See it if A masterfully done play. As one peeled the onion, more & more cleverly revealed about this secretive family. Amazing cast, Paulson shines
Don't see it if There is no reason not to see this amazing play. The almost three hours goes by in an instant.
See it if There is so much to unpack here. The story will draw you in and it won’t let go. For better or worse…
Don't see it if You want a musical, or prefer to shy away from difficult subject matter.
See it if you want a perfectly executed plot from incredible actors who are masters at their craft
Don't see it if longer plays aren't your thing. This show does have a few slower scenes but for me, it was consistently entertaining
See it if You want to see a fast paced play, full of twists, turns and "coupes de theater" delivered by a fantastic group of actors.
Don't see it if If you are sensitive to foul and/or racist language
See it if You love family dramas. You want to be on the edge of your seat during a play both first and second act.
Don't see it if You are sensitive to racism.
See it if The acting is great, the text it’s amazing, the stage, the sound, the lighting… of course the directing… what else?
Don't see it if Hurry up and buy a ticket. I finally got mine after a long wait.
See it if you want to see excellence in writing, acting, directing, stage design, lighting with a provocative storyline
Don't see it if plays are plays, musicals are musicals, for a play you should definitely see it.
See it if You want an absolute fantastic show with a stunning set, incredible acting, and a complex, fascinating story.
Don't see it if You want an upbeat show, have issues with language, or are triggered by racism or family trauma. Read more
CRITIC’S PICK: “...Neugebauer’s direction, which is so smart and swift for most of the play’s substantial length that you feel gripped by storytelling without being strangled by argument.”
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“The sound design, by Bray Poor and Will Pickens, transports audiences into the sweltering discomfort of the South with the overpowering sound of the cicadas that continue throughout the show. ‘Appropriate’ is well worth the buzz.”
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“Neugebauer is doing fine work with the whole ensemble, and Paulson and Stoll provide a supercharged core.”
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"This being a drama firmly grounded in the hallowed miserable-American-family tradition, by the conclusion all the secrets have tumbled out, and the ugly bones of long-held resentments have been picked over. And over, and over—the play runs nearly three hours."
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“...’Appropriate’ provides an ending that’s remarkable in its emotional force and stunning in its stagecraft. Neugebauer, Jacobs-Jenkins and their very fine cast resurrect the spirits of history and leave them abandoned, clamorous, implacable and going nowhere anytime soon.”
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“The story holds together with incredible performances from the entire cast...Racist histories and artifacts are appalling, of course, but it’s the unwillingness to discuss the past that allows these prejudices to fester across generations. These beliefs not only continue to suffocate us as a society but are also wreaking havoc on the lives of families like the Lafayettes every day.”
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“...funny and sophisticated. The jokes are biting and some lines are impressively abrasive. But it edges away from the satire. Neugebauer’s fine direction instead leans into the acid drama of fraught sibling relationships. The play treats each character’s plight with an earnest consideration. There’s a more reflective, tragicomic stance as it considers what happens to families afraid to confront the past.”
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“Clearly relishing their juicy roles, the dream cast has been impeccably directed by Lila Neugebauer, who burnishes the comedy and cruelty to a bright sheen. Her production would not cohere and hurtle as it does without its superbly unified design.”
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