Members say: Great acting, Clever, Funny, Absorbing, Great writing

About the show

Lucas Hnath's Tony-nominated sequel to Ibsen's masterwork now stars Tony winner Julie White as Nora. Directed by Tony winner Sam Gold.

... Read more

In the final scene of 'A Doll's House,' Nora Helmer makes the shocking decision to leave her husband and children, and begin a life on her own. This climactic event—when Nora slams the door on everything in her life—instantly propelled world drama into the modern age. In 'A Doll’s House, Part 2,' many years have passed since Nora’s exit. Suddenly, there’s a knock on that same door. Nora has returned. But why? And what will it mean for those she left behind? Lucas Hnath’s new play also stars Tony winner Jayne Houdyshell and Tony nominee Stephen McKinley Henderson.


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$89 - $147
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$29 - $99
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  • Orchestra/Front Mezzanine - $99 
    Mid-Mezzanine - $59 
    Rear Mezzanine - $29


    Terms
    Must order by 9/4/17. Regular price is $39-$147. Blackout dates may apply. All prices include a $2.00 facility fee. All sales are final. No refunds or exchanges. Offer may be revoked or modified at any time without notice. May not be combined with other offers. There is no late seating.

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$29 - $89
through 9/04
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Details

Orchestra/Front Mezzanine - $99 
Rear Side Orchestra - $69 
Mid-Mezzanine A-C - $89 
Mid-Mezzanine D-E Center- $59 
Mid-Mezzanine F Center, D-F Sides - $37 
Rear Mezzanine - $29 

Terms
Must order by 9/4/17. Regular price is $39-$147. Blackout dates may apply. All prices include a $2.00 facility fee. All sales are final. No refunds or exchanges. Offer may be revoked or modified at any time without notice. May not be combined with other offers. There is no late seating.

Theatermania
$29 - $99
through 10/08
DHTHM1217 Go

Details

$99* ORCHESTRA & FRONT MEZZANINE
$59* MID-MEZZANINE
$29* REAR MEZZANINE

Terms

Must Order by 10/8/17. Regular prices are $39-$147. Blackout dates may apply. All prices include a $2.00 facility fee. All sales are final. No refunds or exchanges. Offer may be revoked or modified at any time without notice. May not be combined with other offers. Subject to availability and prior sale. Not valid on previously purchased tickets. Seating restrictions may apply. Telephone and Internet orders subject to standard Telecharge service fees. No late seating.

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$30

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$79
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$102
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$174
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100
Front Row Center

“A stupendous creation in nearly every way…Metcalf is beyond brilliant…Before you can put up a defense, these characters are there putting down roots in your head and your heart. Sam Gold’s direction pulls these extraordinary cast members together into an ensemble that summons the Spirits of the Small Moments to the table to create a banquet. This is a feast all around. 'A Doll’s House Part 2' is a reminder of why theatre–or art itself–is, at its best, a life-altering experience.” Full Review

98
BSonArts

"A very modern look at marriage, identity, and the role of man and woman in- and outside of the home...This is all accomplished with lots of laugh-out-loud humor combined with thoroughly believable character development. The production is near perfect. Laurie Metcalf gives a fully dimensioned performance...Sam Gold’s direction is clear and smart...But the real star of this production is Hnath’s script. Rarely is something from the past made so present." Full Review

95
Broadway News

"So endlessly stimulating that it could give audiences fodder for heated conversation until the fall season is in full swing...Hnath’s play fairly sets your head spinning with its knotty perspectives...With a sterling cast led by Metcalf, the production is as much an engrossing entertainment as it is a theatrical treatise that stirs the heart even as it invigorates the mind...Metcalf here delivers what is easily her finest Broadway performance to date—and she has never been less than terrific." Full Review

95
Time Out New York

"With Lucas Hnath’s lucid and absorbing 'A Doll’s House, Part 2,' the Broadway season goes out with a bang...Modern in its language, mordant in its humor and suspenseful in its plotting, the play judiciously balances conflicting ideas about freedom, love and responsibility. And Sam Gold’s exemplary direction keeps you hanging on each turn of argument and twist of knife. Everything about the production works. It’s a slam dunk." Full Review

95
The New York Times

"The new cast...pretty much seals the deal on the play’s extraordinary merits...The new actors advance Hnath’s whirling arguments about love and ownership with as much ease as the original cast, and even greater humor...The result of all these macro- and micro-tunings is a production that feels even more thriller-like in its swiftness...'A Doll's House, Part 2' remains a triumph of ambivalent feminist comedy. It’s the kind of play you hope won’t end." Full Review

