"'Fruit Trilogy' is an experience...By giving voice to what may be extreme cases, the play speaks to aspects of what must be every woman’s daily experience...There is poetry, suffering, humor, and the hope of deliverance here — that is the experience...'Pomegranate'...Has a timely feeling...'Coconut'...We are introduced to the sacred bath rituals of a woman with a large personality. She is charismatic. She is funny. She is unafraid...The character and the actress draw us in." Full Review
"If she was a tour guide, Ensler would be the kind who asks you to venture into pits of darkness, without ever promising light on the other side...Her words, and the places she takes her characters to, rely on what can only be described as an esoteric law of physics, something along the lines of: we have endured this much, so the universe ought to balance it out somehow. That she does this without relying on condescension or cliché is miraculous and life affirming." Full Review
"Enler's last play, 'In the Body of the World,' turned me into a fan. I was impressed by the sharpness of her insights and the humor of their delivery; engaged in the specificity of her rage; both taken aback and riveted by her candor...Each of the new plays...seem to take us on a journey from disembodied to full-bodied; from pain to pleasure; from exploitation to celebration...'Coconut,' a celebration of full-bodied pleasure that is in equal measure shocking and exhilarating." Full Review
"The play contains the kind of frank language about deeply personal situations that is likely to disturb some audience members. However, Ensler's eyebrow-raising scenes are not gratuitous. 'Fruit Trilogy' is an honest, unflinching look at the way women's bodies are commodified, violated, and — with great difficulty, courage, and strength — eventually accepted by their owners...It's a significant piece that shouldn't be ignored, especially now." Full Review
"The trilogy combines moments of levity with moments of fear and conviction...In 'Pomegranate,' the performers present as Items, ready for sale...Without extraneous movement, they deliver the text, thoughtfully and unflinchingly...The box bursts open in .Avocado'...In a courageous performance by Clemons, who previously performed in 'Transparent,' moments land with a definitive sense of breath...In 'Coconut,' it’s refreshing to find a differently inclusive narrative." Full Review
“Watching Eve Ensler’s ‘Fruit Trilogy’, one feels as if they were entering an existential hell...Only here the quest to be rescued from a terrible fate is massaged for a happy ending...Ensler’s language is graphic, vulgar and poetic. And the acts described are in large part violent sexual crimes against women, committed for personal gain...Sensitively directed by Mark Rosenblatt, the characters’ realizations, and their ability to transform, inform the play’s happy ending.” Full Review
“Deals with the exploitation and eventual reclaiming of the female body...The root of Ensler’s body of work: women being seen for who they are, their bodies being celebrated without being exploited. It’s the mere act of a woman enjoying her own pleasure, not as an ‘instrument of labor or service or a vehicle or a cavern or an object of worship or a vessel of sin.'” Full Review
“Ensler is best known for her straightforward style...So it's a bit of a jolt that the first third of her trilogy takes on an absurdist angle...The second scene, Clemons admirably throws herself into the difficult material, but Rosenblatt could have had her modulate her intensity more...The final piece gives viewers some much needed feel-good positivity to cap off the night...The ending can be awkward, but my more extroverted guest was having a ball.” Full Review
"Staged by director Mark Rosenblatt with considerable style...One note of caution: The scalding anger that boils over here regarding male brutality towards women may disturb some viewers, while anyone who cannot abide Beckett or abstract theater modes will not have a good time. Otherwise it is intriguing to see Ensler consider her usual topics such as body image, male violence, sexual freedom, social exploitation, and similar concerns through an atypical dramatic lens." Full Review
"Under the direction of Mark Rosenblatt this trilogy raises awareness, giving a voice to women who are enslaved and are unable to connect to their bodies. It is a tough evening to sit through and at times the anger overwhelms the senses." Full Review
"'Pomegranate'—mercifully, the shortest of the three shorts—is just something you’ll have to endure to get to the harrowing 'Avocado'...Each piece seems to exist in its own world. There’s no easy way to move from the avant-garde 'Pomegranate' to the confessional 'Coconut.' And after the weighty 'Avocado,' 'Coconut' seems almost trite...But I admire Ensler’s message of positivity and celebration of visibility." Full Review
"Eve Ensler's 'Fruit Trilogy' depicts worthy issues that need to be publicly discussed. However, as the individual plays are only about one issue each, they tend to go on too long, way past the time when the audience has gotten the messages. This may, in fact, be Ensler's chosen technique, inundating the viewer with too much information that becomes difficult to forget, a limit to what we can take in. However, the problem is that there is a dropping off of attention, a diminishing of returns." Full Review
"A curious flatness pervades most of 'Fruit Trilogy'...Mr. Rosenblatt too often goes for bluntness where nuance is needed, which gets in the way of human connection. So does the almost unrelenting tonal darkness of the first two plays, making them seem less like a protest against women’s victimization than a fetishization of it...'Coconut' makes an uplifting finish to a grim program. And laughter, that vital survival mechanism, whooshes in like oxygen." Full Review
"The trilogy suffers from performances that seem given the strength of the cast oddly disconnected from the material. Some of the arguments addressed in the material itself seem dated...This disconnect might be the result of Mr. Rosenblatt’s erratic direction or the script itself...Despite its important, relevant, and compelling themes, it falls short of making the strongest case for emancipation." Full Review
“Three short experimental pieces that are still in need of some ripening...Engaging, fearless performers, but Rosenblatt can’t get a firm enough grasp of the material or of Wendland’s dark, low-budget sets, which are indeed somewhat confusing. Although it takes on some tough, serious topics, the trilogy is too long...with too much repetition in the overly clever dialogue that continues well after the point has been made. It feels like ‘Fruit Trilogy’ is still at the workshop stage.” Full Review
See it if OMG. The 3 act plays and their actors blew me away. Such powerful work. This is a must see for serious theater fans
Don't see it if Dont go if you don't want to see painfully hard truths of women's lives. This is not a light hearted romp although there is great humor.
