Fuzzy neverlandnew180
New York | 2h 35m | Already closed

Finding Neverland (Broadway)

From 33 critic and 2,970 member reviews
Members say: Enchanting, Entertaining, Delightful, Great staging, Great acting

About the show

This new musical based on the 2004 film tells the fascinating story of how Peter became Pan. More…

'Finding Neverland' follows playwright J.M. Barrie, who needs a big hit to save his floundering career. He finds the inspiration he's been missing when he meets a beautiful widow and her four young sons. Delighted by the boys' hilarious escapades, Barrie conjures the magical world of Neverland and writes a play unlike any that high-society London theatergoers have ever seen. It's a tremendous risk, but as Barrie himself has discovered - when you believe, you can fly.

2h 35m | Already closed | Lunt-Fontanne Theatre (Midtown W)


95
Theatermania

"An enchanting evening awaits audiences...Directed with heaps of fairy dust by Diane Paulus...Finding Neverland is never better than when Paulus and her illusions team create honest-to-god magic through pure theatricality. These moments are not only transcendent in their beauty, but also nearly impossible to do justice through words. No matter how seasoned a theatergoer you are, Finding Neverland feels like experiencing your first Broadway show all over again, and you'll never forget it. " Full Review

95
Showbiz 411

"Loaded for Tony nominations and overflowing with charm...Paulus is expert at whimsy, and so her London shivers with confetti blasts, and delights in oversized bicycles, red balloons, and a hallucinatory clock sequence that I want to see again as soon as possible." Full Review

85
The Wrap

"“Finding Neverland” is a thoroughly enchanting new musical. Diane Paulus, the show’s current director, has kept this musical tale about J. M. Barrie’s creation of “Peter Pan” magnificently low tech...she creates magic not by being literal but recalling stage machinery that’s appropriate to the year of Barrie’s classic play, 1904...The rousing ensemble numbers could be lifted from a 1950’s musical...This production may not be total perfection, but it works real magic with its child’s play." Full Review

85
Entertainment Weekly

"The moments of pixie-dusted perfection come from Paulus’ mind—especially one visually breathtaking moment of swirling, sparkled sadness. When my seven year-old companion (yes, families–this one’s kid-friendly) asked upon leaving the matinee, “Can we go back tonight?” I thought of one of Sylvia’s lines: “You know children. They don’t mince their words.”" Full Review

80
USA Today

"Paulus is saddled with a lackluster score, mostly syrupy ballads and vaguely peppy production numbers. The book, by rising playwright James Graham, is better — hokey at points, but offering enough playful wit and compassion to make this story about the creation of Peter Pan fly." Full Review

75
StageZine

"'Finding Neverland' is a fairy tale steeped in magic. The magic stems not from the special effects, but from the delightful score by Gary Barlow and Eliot Kennedy; at times one would call it enchanting. The book by James Graham is a bit fussy and relies a lot on the obvious jokes...Director Diane Paulus does an admirable job of bringing the show together. Although not as exciting as her previous effort in 'Pippin,' she does get the job done." Full Review

75
WNBC

"The end result is both rousing and erratic, with bits of thrilling stage magic that are signature Diane Paulus, and dialogue that sometimes feels as if it’s been focus group-sanitized to within an inch of its life...The melodies are pop-song good, if not likely to linger long with you. “Finding Neverland” is best in its scenes with surrogate father Barrie and the four boys...I think they’re the ones who deserve a lot of the credit for getting “Finding Neverland” to fly." Full Review

70
Deadline

"Finding Neverland flies. Occasionally it even soars...It's still too treacly and the tear-wringing ending just goes on forever. But there’s an audience for this show, which is visually cunning and something of a warm bath without being too insulting. It’s not for the Sondheim or the post-Sondheim crowd. It’s a sentimental throwback, unembarrassedly so." Full Review

70
Newsday

"For a show about releasing the imagination, the musical is surprisingly conventional -- a down-the-middle family entertainment with excellent actors, as well as sturdy storytelling that recreates the movie with dogged fidelity. Directed by Diane Paulus, the production has a low-wattage wow factor that, though admirably true to the Edwardian period, mostly misses the chance to transform the fantasies in Barrie's mind with 21st century magic." Full Review

70
Perez Hilton

"Harvey Weinstein made a bold and inspiring choice in hiring director Diane Paulus to helm his first Broadway musical...Unfortunately, Paulus' own genius is to blame for "Finding Neverland"'s lack of pixie dust. This production is good but not great...For a musical about the creation of and featuring Peter Pan, one would expect flying and all sorts of theatrical razzle-dazzle. Those moments of wonder and awe are few and fleeting, though." Full Review

70
NJ.com

"Director Diane Paulus coaxes compelling character portrayals. But the work fails to live up to the story's promise. Sure, there are lovely sprinklings of golden fairy dust and actors who take flight. But the music and lyrics by Gary Barlow and Eliot Kennedy too often lean towards syrupy ballads riddled with clichés." Full Review