95
Deadline

"The funniest, and the sharpest play of the year...Hnath’s inspired writing, which endows each character with an arsenal of fastballs, curveballs and spitballs, keeping us disarmingly off-balance. He’s an uncommonly gifted parodist...Sam Gold’s smashing production renders the action, such as it is, and the dialogue slightly off-kilter as these once intimate people tiptoe through a dream in which everyone gets even and nobody wins." Full Review

95
Deadline

"The new cast members are brilliant. White has a light touch and game business as Nora, bringing out the comic shadings in contrast to the darker woman played by Metcalf. Henderson...is magisterial as Torvald...'A Doll’s House, Part 2' is as rich the second time around as it was the first: smart, funny, whiplash engaging and insanely entertaining. Even as it is quite different–and, so, freshly revealing with these gifted newcomers. A must-see." Full Review

95
StageZine

“The thrill ride of the theatrical season...What is absolutely astounding is how Mr. Hnath has taken Ibsen’s characters and given them new and far more complicated lives than Ibsen would have ever imagined...The performances are among the best you will see this season…Laurie Metcalf is monumental and a force to be reckoned with…With expert writing and excellent performances, I can easily see 'The Doll’s House, Part 2' being named the best play of the year.” Full Review

95
Off Script with Dan Dwyer

“The freshest playwriting on Broadway this season, ingeniously conceived, economically executed…Hnath’s writing style is an exemplar in the active form of storytelling: characters and their conflicts, drawn with energy, clarity and precision. Sam Gold directs in the same mode…90 minutes of smart, witty, entertaining theater we need more of. Don’t miss it.” Full Review

95
Theatre Reviews by John Clum

"My first thought as I experienced this brilliant play is that it is too good for Broadway, which is sadder for Broadway than for the play...One of the fascinating aspects of the play and the simple but effective production by the ubiquitous Sam Gold is the confluence of past and present...Unlike 'Sweat,' which will probably win all the awards, 'A Doll's House, Part 2,' is never preachy. It never falls into melodrama. It deserved the cheering it got at the performance I attended." Full Review

90
The New York Times

"A smart, funny and utterly engrossing new play...Features a magnificent Laurie Metcalf leading one of the best casts in town...Mr. Hnath approaches what might seem like a hubristic project with the humility and avidity of an engaged Everyreader...He has written an endlessly open debate. Which for the record never feels like a debate, such is the emotional commitment of the cast and the immediacy of Mr. Gold’s fine, sensitive production." Full Review

90
Theater Life

"Hnath wisely builds on Ibsen’s premise but is not enslaved by it…This is so much more than a sequel, it’s a gripping examination of the ways people try to live together under a restrictive society and what happens when they fail…Sam Gold’s measured direction injects just the right amount of humor to leaven this living-room war…Laurie Metcalf is a strikingly complex Nora…Hnath expands on a classic and provides his own insights into the issues it raised over 100 years ago." Full Review

90
The Huffington Post

"Unquestionably one of the wittiest, sharpest shows of 2017...A great play given a great production...Spiced with just the right dash of modern language, this is a tour de force of ideas as a trailblazer examines the scorched earth she left behind and is asked if it was worth the price...Like any great play of ideas, 'A Doll’s House, Part 2' works precisely because those ideas flow through characters that are deeply human. The cast is excellent." Full Review

90
The Hollywood Reporter

"It delivers explosive laughs while also posing thoughtful questions...Directed with stylish austerity by Sam Gold, the play provides a corker of a role for the indomitable Laurie Metcalf...As much an ingenious elaboration and deconstruction of 'A Doll's House' as a sequel, and it stands perfectly well on its own...In Gold's zesty staging, the lightness of touch in the writing carries through to the direction and performances, nowhere more so than with Metcalf." Full Review

90
TheaterScene.net

"While this is a play of ideas, the debate is always engrossing, always surprising. At no point does the dialogue or the confrontation lose our interest. Under Jennifer Tipton's lighting, the characters are as if put under the microscope. Although the facts deal with the 19th century, the issues being raised could be today. Nor does the play take a strictly feminist view point: Hnath has considered the situation from all sides." Full Review

90
Woman Around Town

“Playwright Lucas Hnath has utilized the Henrik Ibsen’s 'A Doll’s House' as a starting point/inspiration and spun it into an entertaining tale with social context in two contrasting eras…Characters have no filters. What they think and feel comes out of their mouths with directness that belies the period, but makes whopping good theater. Everyone is multidimensional. Allegiances are complicated. Unpredictable changes become seismic before our eyes. The ending is a shock.” Full Review

