“Sarah Meadows’s production... often feels claustrophobic, performed within a mahogany proscenium arch that frames an office lined with worthy-looking books...the volume is unrelenting. If there’s one thing that this show demonstrates, it’s that beltier isn’t always best.”
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"The story has the potential to be truly compelling. This is real musical theatre entertainment, whisking you away on a grand adventure for the night."
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“ ‘Ride’ is going from strength to strength, capitalising on existing successes and somehow making their last near perfect run even better. The two-woman show is well suited to the intimacy offered by smaller venues...allowing the audience to fully grasp the characters’ bravery, loneliness, escape, love and desire for change up close.”
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"This is the future of musical theatre. A true original masterpiece in storytelling by two strong vibrant female leads. "
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“Andrusier gives a stormingly OTT performance: schmoozing the crowd, flashing between vulnerable and abrasive, belting out numbers at the level of a yell...Still, there isn’t enough grit in the skimpy story, or conviction in the book and lyrics, to make this anything but lightweight.”
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“If a great show has the ability to make you feel something, ‘RIDE’ does this better than most. Its bold choice to completely flip the narrative into something with a lot of depth and poignancy connected with me in a way that reminded me what theatre has the ability to do at its best...With a show as sensational as this, expect it to go all around the world.”
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“ ‘Ride’ doesn’t tell its tale in the Phileas Fogg way you expect it to. That’s its greatest drawback and its greatest achievement.”
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Ride has a fantastic story that anyone can enjoy, coupled with catchy and soaring songs, it makes for a delightful night of musical theatre. While it works perfectly well as a one-act musical, audiences might be wondering if expanding it out might allow us more of a chance to understand Annie, her achievements, and her obvious heartache
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