"A dazzling and original musical theatre piece...Startling and entertaining throughout...The role of Patrick Bateman in this daring musical puts Walker center stage with the kind of performance that turned Hugh Jackman into a major musical theatre star in 'The Boy From Oz'…This is a beautifully crafted example of how gifted writers and directors can transform a successful novel into something seemingly brand new." Full Review
“Roberto Aguirre-Sacasa's razor-sharp libretto, looms larger and sparks more debate than ever...The triumph of this ‘American Psycho,’ directed with gale force and fabulous style by Rupert Goold, is that it doesn't get lost in the details informing its brilliant, brutal satire...There is human pain and soulful beauty in Sheik's score...But for all its sobering, scathing elements, ‘American Psycho's’ ingenuity and sheer vivacity will leave you as invigorated as you are spooked.” Full Review
“Based on the Brett Easton Ellis novel which led to the equally controversial movie, this ‘American Psycho’ has been given a sensational high-concept production by Rupert Goold. The story of a Wall Street investment banker who moonlights as a serial killer by night is a high-camp satire of the conspicuous consumption, greed and excesses of the late 1980’s. As anti-hero Patrick Bateman, charismatic Benjamin Walker returns to Broadway for the first time since ‘Bloody, Bloody Andrew Jackson’.” Full Review
“The gloriously gory, sleek, over-the-top musical is a darkly wonderful adaptation of the once-controversial novel by Bret Easton Ellis...The creators haven't held back...Graphic sex acts, torturing, stabbing, slashing, axe-wielding, snorting coke off toilets, unsexy orgies and bones cracking are just part of the horrors...Sheik's electronic-and choral-based score is marvelously varied...‘Selling Out,’ the musical's standout track, is infectious...Come, but bring an umbrella.” Full Review
"A slickly thrilling production, even as impressive as its hunky leading man - amply endowed with a set of pipes and acting chops to die for…Walker perfectly captures the novel's cynical view of Wall Street's narcissistic consumer culture...Roberto Aguirre-Sacasa does a fine job balancing the story's dark humor with its deadly serious overtones…Goold's stylized staging provides us with a uniquely compelling vision…And the performances - all spot on." Full Review
"For those who will undoubtedly see a reflection of the very same shallow New York they still inhabit, the show will be the most terrifying experience they’ve had on Broadway...The show becomes a provocative character study, rather than have the audience study, judge and dissect Patrick and company, we are invited to develop empathy for them, something which proves to be challenging, discomforting and ultimately quite moving." Full Review
"Benjamin Walker is terrific as the increasingly haunted Patrick...Act One is sardonic and kicky—a new kind of slickly cynical. Act Two loses a little steam...but it’s still innovatively presented while re-proving the old adage that sex and violence sell. I loved the show, finding it way more fascinating than the kitschy, more heartwarming musicals made out of old films.” Full Review
"'American Psycho' is so overwhelming that you will remain overwhelmed for most of its lurid two acts. It is a brilliant piece of stagecraft with some terrific performances and musical numbers...The first act is probably the finest on Broadway today and when you head for intermission minus an axe, you really will be shaking your head or just shaking. The mayhem slows down near the end of the second act as a silly love affair goes on way too long." Full Review
"A high-octane nightclub musical that you leave still feeling the reverb of the evening in your chest...Directed by Rupert Goold, 'American Psycho' doesn’t give you a moment to breath...Oft times it was unclear of the true tone of the show, one half pulling toward the absurd, and the other wanting to explore Bateman’s earnest drops of needy humanity. It is this extraordinary sense of disconnect that works...A darkly funny romp into a decade not yet forgotten." Full Review
"The entire production reads like one long MTV video inspired by Lady Gaga. With music by Duncan Sheik, this is a performance that's equal parts weird and wonderful…The songs are more lyrically ironic and nostalgic than melodic, and they take a stab at the big themes of a decade defined by capitalism and greed..In the lineup of musicals this season, of one conviction you can be certain: 'American Psycho' slays. " Full Review
