$119 Select Orchestra & Mezzanine
$85 Mid Mezzanine
$65 Rear Mezzanine
Offer valid on select seating for all performances through 10/29. Additional blackout dates may apply. Regular price for $65 tickets is $89; regular price for $85 tickets is $110; regular price for $119 tickets is $165–$179. Prices subject to change. All prices include a $2 facility fee. Normal service charges apply to phone and Internet orders. Limit of 6 tickets per order. Offer subject to availability and prior sale. All sales are final – no refunds or exchanges. Offer may be revoked or modified at any time without notice. Cast subject to change.
"Watching this production’s overtaxed ensemble perform vignettes from different musicals...is like hearing a rushed raconteur drop name after famous name, without bothering to explain their significance...They’re a likable group, and I don’t fault them for the impression I often had that I was at a dinner theater...I recalled how often in my years of theatergoing performances in Prince’s shows have evoked similar shivers. If only such reminders came more frequently in this motley production." Full Review
"A polished but disappointingly rote roll-call of many of the highlights of Prince’s nearly seven decades in the theater...Even the most skilled seam-sealer cannot make a revue of such diverse material into a conceptually cohesive and theatrically compelling evening...Well, enough gloom. For musical theater lovers, the show will remain an indispensable ticket, a pilgrimage to a shrine, even if the visit doesn’t burnish your Broadway-love as you had hoped." Full Review
"A mostly lifeless evening...It ought to be a primer for Broadway newbies and a stroll down memory lane for longtime fans. Instead, we get a mediocre revue encased in an extremely guarded memoir...By staging reduced versions of Prince's original work, none of them are as satisfying as the real thing...We don't learn much about the man or what drove him to create...The most disappointing thing is that we never get a sense of these musicals in conversation with the wider world." Full Review
"The best 16 shows on Broadway are all playing in 'Prince of Broadway,' a sumptuous revue...Watching the hits flash by, like diamonds on a necklace, is sure to make you cry–with tears of joy if you saw that particular show, and tears of regret if you missed it...The talent that went into this show is out of this world...Unbeatable as an ensemble, cast members also get their individual moments to soar...You may wish 'Prince of Broadway' were twice as long, but you won’t go away hungry." Full Review
“When Yazbeck returns to the stage as Buddy from ‘Follies,’ he nearly stops the show with an extended tap dance sequence…The dancing is great. The acting makes it spectacular. ‘Prince of Broadway’ is at its best at such moments; when today's stars put their personal stamp on classic roles…Leading with a history of examples, ‘Prince of Broadway’ not only encourages theatre artists to take risks, but instructs those who produce theatre to do the same.” Full Review
"There’s little insight into Prince’s craft or his vision...The songs wind up in an awkward space: divorced from the dramatic context that gave many of them their power, yet too tethered to their first incarnations to enjoy the interpretive mobility they might have in a straightforward concert...'Prince of Broadway' does provide a fine showcase for several of the artists...It’s a pleasant collection of beloved and familiar Broadway songs, but there isn’t much to it." Full Review
"The patchy, shallow affair feels so much like a cruise-ship entertainment, I started getting seasick...'Prince of Broadway' feels like a missed opportunity to explore a major career and share lessons from show business. It’s a victory lap without visible struggle or heartache, a theatrical memoir by someone fuzzy on details or who won’t open up...Musical selections are gamely performed by a cast of troupers who have varying success putting a fresh spin on iconic numbers." Full Review
"An entertaining sampler revue, featuring an accomplished cast...Most of the actors have at least one highspot...The success of a substantial part of the evening is quite a victory, due in part to the variegated talents of the performers; the canny and well-practiced skill of both Prince and Stroman; and the musical ministrations of Brown...All this aside the entertainment wears thin in the second act...The oddity here is that some of the best material does not necessarily come across." Full Review
"There's a lot to like in this fond and often vivid scrapbook of numbers from one of the American theatre's most astonishing careers...Nearly everybody in the company has his or her moment to shine...'Prince' can't escape being a bit of a hodgepodge...Among the hits, there are several notable misses...And sometimes Prince and Stroman have difficulty matching material to the skills of their cast...It's hard to escape a sense of sheer astonishment at the breadth of its subject's achievement." Full Review
"Perfectly enjoyable, but not the stunning blockbuster we’ve come to expect from Mr. Prince...The material doesn’t flow smoothly or fit together neatly...Thompson’s narration provides scant context and fails to tie together the wildly divergent selections...There is much to relish even if the overall package is not greater than the sum of its exemplary parts...There is so much potential here. Too bad the experience was like leafing through a photo album." Full Review
"Despite what seems an ill-conceived idea, and for all its flaws, Prince and Stroman do manage to find some sweet spots in staging this highlights reel of a show...The intention here is surely to put the songs within the rich context of each musical, but it doesn’t consistently work...However much 'Prince of Broadway' may disappoint as a whole, though, there is no denying how effectively it serves as a showcase for its cast." Full Review
“‘A helluva grand time’ is…what most theatregoers are going to experience at this abundantly well-stocked arrangement of topflight numbers from classic shows…Prince either produced or directed…Conceptually, the show makes no breakthroughs in the jukebox musical tradition...It's too bad that some shows lack any commentary at all; unless you're a Broadway fanboy or fangirl, whatever information the script provides is largely irrelevant in helping you understand the context for most of the songs.” Full Review