65
New York Daily News

"Less can be more...If only producer Harvey Weinstein and director Diane Paulus had learned that lesson. To be sure, James Graham, who adapted the story, and Gary Barlow and Eliot Kennedy, who wrote the colorful and melodious score, have come up with much to like in this fictionalized account of the creation of Peter Pan. But Paulus’ staging can — and does — go overboard...The show also strains to be adorable, like a male "Matilda."" Full Review

65
The Huffington Post

"It's at best a treasure chest of only mixed delights...It's not that the present cast and production creative team aren't working up to high levels...to gussy up the proceedings, the writers and director Diane Paulus turn to all sorts of diversions...since this is a musical, the score is the biggest disappointment." Full Review

65
The Associated Press

"Exuberant, quirky and somewhat conflicted about what it wants to be...It's a celebration of imagination that labors hard for a consistent tone and often leaves you feeling manipulated...Part Edwardian melodrama, part love story, part origin story, part valentine to invention and part send-up of the theater itself. There's nothing wrong with that, it's just that each has its own tone. Sometimes Graham is deadly earnest, sometimes he's sly and often he's just trying too hard at both." Full Review

65
Financial Times (UK)

"Swift-moving, playful, and appealing to children...This is not to say that "Finding Neverland" remains consistently airborne. The music and lyrics are redolent of pop-chart uplift and fail to contribute to character development. No matter how many emotionally effective touches the actors and their director, Diane Paulus, provide, the evening keeps returning to those mostly forgettable tunes. The lapses are especially apparent because this is, at heart, a show about artistic inspiration." Full Review

60
DC Theatre Scene

"The flash doesn’t drown out the other aspects of the production. The acting is fine. The musical has funny moments and moving moments. The score mostly offers a sweet, bouncy British pop sound. There is nothing here outright to hate, and the attention to state-of-the-art stagecraft can be justified in a show that offers little real dramatic tension...But understanding the context results in a feeling of disappointment." Full Review

60
New York Post

"What’s most striking is how a show about the power of whimsy and imagination is so lacking in both. Paulus and Company don’t trust intimacy and charm, so everything is overplayed — despite the advice to an actor rehearsing Barrie’s “Peter Pan” to go “smaller.” Peter Pan taught others to free themselves and fly...“Finding Neverland” remains stuck to the ground.". Full Review

55
CitiTour

"Theater doesn’t always gel, even in the strongest of hands. We learn that lesson – in myriad ways, during the new musical ‘Finding Neverland…' The last time is during the final bows of this clearly well-intentioned yet ultimately unremarkable tuner...It never really takes flight or finds its true voice. In part, book writer James Graham simply tries to juggle a few too many stories." Full Review

55
Chicago Tribune

"A troubled musical that does not quite know what to make of Barrie and his famous friendship with the Llewelyn Davies family...The actual finding in "Finding Neverland" never feels logical. Nor does the score, which often has a rootsy, "Big River" feel and, despite some sticky melodies, remains far removed from the show's milieu. The show lacks a journey." Full Review

50
Stage Buddy

"The show seems to live for moments of self-righteous gratification such as a cringeworthy scene in which Grammer’s character is subject of a 'Cheers' pun, complete with a pause meant for the audience to roar with approval and laughter. For a show that should be about the inexplicable magic of creation, every scene seems overwritten. Even Diane Paulus’ direction lacks effervescence, each moment so overwrought that each character seems to be wearing a light-up 'Applause' sign." Full Review

45
Stu on Broadway

"The book moves the story along, but lacks any sustained dramatic tension. We never become seriously involved with most of the characters. The show mostly plods from scene to scene, rarely achieving magical heights...The score is a huge letdown...The songs fitfully spring to life, but only occasionally do they fly or hit a tender chord." Full Review

40
Variety

"There’s not enough flying in “Finding Neverland” — those giddy flights of wit and imagination that make us believe, if not in fairies, then at least that the American musical is still alive and well. Despite the technical marvels that director Diane Paulus brings to producer Harvey Weinstein’s beloved obsession, this ambitious version remains stubbornly earthbound. The lead in its feet has a lot to do with the ponderous lyrics, but at the heart of the matter, this material doesn’t cry out to... Full Review

40
The Guardian (UK)

"Partly a weepie, partly a backstage comedy, partly a biography, partly a romance, partly a kiddie show, partly a magic show, there’s something here for everybody – but not really enough of anything for anybody...Most of the songs are dull adult contemporary ballads, forgotten before they’re even over...Director Paulus keeps throwing in magic tricks and storybook set changes, but no amount of illusionism can make the songs any better or the script and style seem any more definite." Full Review

40
The Hollywood Reporter

"Bombastic and exhausting, the show confuses childishness with an affinity for the child inside, at times recalling "Wicked" in its busily assaultive hyperactivity, but without that show's catchy songs or engaging central character dynamic...A rare blemish on the track record of gifted director Diane Paulus, the show does have a heart-stopping death scene that's both moving and visually spectacularBut the two hours-plus leading up to that moment, more often than not, are a chore." Full Review

30
The New York Times

"The stage version of “Finding Neverland” is no replica of the film, though it might have been better if it were. Instead, it heightens the screenplay’s sentimentality, tidy psychologizing and life-affirming messages by thickening their syrup and corn quotients in ways presumably deemed palatable to theatergoing children and their parents. The show brings to mind those supersize sodas sold in movie theaters. Like such drinks, “Finding Neverland” is largely made up of empty calories." Full Review


100
Delightful, Enchanting, Entertaining, Great singing, Great staging

See it if You love the tale of Peter Pan or the movie Finding Neverland. This is a beautiful show. I love everything about it.

