With a live orchestra to relish every frosting swoop of Tchaikovsky’s score and a faultless cast of hundreds and thousands (well, 20, if you’re picky), it’s pure sugar rush.
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Bourne’s choreographic style is a pick’n’mix: a bit of ballet, a bit of folky footwork, mime, quirky social dances and exaggerated shapes of his own making, with all sorts of witty references.
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Amid the unstinted playing to a fun-starved (and noisily appreciative) audience, there’s hardly a moment to stop and shiver as Tchaikovsky casts a spell...Five stars for packaging, two for contents.
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