A decade ago, when Banks directed the generously reviewed premiere, it’s just about possible, I suppose, that the depiction of urban angst and heavy breathing on the internet might have seemed daring and original. It’s certainly anything but now.
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[Sophie Melville], since Iphigenia in Splott, is fast proving one of the best British actors of her generation...[Herding Cats is] a slick technical feat and the play still prickles under the skin as Coxon expertly examines a generation who discover walls closing in on them rather than horizons opening up.
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One of the defining elements of post-pandemic society has been a dependence on technology, and Coxon's play is one that shines in this context rather than bending its form to be accommodated.
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But [Herding Cats] is a wise piece of programming that empathetically channels the emotions of Coxon’s play, while showing the potential of dual theatrical and digital experiences.
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