Don't see it if You don't like the movie or Peter Pan. This is a beautiful show that people of all ages can enjoy.

100
Delightful

See it if u like fairies 😊

Don't see it if must see!

100
Delightful, Enchanting, Masterful, Inspiring, Great staging

See it if Need to remember to PLAY every day, love life, enjoyed the movie, love gorgeous music, talented kids

Don't see it if Really, just see it.

100
Enchanting, Great acting, Great writing, Great singing, Great staging

See it if You like Peter Pan and everything flying around him. Great staging.

Don't see it if You wanna loose the chance to see a masterpiece

100
Delightful, Enchanting, Must see, Profound, Resonant

See it if One of my favorite musicals. Matthew Morrison and Laura Michelle Kelly blew me away. I saw it more than a year ago and I'm still reeling!

Don't see it if There is no reason you shouldn't see the show!

100
Funny, Clever, Delightful, Enchanting, Great staging

See it if You love a smooth clean performance with incredible music that will leave shivers down your spine. An enchanting love and family story.

Don't see it if SPOILER You are not okay with character death

100
Delightful, Enchanting, Entertaining

See it if Love great set designs, catchy songs, great story

Don't see it if You don't want to cry and have no imagination

100
Enchanting, Great acting, Must see, Great singing

See it if A MUST SEE!! I watched this show four times, stunning performance, touching story about family and love and childlike dreams...

Don't see it if Nope

100
Absorbing, Delightful, Enchanting

See it if If you want to be entertained. Loved it.

Don't see it if No reason not to see it.

100
Delightful, Enchanting, Must see, Great singing, Great staging

See it if If you are looking to get in touch with your inner child.

Don't see it if You only like super serious thought provoking deep shows

100
Delightful, Enchanting, Exquisite, Intense, Thought-provoking

See it if You love a good story. A classic story retold. Full of magic and energy but very thought-provoking

Don't see it if You don't believe in magic

100
Clever, Must see, Imaginative

See it if You want to capture your kid at heart, and you have a wide variety of imagination.. maybe even a love for Peter Pan, like myself.

Don't see it if You are pretty close minded, but it's still a good show for anyone to see, lighten up the mood a bit.

100
Absorbing, Delightful, Enchanting, Entertaining

See it if You like magic.

Don't see it if You hate having fun.

100
Clever, Delightful, Enchanting, Exquisite, Masterful

See it if You like Peter Pan!

Don't see it if You're looking for more of a mature musical.

100
Enchanting, Masterful, Must see, Entertaining, Great staging

See it if You are a fan of Peter Pan, the story and children's storybooks. Awesome special effects.

Don't see it if You don't want to be moved by a great show

100
Absorbing, Ambitious, Delightful, Great singing, Great staging

See it if You like musicals! Must see! It's real combination of acting, dancing, and singing! For every generation.

Don't see it if Just see

100
Absorbing, Clever, Delightful, Enchanting, Exquisite

See it if you would like to be pleasantly surprised. It has been a long time since I cried at a show, but it was pure magic, and sentimental.

Don't see it if you think that you cannot be a child again.

100
Exquisite, Thought-provoking, Masterful, Must see, Great staging

See it if You want amazing performance and even better acting and singing

Don't see it if You are not looking for a tear jerker

100
Enchanting, Exquisite, Must see, Riveting, Entertaining

See it if Another must see. If you want a truly beautiful night at the theatre that'll make you leave sobbing, laughing, and smiling for hours.

Don't see it if If you don't want to cry.

100
Exquisite, Refreshing, Romantic, Great singing, Great staging

See it if you like Peter Pan and want to know more about the author and the origin of the tale.

Don't see it if you have enough of Peter Pan.

100
Delightful, Great acting, Romantic, Entertaining, Great staging

See it if You love romantic, emotionally riveting script, score and song and dance ensembles. Children charming and Tony Yasbek better than Morrison

Don't see it if You hate stories in music based on real people

100
Absorbing, Delightful, Enchanting, Great acting, Great staging

See it if you love Peter Pan

Don't see it if you don't like Peter Pan

100
Absorbing, Delightful, Enchanting, Exquisite, Resonant

See it if You are happy to get swept up in a magical story and willing to emote in public.

Don't see it if You need to have a technically innovative or ground-breaking theatre experience.

100
Funny, Beautiful, Delightful, Enchanting, Thought-provoking

See it if You love beautiful effects and want to wake up your inner child! BEAUTIFUL SHOW!!

Don't see it if You don't like the story of Peter Pan.

100
Delightful, Masterful, Must see, Entertaining, Great staging

See it if You never want to grow up!

Don't see it if don't believe in fairies


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