"This isn’t so much a bad show but it could be a lot better with the necessary tweaks and I can't help but feel hung up on the notable issues in front of me. As it stands, it's firmly on the borderline."
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"The line between reality and fiction tends to blur, never more so than in the final third of the play. But that’s in no way detrimental – it just makes for a different, more relaxed theatrical experience that is emotionally, if not physically, immersive. "
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“While ‘Live to Tell’ may be a necessary step in refining Mullin’s generous potential as a playwright and actor, it often buckles under the weight of its own importance.”
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"This is no doubt a confusing, mashed-up, meta, in-your-face piece of theatre but it is also told straight from the heart. It stakes its claim and stands its ground in a way I suspect Madonna, at her most strident, would approve of."
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