Ends Dec 29 2h 40m

Rigoletto NYC Reviews and Tickets

(27 Reviews)
Members say
Great singing, Great staging, Entertaining, Absorbing, Enchanting

About the Show

A bold new take on Verdi’s timeless tragedy from Bartlett Sher. 

Read more Show less

Member Reviews (27)

Sort by:
  • Default
  • Standing in our community
  • Highest first
  • Lowest first
  • Newest first
  • Oldest first
  • Only positive
  • Only negative
  • Only mixed
345 Reviews | 42 Followers
Entertaining, Great singing, Great staging

See it if Classic Verdi. Much improved production. Met Orchestra always sublime.

Don't see it if No reason not to

195 Reviews | 31 Followers
Riveting, Enchanting, Great singing, Great staging

See it if It's got maybe the best aria ever (La donna è mobile), a gorgeous moving stage, and a female conductor. The parts are all well done.

Don't see it if My only issue is with the writing; the worst people here never get their comeuppance, and I'm not sold on how everyone loves the Duke.

153 Reviews | 22 Followers
Inappropriate updating, Disappointing production, Riveting, Great writing, Great singing

See it if for the tremendous emotional music of Verdi, well sung.

Don't see it if you hate poorly conceived updated revisionings of operas. Read more

78 Reviews | 29 Followers
Traditional approach to material, Staging created visually applaud-worthy tableaus, Intense, Greatly moving, Absorbing

See it if Brought 20 students who'd never seen an opera before. They were awestruck, and we were in the cheap seating. Transformative entertainment.

Don't see it if No reason not to attend, especially with the Met offering all sorts of discounts. Rigoletto's three hours just flew by.

71 Reviews | 1 Follower
Enchanting, Delightful, Clever, Absorbing

See it if love operas

Don't see it if hate operas

28 Reviews | 8 Followers
Wonderful music, Great singing, Great staging

See it if you want to see a wonderful opera performed by excellent singers.

Don't see it if you don't like opera.

23 Reviews | 0 Followers
Banal, Dated

See it if you want to enjoy a 1/10 must-see operas

Don't see it if La donna è mobile is not attractive... disappointed in this version

1 Review | 0 Followers
Cliched, Enchanting, Absorbing, Dated, Entertaining

See it if You love a classic…

Don't see it if You are expecting something modern. It really seems to stick the original ideas with it‘s star baritone in mind

Critic Reviews (7)

The New York Times
November 11th, 2022

"The gravitational pull of 'Rigoletto’s' moral calamity was no match for Bernheim’s Duke, who, operating on another plane afforded him by wealth and position, ignored any force that tried to contain him."
Read more

November 17th, 2022

"What’s left to say, but that vocally this was some of the finest casts that the Met has assembled for a production this season. And it’s definitely worth checking out."
Read more

The New York Times
January 2nd, 2022
For a previous production

"Critic's Pick!...If shifting the opera’s setting from Renaissance Italy to 1920s Berlin was not entirely convincing, this was still a detailed, dramatic staging, full of insights into the characters. The chorus and orchestra excelled under the conducting of Daniele Rustioni, who led a lean, transparent performance that balanced urgency and lyricism."
Read more

New York Magazine / Vulture
January 21st, 2022
For a previous production

"There may be a constant low-grade panic coursing through the house, but it wasn’t evident onstage, where Michael Yeargan’s slow-twirling set (slipping from gaudy castle to dank house to dive), a chorus of thuggish courtiers, Donald Holder’s nimble lighting, and that perpetually awkward stage business involving a burlap sack all clicked smoothly along. Conductor Daniele Rustioni kept the orchestra sounding effervescent and fleet, honoring that unquenchably Verdian mixture of nastiness and entertainment. Sher and Rustioni made it clear they understand that, despite all the humiliation the title character endures and the ranging vindictiveness it triggers, Rigoletto is a tragedy that brings audiences joy."
Read more

The Wall Street Journal
January 3rd, 2022
For a previous production

“Rigoletto” is a barn-burner—you have to gallop along with the sexism, violence and sentimentality in order for it to work. In this production, despite some gripping theatrical and vocal moments, the all-consuming sense of tragedy was missing."
Read more

January 2nd, 2022
For a previous production

"While I was a fan of the "Rat Pack" production that preceded it--I know many weren't--I was ready to see what the Tony-Award winning director had up his sleeve. What followed was disappointing, despite some creditable singing and smooth, involved orchestral playing under Daniele Rustioni, with much blame I thought, going to Sher."
Read more

New York Classical Review
January 1st, 2022
For a previous production

"There’s a strong case to be made that Rigoletto is a proto-Brecht drama, and certainly the actual features of the Weimar Republic could be a compelling setting for the opera. It’s a shame such an excellent cast is fronting a new production that comes off as an empty bill of goods."
Read more