Yet Matthew Freeman’s 12-piece band has a nice sense of swing and plenty of brassy gusto, and despite an unadventurous structure and a few tepid gags this is an upbeat production that does what it sets out to do.
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At its best it’s fun and nostalgic. At its worst it’s a cringe. Sammy D is particularly good. As for Deano, there’s a Merry Christmas and there’s blotto. This lady needs another revamp.
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This is that rare thing, a tribute show with real class, and one that richly deserves its West End run.
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In wintery London a showery evening follows a gloomy day, but what takes place on stage hypnotically induces a suspension of disbelief, and it becomes just about possible to glimpse the sun.
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