Balls
73%
73%
(102 Ratings)
Positive
77%
Mixed
16%
Negative
7%
Members say
Great staging, Clever, Entertaining, Ambitious, Relevant

About the Show

It's 1973, and Houston's Astrodome is playing host to one of the biggest cultural events of all time as Billie Jean King and Bobby Riggs face-off in the Battle of the Sexes tennis match.

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Critic Reviews (22)

The New York Times
January 24th, 2018

"Though this action is cleverly devised...and executed perfectly...it is neither tennis nor theater but a kind of hysteria. The whole play seems to be constructed backward, starting with a concept requiring a full 85 minutes of athletic representation and ending with the maddening question of how to fill all that time...Never gets anywhere near an insightful gloss on the battle of the sexes, writ large or small...As intellectually underfed as it is imaginatively overindulgent."
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Theatermania
January 24th, 2018

"A play with so many colliding spheres...While Armento and Lavery manage to juggle a lot in their idea-heavy and plot-light story, quantity ends up burdening a play that could have used a far more delicate touch...Stories circle King and Riggs like satellites...We're led down a rabbit hole of questions...There's not nearly enough time to focus on any of these questions, but they're valuable topics to walk out the door pondering."
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BroadwayWorld
January 26th, 2018

"An exciting and ingenious production...A stunning show that creatively portrays the infamous tennis match...The show presents an energetic, realistic depiction of this 'Battle of the Sexes' match point by point. The narrative cleverly integrates other characters...While the production is colorful, lively, and entertaining, it also does an excellent job of exploring the serious topics...The company of 'Balls' is a dream team."
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Lighting & Sound America
January 26th, 2018

"It's a heady mix, filled with fascinating and evocative details...Despite the richness of its themes, the play is not always successful...Sometimes too much happens at once...At times, King and Riggs end up seeming like supporting characters in their own drama...Still, 'Balls' is never dull...And, in its eccentric way, 'Balls' makes its case that the Battle of the Sexes provides a window on issues that continue to rattle us to this very day."
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Talkin' Broadway
January 24th, 2018

"There is much more here than the re-creation of the match, itself so marvelously choreographed...'Balls' is a work of consummate collaboration that not only immerses us in the sights and sounds we would have encountered at the Astrodome, but also places that singular moment within its historic context...An exceptionally well-wrought ensemble piece...You'll be hard pressed to find a better retelling of a story that has obtained near-mythic status as 'The Battle of the Sexes.'"
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TheaterScene.net
January 26th, 2018

"An overblown and hollow spectacle...Nothing registers as organic or significant, and it all comes across as meaningless filler. The talented cast is spurred on to deliver exaggerated characterizations...When it focuses on these simple human elements, 'Balls' has sparks of interest. However, it goes off on inane tangents with the aim of connecting the events to a contemporary cultural sensibility and is a crashing bore."
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CurtainUp
January 24th, 2018

"You don't you need to be a tennis player to see and enjoy 'Balls'...Tamaki and Carren...indeed move around the stage-cum-Astrodome court and hit their pretend balls so that it all feels like the real thing. Though the script doesn't give either Tamaki or Carren much to do in the way of nuanced acting, it does take us through the entire game, and does so within the time that the match lasted...Admirable as the performers are, the staging is the big star of this production."
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Theatre is Easy
January 24th, 2018

"Riggs' persona is well-written, nuanced, and complex. King's character, however, is less developed and her internal struggles with heterosexism, professionalism, and sexual desire are hinted at but never fully revealed. I found this disappointing. At the same time, there is much to recommend in this production...Movement director Natalie Lomonte has done a stellar job of choreographing...All told, itโ€™s a gripping work. Timely and provocative."
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