Billed as a tragicomedy, there are certainly plenty of laughs in Shepherd's play, but it sadly doesn't feel complete enough to be tragic...Steed's Elvira is certainly the most engaging character in the show.'
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...as a whole the play could hardly be more pedestrian... And for all the cast’s efforts and Steed’s game showboating, it remains stubbornly two-dimensional.'
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...Slow-burning and cerebral...Shepherd sets a turgid pace, dwelling on the, admittedly, keenly-observed rhythms of each developing conversation...The show gets a significant lift from some spot-on performances...'
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