"Hot diggity dachshund, it’s old home week on the campus at Weimar Berlin, otherwise known as the Kit Kat Klub. And if we take off our glasses and squint, we can pretend that life is just as divinely, dangerously decadent as it was when we were all 16 years younger." Full Review
"It seemed nuts but proved shrewd of Sam Mendes and Rob Marshall to retool their dazzling 1998 revival of the Kander and Ebb masterpiece, fit Cumming with a new trenchcoat for his triumphant return, and bring the decadent netherworld of 1920s Berlin back to Studio 54, the revival’s ideal venue." Full Review
"Of course, there will be two audiences for this revival--the audience that saw it then and the audience that didn't.While the former will probably experience fogged déjà vu, the latter may like what they get. Depending on which audience you fit into, you may want to think before you come to this Cabaret." Full Review
"Mendes and Marshall have precision-tooled the production so that its hard, diamond edges glisten with sweat and sparkle. Their staging is tight as a drum, underlining the musical's ingenious construction while briskly maneuvering through abrupt modulations of tone." Full Review
"Is it too much to ask that the current revival of the revisal of the reimagining of the great work still be as good? After all, the Roundabout production opening tonight at Studio 54 is much the same show as the one that closed there ten years ago." Full Review
"Cumming is better than ever. And that freshness is so infectious it spills over into a landmark production that closed in 2004 but feels, with one uneasy exception, as confident -- and about as dangerous -- as if it has been running ever since." Full Review
"Even if you saw it last time, you are strongly advised — no, urged — to return. The reasons to do so include both a familiar face in the cast and a few new ones. Alan Cumming revisits the character with renewed senses of mischief and urgency that will leave you riveted, from the moment he introduces a deliciously bawdy Willkommen to his final, chilling adieu." Full Review
See it if Ms Walkers performance as Sally Bowles is worth the very short trip to LIC. This classic musical is performed with a lovely cast of talent.
Don't see it if If you don't like actors right next to you. Very Sexy costumes and behavior.
See it if you enjoy the music, are not bothered by the statement, but rather appreciate, made in the storyline... enjoy raunchy, fun, lyrics.
Don't see it if you mind some vulgar references... you prefer not to hear stories about abortions, anti-Semitism, homophobia, etc.
See it if you want to see a great show that is still highly relevant, with a masterful Kander & Ebb score and a wonderful restaging from the original
Don't see it if you don't like period musicals or difficult subject matter
See it if you're unable to miss Alan Cumming's seminal portrayal of the MC. This lovingly crafted production of the piece speaks across generations.
Don't see it if you're looking for an easy-listening, enjoyable night at the theatre.
See it if you connect to stories from the 30s and 40s, love Kander & Ebb, or classic musicals. This was a solid revival with some old favorites.
Don't see it if dark, challenging material is uncomfortable for you. You will laugh, but you'll also cry, and see into the darkness in the human race.
See it if You're a human being who hasn't seen this show. It's an enduring work that lures you in with hedonistic fun then becomes dark and chilling.
Don't see it if You're prudish, a child (this show is not for kids), or don't want to address what happened in Germany in the 1930s and 1940s.
See it if want to be totally engaged with a seductive look at the dark side of humankind, want to be thoroughly entertained, to think and reflect.
Don't see it if you do not want to think about Holocaust themes, decadence in Germany during the Nazi regime, issues which may be coming back to haunt us.
See it if you love the musical. Come hear the music play....
Don't see it if you don't want to see a revival of a revival. This was a remounting of the previous revival, but still fantastic nonetheless.
See it if you've never seen Alan Cumming play this part. You've never been to the Kit Kat Klub. It's another fabulous Kander & Ebb score.
Don't see it if you want a Sally who can really sing. Sally and Cliff's story felt very rushed and underdeveloped.