Othello (Riverside Studios) London Reviews and Tickets
Show-Score Member Reviews (39)
See it if You like shakespear plays in a nice intimate setting. Very smart on how the portrayed inner dialog.
Don't see it if If you can't follow shakespear lingo
See it if You want to see an engrossing well acted story
Don't see it if You don't like tragedies
See it if You like theatrical dramas. The characters play their role very well. The script is well written. The stage and props are utilised well
Don't see it if N/A
See it if Modern interpretation by a talented cast. A very absorbing and riveting performance. A novel twist of 3 actors sharing the same role
Don't see it if You don’t like Shakespeare in modern dress and theatre in the round
See it if You enjoy traditional adaptations of Shakespeare and unique forms of music.
Don't see it if You like contemporary version or if you dont like complex adaptations. For example three Iagos
See it if 3 Iagos worked well
Don't see it if You don’t like Shakespeare
See it if you like an intimate piece of physical theatre with an exciting new interpretation of the classic Shakespearean tale.
Don't see it if you prefer Shakespeare stagings loyal to the original text, or have absolutely no knowledge of Shakespearean English whatsoever. Read more
See it if I thought this was a fabulous production. I loved the fact Desdemona was a strong gutsy woman not a simpering side kick .
Don't see it if No do see it . Exceptionally good.
Critic Reviews (7)
“Sinead Rushe['s direction] results in a bold and fiercely tense version of Shakespeare’s tragedy. Throughout the entire 100 minutes (with no interval) there is very little let-up. You hang onto the edge of your seat pretty much the entire time in a small, intimate space...Good things come in threes. This production of ’Othello’, which deserves a run on one of the smaller National Theatre stages, is a superb example of this idiom.”
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“As a thriller, it has its own grip though: the movement is choreographed well and there are good visual effects, even if it is ultimately empty of its central tragedy.”
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“This slick, stripped-back version, directed by Sinéad Rushe, pushes this revealing metaphor even further: a bold conceit sees the role of Iago played simultaneously by three actors.”
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“As an introduction to Shakespeare’s ‘Othello’, this works tremendously well: it’s engaging, playful even. Purists and theatregoers who want a bit more to sink their teeth into may find this truncated version somewhat frustrating however, and it’s one of those rare shows that really would benefit from being longer. Still, it’s undeniably a production that delights in the rough magic and imaginative possibilities of theatre.”
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“Cut to 100 minutes all-through, this production does not just re-invent the wicked ensign, but forces us to reconsider the Iagos we have met in the past and the ‘Othellos’ he has driven to dreadful murder.”
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“This production of ’Othello’ is one of the most inspired Shakespeare adaptations I have been lucky enough to witness and is very worthy of praise. A must-see!”
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"This is an inventive, psychologically driven 'Othello', which leaves the door open for productions to explore the possibilities of the fascinating idea of polyphonic casting again."
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