Bring It On London Reviews and Tickets
About the Show
Production Covid-19 Safety ProtocolsShow-Score Member Reviews (9)
See it if You love the bring it on movies, dancing, cheerleading or chick flicks. Incredibly talented cast and fantastic music.
Don't see it if You’re not into light hearted musicals
See it if you like upbeat and fun musicals with great choreography and music.
Don't see it if you prefer more serious theatre, or something which drills deep into particular issues.
See it if you like the films, or Lin Manuel Miranda’s musical style.
Don't see it if you don’t enjoy cliché high school stories.
See it if Really great dancing, just absolutely phenomenal
Don't see it if You like a high quality musical, it’s pretty low budget, songs don’t seem like LMM, they’re not catchy and it’s a pretty boring show
See it if You love anything by LMM and are a fan of exciting choreography
Don't see it if You find American high school stories cliche
See it if A pity this closed as it was very enjoyable. The cheerleading routines were excellent. An interesting story line too
Don't see it if The Fake American accents are a little annoying
See it if You love to watch incredible dancing and hear catchy music
Don't see it if You want to see something emotional
See it if You enjoy tricks & dancing. Singing was also incredible. Followed the films story line closely
Don't see it if I can’t think of any reason
Critic Reviews (4)
The show therefore hits its stride during its athletic, punchy choreography, finding less sturdy ground on Whitty's uneven book. Thankfully, there are enough high-octane experiences to keep the whole thing buzzing along with respectable pace.
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While the film explored issues of cultural appropriation, the musical smartly considers prejudice, privilege and white saviour syndrome and also honours the joy of dance for dance’s sake without the element of competition.
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Forget festive cheer this winter, Bring It On puts cheer sport firmly on London’s map, and I defy anyone to leave Bring It On without a big smile.
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The production’s greatest asset is Fabian Aloise’s flawless choreography, and although all the big stunts are saved for the end, they are well worth the wait.
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