90
Newsday

"The play — a psychologically serious, deliciously amusing tragicomedy — extends Ibsen’s three-act, multicharacter masterwork with just four characters in an intense but surprisingly breezy 90 minutes. But how trenchantly these four are portrayed in director Sam Gold’s stark, audacious, daringly acted production...Hnath lets no one off the hook about women, the law and marriage. He also keeps us guessing until the last possible moment." Full Review

90
NY1

"A neat little play...Hnath's compact drama offers no easy answers in a superb production that asks a lot of provocative questions...Hnath's stylized take on the Ibsen classic brings the institution of marriage into sharp focus...Gold shrewdly allows the words to take center stage, amplified by some spectacular acting...Metcalf dazzles...Don't expect any judgments here as this very smart play only seems interested in opening the door wide to your own interpretation." Full Review

90
The Washington Post

"The breakthrough play that the theater world has been waiting for from Hnath...This fast-moving play could so easily have lapsed into superficial theater games. This never occurs...This is due in part to a playwright’s provocative, funny and, ultimately, generous consideration of the implications of Nora’s actions and to a director, Sam Gold, who has helped each of the actors home in with psychological marksmanship on the core motivations of their characters." Full Review

90
TheaterScene.com

"Hnath is making his Broadway debut, and it’s an auspicious one. His elegantly provocative script has been given an immaculate production, appreciatively directed by Gold and performed by a quartet of illustrious actors...It’s a gabfest revealing character, prompting laughter and piquing the intellect, with an incisiveness and wit worthy of Shaw...Revivifies the old-timey concept of a play of ideas, the sort of thing Ibsen himself used to do, and does it with vivacity and smarts." Full Review

90
Broadway Blog

"Nimbly written by Lucas Hnath and exquisitely directed by Sam Gold, 'A Doll’s House, Part 2' is a tour de force for its ensemble of actors, each of whom has earned a Tony nomination for his or her performance...Gold directs 'A Doll’s House, Part 2' with the precision of a surgeon, gifting the ensemble with a physical and emotional roadmap that is nothing short of electric." Full Review

90
This Week in New York Blog

"Extremely intelligent and very, very funny, more than worthy of its title...The dialogue in each scene is razor-sharp and unpredictable, as Hnath explores the age-old battle of the sexes with surprisingly modern language...A play that never is condescending or didactic and instead is illuminating and wholly believable...The cast is divinely exquisite...Gold again proves he is one of the theater’s most inventive directors, allowing Hnath’s sparkling words to shine." Full Review

90
Village Voice

“Both powerfully dense and elegantly sparse. Ideas seem to shoot off in all directions...Ibsen might well applaud…Hnath, deconstructing both Nora’s arguments and her opponents’ layer by layer, has reawakened the clash between her psychology and her premises. Ibsen painstakingly planted the seed that flowers, in ‘A Doll’s House, Part 2,’ bearing bitter, complexly flavored fruit that, 138 years later, we still need to learn how to swallow.” Full Review

90
ZEALnyc

"Funny, wise, intriguing, brilliant, and damn crackling good. And as directed by Gold with a fine cast of four it is the speediest 90 minutes on Broadway...The play, in both setting and speech, is a somehow-it-works mash-up of 19th and 21st centuries...The arguments and stories are of their time, yet of ours as well. Just when did Nora slam that door—1879, 1979, or was it last year?...The discussions and arguments and fights we had back then are still with us, and probably always will be." Full Review

90
Show Showdown

“It's as good as everyone says…Author Lucas Hnath tells his story with humor and compassion; Sam Gold directs smoothly and smartly. The cast is excellent: Julie White is snappy yet vulnerable as Nora; Stephen McKinley Henderson is a surprisingly human Torvald; Jayne Houdyshell is her usual wonderful self as the maid who brought up Nora (and is quick to point out that she brought up Nora's kids as well); and Erin Wilhelmi is close to perfect as Nora's sweetly passive-aggressive daughter.” Full Review


100
Clever, Epic, Great acting, Thought-provoking, Riveting

See it if you LOVE laurie metcalf

Don't see it if don't like thought provoking theatre

100
Absorbing, Edgy, Great acting, Great writing, Great staging

See it if you want to see the best play of the year.

Don't see it if you believe Nora should never have left in the first place.

100
Funny, Absorbing, Great acting, Profound, Great writing

See it if you want to see a play in which every line is better than the last. It's brilliant.

Don't see it if you can't afford it.

100
Intelligent, Great writing, Hilarious

See it if You enjoy great writing and acting.

