Yet even as the show becomes increasingly topical (including up-to-the-minute script additions) and blazingly confrontational, it’s still playful, personal and thoroughly entertaining theatre that never feels like a lecture.
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It’s not a tidy piece of agitprop, but then it’s very much a show that embraces its mess. Biscuit and Mothersole make something their own of this mixture of the personal and the political, the larky and the lacerating.
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