"Goold’s direction makes the production self-aware and satirical, continually poking fun at itself. Sheik’s electro-pop score is so catchy, I’m not-so-patiently waiting for the Broadway cast recording. It is truly a production that has to be experienced live; the new 'Sweeney Todd' for millennials...If you're like us, and eat this type of theater up, it is a sight to behold." Full Review
"The unpredictable careen and stark tonal shifts make for a spin on Ellis’ 25-five-year-old source material/novel that is, well, psychotic. In the absolute best way possible—a real cackling Grand Guignol possessing an unhinged wacky streak that is both hilarious and disquieting...The chic barbarism foundation has been laid, and all that is left is for Goold, Aguirre-Sacasa, Sheik, and a ridiculously hot/on-point cast to revel in it. And the the whole crew does so with panache." Full Review
"This distinctively modern show offers an uncomfortable mix of hilarity and horror…Under the masterfully precise direction of Rupert Goold, this roller-coaster ride will have you peering over your shoulder at the well-dressed patrons behind you…Everyone in the cast excels in this vocally and physically challenging show…Unfortunately, the dragging second act is wrapped up by a sung conclusion that tells us what to think about what we have just seen." Full Review
"Rupert Goold's staging has gained in confidence and élan since London. Bustling, bristling and brilliant, it perfectly captures the queasy, restless energy of a New Yorker hurtling rapidly out of control. Ellis' portrait of a late 1980s New York species of entitled, Harvard-educated investment banker facing existential emptiness is perfectly pitched as a glossy Broadway musical, and the preening and swagger of the characters is matched by that of the production." Full Review
"Did he or didn’t he? That’s the question at the soulless heart of the Broadway musical centered on everyone’s favorite fictional ax-wielding ’80s antihero (Benjamin Walker, staggeringly good)...If you can resign yourself to the story’s innate ambiguity, you’re in for a perversely enjoyable experience. The script captures , and deftly skewers, all of the 1980s’ most over-the-top obsessions...Sheik’s bizarrely catchy, entirely electronic score plays like something blaring at Tunnel in 1989." Full Review
"Aguirre-Sacasa has adapted Ellis’ novel of amorality into a tautly entertaining tale that both mocks the period but also subversively questions the whole narrative…Underpinning the story is the glossily electronica-heavy score from Duncan Sheik of which I have to say I am a big fan…Yes, the show feels a bit like empty calories, it hasn’t much depth to it in the final analysis but like candy floss, it is hugely, hugely satisfying in the consumption." Full Review
"One problem is the story’s essential plotlessness...Lynne Page’s choreography makes excellent use of the 80s’ electro-pop club music that informs much of Sheik’s beat-heavy score, fun to hear but little of it more than momentarily memorable...Benjamin Walker walks the walk, talks the talk, looks the look, sings the songs, and dances the dances. Resistance to him, I’m afraid, is futile. This guy kills it." Full Review
“Is it a first-rate musical? Not quite...But the show is a very sharp, distinctly theatrical treatment of its source material, in many ways improving on Mary Harron's movie version from 2000...Walker is charismatic and commanding, but it's the broken, corrosively conflicted aspects of his characterization that make the performance so hypnotic...Even with its flaws, the musical is a bloody good time.” Full Review
“Sheik’s music gives Bateman a soul...Walker emerges as far more tortured than Bale...Musicals need more narrative drive than movies, and Walker (with help from Aguirre-Sacasa) supplies it...Es Devlin’s set design also provides a marvelous journey...Depending on how you look at it, it’s either horrifying or a hoot that audiences applaud when a musical number ends in mayhem. Goold and his book writer sometimes scrape the bottom, especially with the too easy references." Full Review
"There’s no heart but lots of blood in Duncan Sheik and Roberto Aguirre-Sacasa’s witty musical treatment of the scandalous novel...Director Goold serves up the greedy ’80s vibe with knife-edge tech design and razor-sharp musical choices…The staging is consistently stylish, and the well-drilled ensemble work is consistently impressive. Nevertheless, the second act is disappointing. The humor is less manic, the songs less cutting, and, more critically, the violence is not violent enough." Full Review
“How do you adapt a sadistically violent book for the stage? Tone down the gore and dial up the satire. And that’s how Broadway’s ‘American Psycho: The Musical’ ended up less about a serial killer than about late-’80s excess and synth-pop tunes...The second act flags but the score is strong...Duncan Sheik’s synthesizer-heavy music...delivers a worthy follow-up to his ‘Spring Awakening'...A comic 'American Psycho' you can dance to? Somehow, it works.” Full Review
