on screen…The stage at the Walter Kerr, by contrast, feels crowded with details, distractions and digressions that are sometimes hard to follow…The musicalized vignettes are often presented like children’s theater run amok. The musical has a shorter running time than the movie, but it feels longer.” Full Review

Theater Life

"Director Pam MacKinnon proves she is as adept at staging enchanting adult fables as she is at enlivening dramas...The Gallic bon-bon features a sweet score by Daniel Messe and Nathan Tysen, a tidy book by Craig Lucas, and an enchanting lead performances by a spritely Phillipa Soo...A versatile ensemble delivering memorable work...At a fast 100 minutes, 'Amélie' is a sweet and tasty creme brûlée of a show." Full Review

Talkin' Broadway

"Phillipa Soo is loaded with charm and knows how to use it to make the new musical 'Amélie' something more than it could ever be on its own...But Soo's shimmering central presence only amplifies the troubles around her. Bookwriter Craig Lucas, composer-lyricist Daniel Messé, lyricist Nathan Tysen, and director Pam MacKinnon may have been ultra faithful as far as the letter in escorting this quirky movie to the stage, but the underlying spirit is nowhere to be found." Full Review

The Huffington Post

“Stars Soo and Chanler-Berat can sing very well but you wouldn’t know it from the ungainly melodies they’re asked to tackle…The book is faithful to the movie in every detail except the one that matters: its spirit…They seem to have made the wrong choice at every turn...Soo does not display the star power that this role desperately needs. That’s not quite fair since no one could bring this story as written to life. Still, the charming Chanler-Berat does bring us in more.” Full Review

AM New York

"Soo, looking stunning, gives a winning, seemingly effortless performance, and there are nice supporting turns from Adam Chanler-Berat as Amélie’s sensitive crush and Tony Sheldon as her elderly neighbor...You appreciate their hard work, but it doesn’t really come together...The soft pop score occasionally sounds pretty but is mostly unmemorable and derivative...The episodic structure leaves little in the way of advancing the plot. It’s got plenty of charm, but that only goes so far." Full Review

The Hollywood Reporter

"This grating stage musical takes the slenderest of romances and drowns it in cartoonish quirks in place of genuine warmth or feeling...Moments that don't cry out to be musicalized get slathered in song, while others where music might have helped go unsung...With more swinging doors than most farces, this is a show that manages to be simultaneously frenetic and inert...The talented cast fights a losing battle to give these annoyingly artificial characters life." Full Review

New York Magazine / Vulture

"Amélie the character and thus 'Amélie' the show remain alluringly, maddeningly remote...When a narrative is held together by tone instead of the working out of interpersonal conflict...there’s no bright line between what’s pertinent and what isn’t...As a result, MacKinnon’s staging, which has little choice but to underline the aesthetic, develops a bad case of nonspecific where-the-heck-is-this?, often leaving the audience more amused than informed." Full Review

New York Daily News

"The Broadway musical adaptation is simply pleasant—at least when it isn't plodding...Virtually all signs of Frenchness are gone in director MacKinnon’s staging...Soo is lovely and her crystalline singing has every bit as much pull as Tautou’s big brown peepers. If only Messé and Tysen had given Soo something outstanding to sing...'Times are hard for dreamers,' the heroine observes. The same goes for audiences dreaming that this show would transcend, or even match, the movie." Full Review

Times Square Chronicles

“Vocally Soo is perfect…The problem is her journey is so banal that we don’t really care…Chanler-Berat has wonderful chemistry with Soo…The cast is all talented…The direction by MacKinnon is well done for what the material allows...The biggest problem here is nothing really happens and what does is like a Hallmark card without the substance…The music is monotonous…‘Amélie’ misses the complexity of a girl who has several layers to her.” Full Review

Theater In The Now

“Fluffy and sweet. And that’s about it...‘Amelie’ is a delectable world of whimsy and joy but the overall execution is mediocre at best. You want to root for ‘Amelie,’ both the character and the show, but it often gets in its own way…The score was very much the Achilles’ heel of the production…Soo is delightful…But the character gave her little to play with so her full potential didn’t shine through…‘Amelie’ is a middle of the pack musical. It’s not great, but it’s not bad." Full Review


"I had the luxury of seeing 'Amélie' twice, and I admit to finding its charms more readily revealed on second viewing, The score, for one thing, is more sophisticated than a single hearing suggests, and perhaps more cunning...The authors, along with MacKinnon, avoid gratuitous winking, trusting both 'Amélie' and Amélie to work their charms. You’ll buy it, or you won’t. By the end, I was a bit in love, even if – as so often is the case with the real thing – it wasn’t at first sight." Full Review


