See it if you want to be emotionally moved ... but there are some funny parts too
Don't see it if you don't like intense subject matter such as this
See it if you want a beautifully written, wonderfully acted masterpiece. Its heartbreaking and naturalistic, funny at appropriate times. Go see it.
Don't see it if you want a short show, this dragged on a little bit too long. you don't like naturalism. you want a show with happy subject matter.
See it if you enjoy well-written family dramas.
Don't see it if you want something light and buoyant.
See it if you enjoy being put through and emotional wringer.
Don't see it if dislike plays about death and its ramifications on the living. Read more
See it if you appreciate solid production value, you like David Lindsay-Abaire, you are a sucker for tear-jerkers and amazing writing
Don't see it if you can't tolerate some poor casting choices and a lack of chemistry between the actors
See it if you get the chance. you like great writing and real life drama done well
Don't see it if you are looking for light hearted matter
See it if ...you like plays that make you think and that provoke deep emotional response.
Don't see it if ...you don't want to cry your eyes out in public.
See it if you like cerebral plays
Don't see it if you prefer comedy
"There were a few idiosyncrasies that of course are unavoidable when diverse players are following a script, originally written for a monochromatic cast, to the letter. However these blips were minuscule, skillfully obscured by the talented cast...Overall I found 'Rabbit Hole' to be a triumph in forwarding true diversity instead of the tokenism and pigeon-holed roles which are so often assigned to actors of color."
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"Full Spectrum Theatre Company is now uniquely and very effectively reviving this Pulitzer Prize-winning drama...Multiracial or 'colorblind' casting has been a controversial issue in the theater. The relative universality of 'Rabbit Hole' lends itself to such an approach and is an ideal selection. Nothing comes across as a gimmick or strains credibility. The expert ensemble and skilled direction of this production successfully prove the worthiness of exploring this belief."
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"What is not said is communicated through gestures interruptions and outbursts delivered with flawless execution. The acting, staging and production are top rate. The cast is multicultural and this reflects the commitment of Full Spectrum Theatre Company and its founding members Suzie Cho and Ashley Ford to be inclusive in all productions. This is serious theater at its best: engaging, intelligent, exhilarating and satisfying."
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