"Sample-size nuggets that touch on the magic while leaving you craving more...This recap of an illustrious career leaves no doubt about the validity of Prince's exalted status, even if it’s thin on illuminating detail...What buoys 'Prince' is the polished presentation and elaborate design elements. But even more so it's the depth of characterization achieved...There's generally enough vitality in the staging and performances to help overcome the shortage of personal insights." Full Review
"Modest though it is, 'Prince of Broadway' looks and sounds fabulous...The weak link is David Thompson’s book, in which Mr. Prince’s cliché-prone first-person reminiscences are placed in the mouths of the actors, always to unilluminating, momentum-killing effect. For the most part, though, 'Prince' adds up to a pleasingly intimate musical revue full of shining moments, albeit one that feels rather more like a pledge-week TV special than a full-fledged Broadway show." Full Review
"A lavish, unwieldy, mostly enjoyable revue...I’m grateful for a show in which a terrific ensemble cast gets to tackle songs and scenes from many of Prince’s best-known shows...Yet I’m sorry in the sense that I would much rather see a new musical helmed by Prince instead of this well-intended but unnecessary revue, which resembles an overstuffed smorgasbord...There are many standout moments, especially Yazbeck’s dynamic performances." Full Review
"'Prince of Broadway 'shouldn’t be anything but top-drawer entertainment. It takes the form of a revue that Prince has directed as a valentine to himself...And, as such, it lives right up to its promise...Thompson doesn’t delve deeply into Prince’s contributions...Dance has been an eminent element in Prince musicals. But for some reason — and with no less than Susan Stroman on hand — there’s little beyond Yazbeck’s spectacular tap solo. " Full Review
“Doesn’t highlight the best of Prince's career. The song choices are strange and the performances not always stellar. Who does come across as a star is Tony Yazbeck, who monopolizes the stage with his superb singing and excellent dance skills…This show is completely worth Tony Yazbeck’s brilliant rendition of ‘The Right Girl’…It may seem like I am being hard on 'Prince of Broadway,' but I still recommend it.” Full Review
"The show functions mostly as a cautionary tale about the difficulty of anthologizing directors in a Broadway show...The extracts from those seven decades of shows are, for the most part, competently performed by a talented cast of nine...If only 'Prince of Broadway' took a moment to explain much of anything about directing or, indeed, this particular director...Prince is a risk-taker without theatrical peer. He deserves a far more complex, and far less cautious, lifetime achievement award." Full Review
"You couldn’t wish for a more ideal place than Broadway to honor Prince. But you could wish for a better, more illuminating show in which to do it...One can’t help but be impressed by the scope and breadth—but at the same time feel left in the dark about Prince’s precise contributions...It’s not a deep dive into the mind of a master—more like Shallow Hal. If you’re okay with that and want to luxuriate in moments from some wonderful shows, you’ll be entertained by the cast." Full Review
"'Prince of Broadway' bristles with the joyful noise of familiar songs delivered by a gifted and versatile cast...But what’s the through-line connecting one Hal Prince show with another?...That’s why 'Prince of Broadway' is, despite the warm bath of the Broadway songbook, such a colossal disappointment...The show fails to make the case for one of the greatest showmen of our time." Full Review
"A 'best of' revue performed by a cast of pros following Prince's over sixty years of work. It’s a jukebox musical of some sort that focuses on recreations of memorable moments, without giving us much insight as to the why and how...The men in general fair very well in this show, showcasing killer vocals...Part way in, 'Prince of Broadway' starts to feel like a greatest hits parade done by 'American Idol' contestants...It feels speedy and showy, and without a narrative to ground it." Full Review
"If you don't expect this to be a really enlightening inside look into Harold Prince the man and his process...there's much to enjoy here...The show gets off to a great start with its clever and comprehensive overture...Ultimately, the numerous other highs and polished staging can't avoid a mishmash feel to the show as a whole. Somehow, it just doesn't really add up as the fully connected, interestingly detailed musical memoir it aims to be." Full Review
“This effort, though Herculean, leaves the audience wanting more...The ‘transition’ monologues...are simply not enough exposition to sate the palate of the audience member…That said, what ‘Prince of Broadway’ does provide is two and a half hours of blissful entertainment…Perhaps you will not know more about him after the musical or garner more knowledge about the shows represented; however, the performances will surely pique your interest.” Full Review
“When I get the chance to hear over 30 songs, mostly from shows I greatly enjoyed, performed by talented actors backed by a 16-piece orchestra, I am not about to grumble over what could have been better…Despite all the nits one can pick, the bottom line is that I found the show thoroughly entertaining. The cast of nine is wonderful…If you are a fan of musicals, by all means go. There’s something here for everyone.” Full Review
“The lumpish ‘Prince of Broadway’ that opened last week is the equivalent of channel surfing for Broadway buffs. It is all randomness and disconnect as it caroms from one brief encounter to the next…A game but decidedly overwhelmed cast is hauled out to perform number after number…There is only the barest of attempts to provide any sort of context…‘Prince of Broadway’ is ambitiously filled with an avalanche of ideas that rarely come to life.” Full Review
See it if you're a theatre lover and want a night to enjoy many of the amazing highlights of Harold Prince's career. Reminded me why I love theatre.
