Red Speedo NYC Reviews and Tickets
Show-Score Member Reviews (123)
See it if Well written and acted. Great set. Fast paced after initial setting up and full of twists. Realistic flawed characters.
Don't see it if You want a play with any traditional hero.
See it if you want to see a thoughtful, relevant piece about morality, ambition and human relationships. The staging and acting are good, as well.
Don't see it if you just want light entertainment. Also, if you've OD'd on Lance Armstrong stories, then perhaps this morality tale isn't for you.
See it if Well acted and compelling playOlympic hopefull trainee and his brother, coach and on an old girlfriend. Unexpected twists and well acted .
Don't see it if You don't appreciate plays that starts slowly and takes it's time to set up a story and characters
See it if you like edgy, inventive writing and staging. This play takes a cutting look at "the American dream" of money and success, whatever it takes
Don't see it if you want it to be perfect. It needed to move a little more quickly and be more consistently bloodthirsty and angst-ridden for that.
See it if enjoy well performed original plays that leaves you thinking.
Don't see it if you are looking for an easy going time at the theatre.
See it if you enjoy compelling and dedicated acting. the set was beautiful. the moral dilemma explored was largely gripping and nuanced.
Don't see it if you don't like shows that are considered 'talky' or trying too hard to be morally ambiguous/complex.
See it if you want to see an original set (very cool), rapid fire dialogue, up and down relationships, and like sports related dilemmas.
Don't see it if you find it hard to understand fast talking.
See it if You would like to see a drama of conflicted (and very limited) morality on the most unique set of the season.
Don't see it if You have problems with suspension of disbelief when little of what you are seeing and hearing rings as authentic.
Critic Reviews (27)
"With fragmented dialogue that often comes at you like artillery fire, 'Red Speedo' recalls the (good) work of David Mamet, distilled and compressed...But Mr. Hnath’s voice and style are fundamentally his own. There’s an elemental, stylized simplicity to his work that focuses attention on the meanings behind the matters at hand...The characters are palpably, at times movingly, human in their complexity...'Red Speedo' only grows in intensity as the clock winds down on its brief running time."
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"Hnath’s swift, slippery play moves in Mametian lunges of rapid dialogue and desperate gambits. It’s full of opportunists whose stories don’t check out, and the actors speak in clipped, deliberate ways. Warmer performances could enhance the play, but the chill fits 'Red Speedo’s' dissection of ambition...Doesn’t [Ray] deserve a shot at what he calls “the American thing”? He means dream, probably, but the word is out of reach for this beast of burden, whose greatest hope is to brand himself."
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"Blain-Cruz’s work here is also a brilliant rendering of a difficult text, one that reads nearly like gibberish on the page but plays like a thriller onstage...It takes some very smart acting to get that kind of unintelligence just right. Also some very smart playwriting. If 'Red Speedo' is not, finally, as profound as 'The Christians' — the pool is only four-foot deep — that’s doesn’t mean it’s unimportant. Shallows, too, are worth exploring."
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"Welcome to the dopey drama 'Red Speedo,' written by Lucas Hnath and directed by Lileana Blain-Cruz. Logic and even remotely authentic-sounding dialogue have sunk to the bottom of the deep end. This is an 80-minute exercise in unconvincing broad strokes...Yes, the set, which includes a one-lane pool, is splashy. But so is a bellyflop."
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"Unfortunately, the provocative themes are undercut by mannered dialogue, one-note characterizations and melodramatic, contrived plotting. The play is also, despite all its sensationalism, so tedious that the frequent blasting of an air horn between scenes seems necessary to keep the audience awake...For all their hard-working efforts and those of the other performers, 'Red Speedo' is disappointingly skimpy."
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"As in last year’s 'The Christians,' Hnath tackles moral issues without lecturing...The production is overall superb, and Breaux, who spends the entire time in the title trunks, has the right balance of doofus earnestness and selfish cunning. It all culminates in a physically and emotionally bruising conclusion that left a recent audience reeling."
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"The tank is an impressive touch, and the lead actor swims a lap or two in it, but the real reasons to see 'Red Speedo' lie in Hnath’s lean and muscular writing, his complicated characters, and their desperate situations and morally questionable responses, all of which come to light in Lileana Blain-Cruz’s brutally focused production."
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"Director Lileana Blain-Cruz thrives within the physical constraints of the production, leading the cast to thrilling and dangerous performances...As he did with 'The Christians,' Hnath raises hugely important questions about our society and the occasionally perverse behavior it encourages...As always, Hnath leaves us to slug it out after the show, a fight certain to be as exhausting and fruitless as the one at the end of this troubling and truthful play."
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