"The Lifetime equivalent of a drawing room play...Thanks to a strong cast, the play remains very watchable even when the plot starts to go off the rails, or when modern cracks appear in the faux-Victorian script…Gamo's direction keeps the play moving at a brisk, urgent pace…The intricate plot could benefit from some finessing, but this robust production and the particularly powerful performances of its cast are likely to keep audiences intrigued."
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“It's an interesting decision to lose the structure of Victorian language, and while it could transport the antiquated ideas of feminine ownership to our modern-day, not-quite-so feminist society, the contrast is instead very abrupt and unexpected...Dyer and Hutchinson-Shaw are captivating as siblings...Hutchinson-Shaw's Frances is cold and shrewd...It's hard to feel sympathy for the sister that wants everything but is willing to get it at the expense of the sister that only wants to be happy.”
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"What seems at first to be a light-hearted comedy of manners in the style of Jane Austen’s 'Sense and Sensibility' soon becomes dramatically dark, in a story filled with pain, thwarted love, and unfulfilled lives...While the script has the makings of a compelling narrative, the current production is in need of more rehearsal time and a less slipshod design...The uneven ensemble was inconsistent in its British accents and noticeably stumbled over several lines."
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