Don't see it if You're not majorly invested in a lot of different types of musicals. You might be confused if you don't know the context of these songs.
See it if you're happy just seeing a bunch of great, classic numbers without much new context.
Don't see it if you're expecting insight into the mind and creative process of Hal Prince.
See it if You like Hal Prince shows, such as Cabaret and Company. Those were my two favorite parts. You're into show tunes.
Don't see it if You want a full show with a plot - this was musical acts from various shows. You want famous people in the shows you see.
See it if A really entertaining show great songs great sets great history great time
Don't see it if Your jaded and you hate musical numbers, hate hits, your board with great sets great singing and hits from A multitude of great shows
See it if You are a fan of Hal Prince's musicals, and don't mind seeing a bunch of musical numbers from his shows performed back to back.
Don't see it if You like a show where you can get carried away in a plot for a couple hours and feel like you've been taken on a journey.
See it if you love musicals and want to take a trip down the memory lane with Hal Prince's masterpieces. Tony Yazbeck is amazing.
Don't see it if you haven't seen any of the musicals featured in the show -- taken out of context many scenes are less effective, particularly Cabaret.
See it if Well, Harold Prince's PRINCE OF BROADWAY closed today but I got to see the show a coupla weeks ago. Solid cast of Bdwys best plus great nos.
Don't see it if If you don't like revues, even with very familiar material, U might be overwhelmed. Too many complex characters for too small a cast. 2much!
See it if you want to see a greatest hits parade of some of your favorite songs, and aren't opposed to a dinner theater-esque set-up
Don't see it if you expect a plot, or any kind of in-depth biographical insights to Prince's life .
See it if You don't want the Best of Hal Prince, but instead a large dose of unfamiliar, low-energy, low-budget numbers from his lesser shows.
Don't see it if You're expecting B*R*O*A*D*W*A*Y musical greatness from great Hal Prince shows.
See it if Some really great musical numbers -- especially Tony Yazbeck tap dancing to "The Right Girl" Brandon Uranowitz's Emcee in "Willkommen"
Don't see it if Bryonha Marie Parham's "Cabaret" was different and thrilling. Michael Xavier is so sexy. Karen Ziemba and Chuck Cooper are real treasures,
See it if this is the only thing in town you could get tickets to. But even then, don't expect much.
Don't see it if you can see anything else or you value your time. At 2 hours and 40 minutes, it is entirely too long and just so SO sloppy.
See it if Never saw any of the original shows and want a sample of some of the songs - both well-known ones and less-known ones.
Don't see it if Expect all the sets, orchestra, and full versions of favorite songs.
See it if You are a huge Harold Prince fan and want to see 16 of his finest in one production. Nice set and the performances are strong.
Don't see it if You are looking for an original or fascinating story. Indulgent and some songs were poorly chosen.
See it if you want to see a talented group of performers sing and dance to the successful plays that Hal Prince produced on Broadway.
Don't see it if you don't enjoy musicals and don't enjoy clips of famous shows.
See it if you're a fan of these performers. Chuck Cooper, Karen Ziemba, Tony Yazbeck, and Brandon Uranowitz especially stand out.
Don't see it if you'll be frustrated by the song selection, that most of the hits are abridged, and that there's no cohesion in bringing this all together.
See it if you enjoy superb singing, good sets, musical reviews and are a musical aficionado,
Don't see it if you dislike musicals and long productions that include a range of songs from outstanding to ones that should be forgotten.
See it if Like to see renditions (some good, others not so successful ) of various mostly well known songs from assorted Hal Prince shows.
Don't see it if You expect a story, explanation or interpretation of with Hal Prince's life or any of the songs. You object to odd or inferior restagings.
See it if You adore every musical number sung anywhere in a show Prince directed or produced. I wanted to love this, but what really was the point?
Don't see it if Want there to be some consistent thread, more insider stories, some sense of why certain songs were included and not. A disappointing mess.
See it if you love cabaret presentations of dozens of unrelated Broadway songs
Don't see it if you expect to learn anything about Prince's life or modus operandi. A great opportunity was missed by the writers alas.
See it if you want to walk down Memory Lane and listen to a very talented cast singing and dancing their way through Prince's biggest hit shows.
Don't see it if you really want to get insights into Prince as a person or have seen the shows before. Out of context, the songs don't have same impact.
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