See it if For true theare.... if you want to see an important play ...that speaks to our time. Political & Brilliant Political... Brilliant
Don't see it if You are not interested in seripus theater or if you do not enjoy socio political topics.
See it if You want to see an empowering, liberating show that will have u on your feet,w emotional acting, including intense memories of sexual abuse.
Don't see it if You are offended by nudity on stage or profanity; if loud, emotional performances dealing with sexual abuse disturb you.
See it if you admire novel, courageous, confident exploration of a #MeToo theme (women caged/exploited), clever use fruit metaphor, without self-pity
Don't see it if you dislike drama about violence against/abuse of women, explicit sexual references/nudity, sitting in cold theatre 90 min. without interval
See it if you like the work of Eve Ensler. You know you are going to take a journey with women and their issues.
Don't see it if The 2nd short play was uncomfortable but the actress was formidable and did a great job. The nudity is the 3rd play came as a joyful relief!
See it if You want to hear women talk from their own P.O.V. (includes extreme cases such as women for sale and a woman who likes her own body)
Don't see it if The point of the show is to take you out of your comfort zone, see other points of view, experience nudity as non-arousing, and even dance
See it if The second piece is Epic Theater the acting and the way the story unfolds is breath taking and heartbreaking
Don't see it if You have issues around the idea of body beauty This May push your buttons but. It is well done
See it if You are open to something a little different - three independent stories (two are singular narrative). You are ok with difficult subjects.
Don't see it if You are not a fan of one woman shows, strong female characters, plays with heavy and difficult topics. (It does leave you on positive note).
See it if You're interested in 3 one-act plays about heroic women. Great acting-somewhat repetitive & confusing. You have to release your inhibitions.
Don't see it if You are bothered by nudity or not interested in shows about women's issues.
See it if understand the "me too" movement, can see beyond what is on stage, are a fan of Eve Ensler, want something profound
Don't see it if you don't know about "me too" movement, don't care, want something light and fun, are not familiar with Eve's works, have triggers.
See it if You enjoy Eve Ensler's work or any kind of sociopolitical theatre. Very provocative, and very heartbreaking, and also empowering
Don't see it if You can't handle monodramas, nudity, or are triggered by language involving details of sexual assault
See it if you like theater that challenges the idea of what staged plays are supposed to be with raw, emotional and joyful performances.
Don't see it if you are uncomfortable with tough issues of rape, child sex slavery, nudity and the glorious praise of the human female form.
See it if you might be interested in 3 short feminist stories about women. You want to see Kiersey Clemons who is a rising star with a bright future.
Don't see it if The second play is the most profound. The first play is good but feels like an extended metaphor, third play contains a lot of nudity.
See it if As every Enler’s piece this super powerful production addresses women.body & mind abuse with extraordinary acting.
Don't see it if Can’t handle how mostly men uses and abuses women over and over and over...
See it if If you like Eve Ensler’s work. Like thought provoking plays about women.
Don't see it if You are uncomfortable with nudity and bad language. You don’t like disturbing subject matter.
See it if Kiersey Clemons and Liz Mikel have delivered outstanding performances. I found the second vignette heartbreaking, and touching.
Don't see it if if you did not like "the Vagina Monologues" and the Good Body" by Eve Ensler
See it if You are an Eve Ensler fan and can handle deep topics. The play is serious in nature and feminist based.
Don't see it if You are squeamish and are looking for a light-hearted play. This play is intense.
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