"Soo's Amélie is certainly every bit as fresh faced as the Audrey Tautou was as the film's pixieish heroine...Mr. Lucas's book too has a good deal to recommend it...The problem is that the songs Nathan Tyson and Daniel Messe have given Ms. Soo to sing are not worthy of her beautiful voice...Welcome as the streamlined story is, it's likely to be more than a little confusing to anyone who hasn't seen the movie." Full Review

Chicago Tribune

"Deeply disappointing...It's so painful to watch the very determined Soo, who is both an exceptionally capable actor and completely miscast here...The director needed to help Soo find a completely different path, but then there's not a lot of evidence here of a viably engaging theatrical path for this show overall, never mind one that Soo could herself take in...It's both afeared of the movie, trying to break away without quite knowing how, and ever more trapped within its memory." Full Review


"More original than most adventures dared in the commercial theater. To original, alas, please add heedlessly whimsical, precious and so fragile we can almost hear it squish under the boot of hard-driving Broadway crowds rushing elsewhere...Soo has an enchanting open face and a creamy voice with enviable breath control and, as Amelie, she dashes around Paris with her chin literally up." Full Review

The Wrap

"Craig Lucas’ confusing book never finds its focus...Soo and Chanler-Berat don’t overact, but then they’re not asked to do very much or given much reason for us to watch them...Nothing is heavier than whimsy when it doesn’t float...The songwriters’ aim is admirable...Their lyrics are intelligent, and Messe’s music is amiable. But being merely not offensive is not good enough with a story so thin." Full Review


"Well-intentioned but uninspiring...A somewhat faithful book by Craig Lucas and a banal, disappointing score from Daniel Messé and Nathan Tysen...'Amélie' never seems to figure out what it wants to be, and its flaws lie in a combination of inconsistent directing by the usually reliable Pam MacKinnon and charmless, generic compositions...A closing number between the two leads, 'Where Do We Go From Here?' is promising, but it arrives too late." Full Review

Front Mezz Junkies

"It is very beautifully crafted...Phillipa Soo radiates the pretty charming Amélie from the moment she steps on stage...It’s a shame, as the talent is all there, each and every one working and giving us gold...but the songs and the story line are too sweet for their own good, blending together in a nice but slightly dull affair. Director Pam MacKinnon forgot to give us some kick to this tale, relying too heavily on Soo’s fantastic gifts, and the world’s connection to the film," Full Review

See: Critics' Reviews | Members' Reviews
Avg Score

Ambitious, Enchanting, Quirky, Romantic, Great staging

See it if Wonderfully quirky streamlined plot version of the movie with a winning Philippa Soo and talented supporting cast; "chick-flicky" & romantic

Don't see it if Similarly makes as little sense as its movie namesake; while songs serve the musical functionally I couldn't remember one song afterwards

Delightful, Romantic, Great singing, Great staging, Darling

See it if you want to see Phillipa Soo put on a wonderful and effortless performance and/or a cute (but short) romantic musical with whimsical sets

Don't see it if you want an epic, or thought-provoking tale. I just wish it was a little longer considering the cost of going to theatre these days.

Disappointing, Cliched, Wasted talent

See it if you are a Phillipa Soo fan. Or love the movie (maybe).

Don't see it if you're not looking for a "Why?" musical (as in why was this turned into a musical?). The score sounded all the same which can be deadly.

Also It's a pleasant little show but so kind of "meh" despite a bunch of ta... Read more Read less

Enchanting, Romantic, Great singing, Heart-warming

See it if You want to have an uplifting, lovely time in the theater.

Don't see it if You love the movie. I haven't seen it but according to my friend it wasn't a very faithful adaptation.

Ambitious, Quirky, Disappointing, So so, Less than enchanting

See it if You LOVED the enchantment and magic and whimsy of the film and don't mind that the musical pretty much misses the mark on all fronts.

Don't see it if You LOVED the enchantment and magic and whimsy and heartfelt joy of the movie w/ all it's cinematic tricks and don't want to be let down.

Also I was enchanted by the film AMELIE. It made an instantaneous and lasti... Read more Read less

Indulgent, Insipid, Overrated, Fluffy, Dull

See it if you want to see Phillipa Soo shine in a mediocre musical; there's not much to recommend here. Cast is great, but the show itself is...not.

Don't see it if if you loved the movie, you will be disappointed. This was silly, not charming, didn't have any memorable tunes. Very skippable.

Delightful, Quirky, Disappointing, Entertaining, Fluffy

See it if you are interested in seeing Phillipa Soo originate another role. A very colorful and light performance. Lovely ending which saves the show.

