“While this production cannot avoid all of the digressive traps, the good news is that it’s directed with a great antic hand by the company’s founding artistic director Brandon Walker, who nimbly keeps things bouncily aloft through most of the evening and even manages to get us past the talky bits to regroup for a reanimated airborne ending...Everything is conducted at a brisk pace, with solid comic timing displayed by the entire cast.” Full Review
"One could hardly find a more enthusiastic group of actors, but a good deal of their dialog is unhearable...An hour could have been cut without impacting the story…Considering the rise of racial strife as well the extreme culturally exclusionary proposals being touted in this year’s presidential race, it seems like downplaying that vital part of 'Rhinoceros' is a missed opportunity. One must, nonetheless, appreciate this rare opportunity to see this important and especially relevant play." Full Review
"When the text is permitted to do its job in this production, the complexity and modern application of Ionesco's work is apparent. Sadly, I found this mission is largely marred by some distracting directorial choices and an unfortunate lack of absurdist acting technique...This particular production, with all its good intentions, would have been better served putting the language first and avant-garde innovation second." Full Review
See it if you enjoy a light hearted production of a heavy topic play. Brandon Walker was much better as an actor than a director.
Don't see it if you need your Ionesco to be actually interesting.
See it if You like theatre of the absurd. Want to understand Ionesco. Hear stories that challenge your thinking, watch things develop.
Don't see it if You're looking for classic boy meets girl feel good entertainment in a classic setting. If don't want to use your imagination.
See it if You like a fine cast & company diving well if unevenly into a timely, difficult bit of theatre pertinent to our political & cultural present
Don't see it if You don't like existential theatre or political theatre or ideas; or words; or disquisitions on choice, conformity & the herding instinct.
See it if you like absurdist works and can handle shows with a lot going on both on and off stage.
Don't see it if you're brain can't watch a play and read things around you and deal with actors walking all over and making noise while a scene is happening
See it if you want to see one of the seminal works of absurdist theatre, smartly staged and still resonant in our current times.
Don't see it if the uneven performances, disjointed translation & slow Act II will distract you from an ambitious mounting of a rarely-performed piece.
See it if If you enjoy political statements being made in shows and seeing work by a new theatre company. Act one had some great work.
Don't see it if Are easily distracted by actors in the audience, don't have a long attention span. Felt act 2 dragged on and on.
See it if You understand that you'll be seeing an absurdist play. You want to see an historic, rarely performed classic play.
Don't see it if You expect a uniformly talented cast-some performers are great, some are awful! You're unfamiliar w/absurdism.
See it if you are an avid theatre goer who strongly supports small productions or you have a friend in the cast.
Don't see it if Don't enjoy absurdist theatre, can't tolerate mediocre acting or your time is valuable to you.
See it if You are very patient, don't mind spotty performances, you're doing/studying the play yourself and want an example of what doesn't work
Don't see it if Probably just don't -- lines were flubbed, cast couldn't maintain a rhythm, an already complex work was rendered virtually incomprehensible
See it if You want to learn about theatre of the absurd and if you want to experience a small theatre company that does great work consistently.
Don't see it if You don't want to commit time to a production that is intellectually demanding. This production speaks to many issues of our day.
See it if If you know someone in it. You like absurdity LOGIC: 1. The actors were good, play bad 2. Play good, actors bad or 3. Actors bad, play bad.
Don't see it if I couldn't sit through it. I was done 15min in. Truly abysmal. I hoped it would get better, but by half time I was done. Ridiculous.
See it if you enjoy a bit of structured improv, have an inclination for the absurd, want to support small theater companies.
Don't see it if you are looking for a cohesive storyline, hate the abstract, and are uncomfortable with awkwardness.
See it if you have never seen this theater of the absurd classic that is just as relevant today as it was when it was first produced.
Don't see it if you don't like longish plays that require some thought on your part.
See it if You read this in school and now want to see it actually produced. Good staging. Moments/music were updated well. Comedic parts resonated.
Don't see it if If you're picky about pace. Parts dragged a bit despite the desperation of the stakes. Read a blurb about the context of themes first.
See it if Drags, doesn't capture tragic & comic aspects of play, performances uneven, semi-modern details add little to original
Don't see it if /unless you've read or seen a good production that you can reminisce about during the 3-hour performance
See it if you're a fan of Ionesco & absurdist theatre in general. It was certainly absurd. Also if you know someone in the cast & want to support them
Don't see it if you're not willing to work for it a little. The story is tough, & the uneven acting (and apparent lack of direction) don't make it easier.
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