"Based on true stories, 'The Bench' successfully tugs at the heartstrings of its audience. Weaving in loss, love, and heartbreak through an emotional performance. This skillfully written play creates an eye-opening experience...Galinsky gives a brilliant performance filled with both high energy and emotion, endearing all five characters to the audience within an hour. A fascinating tale that brings drama, a little tragedy, and just a taste of comedy." Full Review
“’The Bench' is well-deserving of a legendary stage setting to let this diamond of a show shine...Not only a tour de force of Galinsky's stage writing and acting, but it truly moved me, and quite frankly left me with both awe and hope...Galinsky throws down the gauntlet as a social challenge to all of us--to be better people, see fellow humans with more empathy and to ultimately to understand that what is on the surface is not always what is underneath.” Full Review
“Galinsky's vital solo piece, based on real people, is the most important kind of urban voyeurism...If you enjoy the work of Anna Deavere Smith, or are an active reader of those ‘Humans of New York’ posts, you're in for a treat...The respect and compassion that Galinsky has for his subjects are readily apparent...The chameleonic Galinsky transforms between various distinct personas with perfect control and ease...Each one of them has a story that needs to be heard.” Full Review
“Though Galinsky meticulously captures the soul of each persona...there is a lack of propulsion and energy to the plot; in this instance there is not enough of to the plot to keep the audience interested...There is tension but no real conflict...Without a doubt, this is an accurate display of life for many homeless people, but onstage the absence of heightened drama feels dull." Full Review
"The play is haunted by the lack of any meaningful dramatic action, as well as a tendency toward sentimentality...Galinsky has a fairly solid technique, but at times he has trouble giving the characters distinct identities...An admirable project, but as it is, it is in need of a more astringent point of view and a stronger dramatic spine. We need a more urgent reason to spend time with these characters; otherwise, just as in real life, it will be too easy to turn away when they approach." Full Review
See it if You're interested in seeing homelessness in a different way. We all walk by them everyday. Robert makes us see them.
Don't see it if You're not interested in changing your perception.
See it if You like plays where 1 man plays multiple people. Dives a bit into the lives and conversations of homeless people.
Don't see it if Easily confused or agitated by the back and forth of one man having quick whipped conversations with himself playing multiple people
See it if you enjoy intimate, one-person shows and are concerned about social problems. If you're able to work imaginatively with an actor.
Don't see it if you prefer lighter fare or shows with a large cast.
See it if You enjoy a one man show describing the lives of 5 homeless individuals and what brought them to their homelessness
Don't see it if You want an upbeat linear show with fancy sets and multiple performers
See it if you want to live with eyes wide open to the stories of 5 homeless characters portrayed at breakneck speed by a virtuostic writer/performer.r
Don't see it if theater is your favorite escapist means - this is very compelling portraiture drawn from the author's experience with real people in the 80s
See it if You appreciate hearing one mans journey presented in a way that is accessible and interesting. His struggle though unique becomes universal.
Don't see it if You don’t like one person shows. This guy’s presentation needs a bit of work but the material is worth overlooking his rough spots.
See it if You enjoy one person shows and are interested in the stories of the homeless. It opens your eyes to the homeless as individuals.
Don't see it if You have no compassion for the homeless.
See it if You want to see a one man show with multiple characters dealing with issues of AIDS and homelessness, set in the late 70's.
Don't see it if If the above isn't your thing, or one man taking on all characters might be confusing for you. The actor does a great job, though.
See it if you'd like to sample the lives of an assortment of New Yorkers, homeless or inadequately housed, at the height of the AIDS crisis.
Don't see it if you do not like one-person shows, or shows about the urban underbelly.
See it if you are open-minded to seeing a piece of theatre that is thought-provoking and heartfelt even if it's rough around the edges and needs work.
Don't see it if you really struggle with one-man shows. It has compelling content, but not all the performance logistics are worked out. Can get confusing.
See it if You like solo performance pieces inhabited by multiple characters.
Don't see it if If you are not a fan of one-person shows, or uncomfortable faced with the humor and pathos of addiction, homelessness and illness.
See it if you want to spend an hour "meeting" interesting characters who have lost their way. The stories resonate and humanity shines through.
Don't see it if You can get tickets to Freight instead. The characters are not always easily distinguishable. The delivery stilted and unpolished.
See it if you'd appreciate a very good actor playing several characters; you're interested in the background stories of the homeless we pass every day
Don't see it if you need a fully realized play and plot-this felt more like a synopsis of these people's lives..
See it if You like one-man shows of all stripes. This one is less than polished.
Don't see it if You dislike one-man shows where one actor plays all the roles. You like professional performances of fully developed plays.
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