Don't see it if You are unable to question your own values.

100
Funny, Clever, Great acting, Thought-provoking, Entertaining

See it if you want to laugh but also get some really great feminist dialogue. You don’t need to be familiar with Ibsen’s Doll’s House!

Don't see it if you hate women.

100
Funny, Clever, Great acting, Intelligent, Resonant

See it if If you love terrific writing and superb performances!

Don't see it if If you don't like great visitations of the classics...

100
Funny, Absorbing, Delightful, Great acting, Entertaining

See it if You enjoy creative writing and amazing acting. The writing is incredible--it was funny, clever and phenomenally acted. I was mesmerized!

Don't see it if you can't stay up past 8 pm, hate plays in general or are on the fence about your impending nuptials.

100
Funny, Great acting, Thought-provoking

See it if you enjoy great writing; great dialog; great acting

Don't see it if you don't like thoughtful dialog

100
Funny, Absorbing, Great acting, Intelligent, Must see

See it if you appreciate young, new, fresh playwrights and exquisite, intelligent, fast-paced performers.

Don't see it if you are expecting a classic.

100
Great acting, Masterful, Must see, Great writing, Hilarious

See it if This was a MASTERCLASS in acting.

Don't see it if There’s no reason. Tickets are affordable. You’ll be laughing and crying.

100
Brilliant, Absorbing, Great acting, Entertaining, Great staging

See it if you are in the mood for a smart play with social commentary.

Don't see it if you can't handle long stretches of dialogue and few set pieces (which I enjoyed).

Also Brilliant production. The writing has overtly feminist tones and is wo... Read more Read less

100
Absorbing, Clever, Great acting, Must see

See it if You enjoy a play that is entertaining and smart

Don't see it if You only enjoy musicals

100
Great acting, Masterful, Great writing

See it if ...you enjoy truly great theatre, great acting and great character work.

Don't see it if ...you don't like theatrical plays.

100
Funny, Clever, Thought-provoking, Quirky, Great writing

See it if you enjoyed Henrik Ibsen's classic, have strong feminist opinions, or like updated takes on old works.

Don't see it if you want an extravagant performance, elaborate sets, or an easygoing theatre experience.

100
Funny, Great acting, Masterful, Must see, Great writing

See it if You adore, well written, fabulously acted plays.

Don't see it if You don't like plays.

100
Absorbing, Intelligent, Resonant, Great writing, Hilarious

See it if you want to see nuanced, intelligent theater with many different perspectives

Don't see it if you want a literal sequel to A Doll's House. that's not what this is.

100
Absorbing, Ambitious, Clever, Edgy, Epic

See it if This play is unreal. So well written and well acted. It is thought provoking and new. I loved it.

Don't see it if N/A

100
Great acting, Must see, Riveting, Great writing, Hilarious

See it if Just see it. Just go see it.

Don't see it if you hate seeing genius.

100
Absorbing, Great acting, Intelligent, Thought-provoking, Hilarious

See it if you like character-focued plays , with an almost empty scene, focused on great themes that are brought to the audience with a lot of humor.

Don't see it if you prefer plays with a great scene and action, imponent costumes and/or a lot of characters.

Also This play pictures society in a splendid way, talking about the role o... Read more Read less

100
Absorbing, Clever, Great acting, Masterful, Great writing

See it if you appreciate smart humor, tight acting, and modern takes on classic literature.

Don't see it if you don't enjoy nuanced performances and witty dialogue.

100
Absorbing, Ambitious, Entertaining

See it if You enjoy great acting and a great story that you can connect with and become invested in.

Don't see it if You only enjoy musicals.

100
Funny, Absorbing, Clever, Exquisite

See it if you want to see the best play on Broadway in years (even decades).

Don't see it if you want miss a brilliant contemporary take on an 1860's portrayal of a family caught in a suffocating social cage. Nothing ever changes.

100
Funny, Absorbing, Clever, Great acting, Entertaining

See it if You are interested in relationships.

Don't see it if You want spectacle.

100
Funny, Absorbing, Great acting

See it if loved

Don't see it if You cannot get a ticket

100
Funny, Absorbing, Great acting, Must see, Great writing

See it if You can catch original cast. Saw it 7/12. Best play I have seen in years. You like naturalistic plays, enlightenment, a Laurie Metcalf fan.

Don't see it if You don't want to. Can't think of any other reason. Maybe if you don't like one act, fairly short plays on Broadway.

Also I loved, loved this show. All the actors are wonderful. It has so much... Read more Read less



Cast & Creatives (11)