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About the Show

Josh Seymour directs a tense legal drama inspired by the Patty Hearst case.

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Critic Reviews (7)

The London Evening Standard
October 15th, 2025

"...touches lightly on questions rather than furnishing decisive answers, but is buzzing with interesting ideas"
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The Guardian (UK)
October 15th, 2025

"The play is best in combative mode and does not quite know how to finish but that doesn’t matter. Moar’s dialogue is so deft and sparkling, you could listen on and on."
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The Stage (UK)
October 15th, 2025

"It’s hard not to feel that Moar has sidelined a far more fascinating narrative in favour of one we’ve heard many, many times before."
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All That Dazzles (UK)
October 15th, 2025

"I felt like I was watching a first draft of a play as opposed to the finished version... there is huge promise with this play, and only the slightest tweaks will allow it to reach its full potential."
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The Arts Desk
October 16th, 2025

"Moar’s play is written with great theatrical confidence and is a compelling and emotionally truthful exploration of the legacy of the grim 1970s."
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West End Best Friend
October 15th, 2025

"The play would perhaps benefit from a grander stage, or a more ambitious set-up...It will be interesting to see where the project progresses from here, as it is an amusing and emotionally complex hour-and-a-bit, with ample room for growth."
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Theatre Weekly (UK)
October 14th, 2025

"an incredibly well crafted play, filled with grit, humour, thoughtfulness, and plenty of cultural references”
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