Don't see it if you have concerns about whether it will be true to the film. Amélie seemed to be mocked rather than appreciated for her unique qualities.

Disappointing, Slow, Great singing

See it if Great singing and acting! For theatre lovers. Not for older crowd. If you like Soo go see it, her singing is outstanding

Don't see it if Kids and older people wouldn't like it. An older man fell a sleep during it behind me. Pretty bad story line!!

Disappointing, Cliched, Dated, Fluffy

See it if You loved the movie or you love Phillipa Soo and wanted to see her in a bigger role.

Don't see it if You don't have a sweet tooth. It's very very precious and overwrought. The music is just okay.

Disappointing, Entertaining, Fluffy

See it if You've seen the movie - you may be lost otherwise. You want to see Phillipa Soo

Don't see it if You want to see a show that is cohesive. This is quirky for quirks sake, which makes it not quirky but rather confusing

Ambitious, Confusing, Disappointing, Entertaining, Fluffy

See it if It is missable. There's a sweetness for sure. Soo and Chanler-Berat were great. But if I hadn't seen the movie, I would have been lost.

Don't see it if You want a thorough, cohesive show. Or if you haven't seen the movie. Score is unmemorable.

Quirky, Refreshing, Romantic, Great singing, Great score

See it if You enjoy the film or seeing works with brand new scores. Lovely music, charming performances, quirky and very sweet.

Don't see it if It is somewhat uneven and suffers from a few problems, particularly if you're not familiar with the story. Can be clunky and heavy handed.

Also Phillipa Soo is magnetic and perfectly cast. Her chemistry with Adam C... Read more Read less

Clever, Disappointing, Lovely, Dull, Sweet

See it if You love Phillipa Soo. You love the movie. You want to see the remarkable, quirky gal create her happiness on her terms.

Don't see it if You want anything original.

Disappointing, Slow, Great singing

See it if You want to catch all the new shows this season

Don't see it if You have an option to see something else. You'll likely have a better time with the other option

Quirky, Cute, Great staging, Fluffy

See it if you enjoy Philippa on stage and enjoy an absurd and quirky staging.

Don't see it if you expect catchy, memorable songs and actually a huge fan of the movie.

Also Philippa needs to do a real Soprano role, if she continues with her me... Read more Read less

Romantic, Cute, Sweet, Average

See it if You want a cute little show. Pleasant to watch but doesn't add anything special or memorable to the currrent Broadway season.

Don't see it if You expect excellency. This one is just another little average musical with sympathetic cast.

Quirky, Charming, Great singing, Fluffy, Sweet

See it if you are Phillipa Soo fan. If you like off-beat, sweet, romantic stories. I had low expectations going into this and was charmed.

Don't see it if You want either a big, splashy musical or something serious. If you are cynical about romance.

Confusing, Disappointing, Great staging, Good acting, Good singing

See it if You want to see a Show with a likeable heroine who's desire to secretly help others is inspirational.

Don't see it if You want to see a Show with memorable songs or a plot that's easy to follow at all times.

Boring, Enchanting, Great acting, Quirky, Great singing

See it if You love Phillipa Soo. There are some magical moments and the cast and ensemble had some standouts.

Don't see it if Even the big numbers don't necessarily soar, such a shame. I didn't see the movie, it left me wanting to see it. I expect to like that more.

Quirky, Romantic, Indulgent, Fluffy

See it if you can't get tickets to anything else?

Don't see it if you love the movie and want to see if the musical will live up to the whimsical magic of the film. Spoiler: it doesn't.

Funny, Delightful, Great acting, Great singing, Great staging

See it if If would like to see a BIG HEARTED musical story about something the entire world is searching for. LOVE. Here, you will find it!

Don't see it if If you want big, big musicals. This one has a gentle, sweet message.

Absorbing, Clever, Delightful, Enchanting, Entertaining

See it if you liked the movie

Don't see it if you didn't like the movie

Quirky, Romantic, Whimsical

See it if you want to smile. It's a very sweet show and the acting is good but the direction seems a little misguided.

Don't see it if you loved the movie. This adaptation might disappoint you.

Ambitious, Confusing, Disappointing

See it if You must see Phillipa - don't mind a handful of nice song stuck in a terrible show

Don't see it if Didn't care for the film

Quirky, Fluffy, Whimsical

See it if You were a dreamy girl, or raised one. Early scenes are evocative but that fades. Love Soo and Chanler-Berat but score isn't enough for them

Don't see it if You aren't a super fan of the movie

Also Nice sets, so,e clever visuals but overall a miss for me. I was bored