“This is a production that needs to settle; missed cues and fluffed lines are a bit too frequent, but there's a lot to enjoy here. A production of big hair and big heart.”
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“The staging is occasionally hampered by Laura Hopkins’ flimsy, over-complicated set design. Otherwise, this production and its accomplished cast bring new depths to a modern classic.”
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"The script's strength ... lies in its humour, but in the first half, the production only draws sporadic titters from the audience. There are a couple of jokes in the second half that draw real laughter but, on the whole, most don't land."
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"It’s a play of paradoxes in many ways, a comedy about death, where physical concealment meets psychological revelation, and cosy language conceals uncompromising attitudes."
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