“With its wicked wit, catchy ear candy and sexy cast, 'American Psycho' gives you a killer buzz—for a while...Director Rupert Goold’s staging boasts signature flash and style...The pace and interest slacken in the second act, when Bateman goes on a killing tear. The rampage generates as much terror as Road Runner and Wile E. Coyote. Minus a keen sense of danger, the show’s point is blunted...Through it all, handsome, hardbodied Walker hits all the right notes, seemingly without effort.” Full Review
“"A triumph of style over substance...The soullessness of consumerist capitalism in the Reagan era is well-captured...The whirling sets, hyperactive videos, bright lights and gaudy costumes eventually produced a feeling of sensory overload and a diminishing conviction that the story was worth all the effort involved. The second act loses some of the early energy. Nevertheless, as its best moments, the show’s style overcomes its flaws and makes for edgy entertainment.” Full Review
"The emptiness at the heart of 'American Psycho' is the source of both its originality and its eventual tediousness. What succeeds as satiric comedy falters when the mood turns more serious. But when the show works, it does so with tremendous flair. This isn't another 'Sweeney Todd,' but its sharp style lifts it above the mercenary rung of most musicals spun from pop cultural ephemera." Full Review
“‘American Psycho’, a musical about a fashion-conscious serial killer, is not the most misbegotten show ever on Broadway. It only feels that way for a couple of moments...The surface of the show is, admittedly, a triumph, visually striking from its first moments…Slickly directed by Rupert Goold...the musical showcases the work of its design team…‘American Psycho’ is well executed – entertaining even – but what exactly is the idea?” Full Review
See it if You love 80s music & have an open- mind to something very different. We laughed throughout the show. What a hoot this show was!
Don't see it if You're not open to the quirkiness of this show.
See it if Well, it has closed on Broadway, but it was a sheer genius. A thought-provoking critique on American capitalism. Great music & choreography.
Don't see it if You don't like '80s music, blood/violence, or shirtless men.
See it if you enjoy new takes on the source material. It's an awesome callback, definitely worth the watch just to listen to the songs.
Don't see it if you don't like horror/thriller shows. It's American Psycho after all.
See it if BEST SHOW I HAVE EVER SEEN IN MY LIFE! BENJAMIN WALKER AND THIS CAST ARE OUTSTANDING! THE SET AND LIGHTING DESIGN WERE BRILLIANT. A MUST SEE
Don't see it if YOURE UNDER THE AGE OF 14
See it if You want a unique original show. Such a power house that resonated once you left the theatre. Strong actors, great choreography and staging.
Don't see it if Take the rated R rating highly. No appropriate for children or family's.
See it if This show will especially appeal to anyone that grew up in the 80's! The writing is clever & original and the acting is superb!
Don't see it if If you are bothered by sex or blood! The show has adult themes and is not good for a younger audience.
See it if You were a fan of the book/film. This production is unique, smart & very sharp! Benjamin Walker commands the stage. Staging is brilliant.
Don't see it if You aren't a fan of foul language, sex and half naked men.
See it if You want so see somthing totally different from your normal Broadway experience be immersed in the world of Mr.Bateman withstunning visuals
Don't see it if not for kids also if your not a fan of sexual situations or blood and if you don't want to see Walker in his tighty whiteys 😜
See it if you loved the book or movie or have ever wanted to stop what you're doing in the middle of the day, run out into the street naked and scream
Don't see it if you are a prude, have a weak stomach or worship the almighty dollar.
See it if you enjoy dark comedy. If you want an interesting look into someone's mind, all with amazing effects & great performances, this is for you.
Don't see it if you want a lighter show. This is heavy and intense right from the opening. This show is not kid friendly either.
See it if You love the 80's and dark humor and dark intrigue. Awesome score and arrangements. Ben Walker was sublime. Affected 80's dialect-terrific.
Don't see it if Rated R. Violent, graphic adult scenes, and bloody. But if you can tolerate that, the surprise ending is satisfying.
Get alerts about your favorite artists and theater companies