Gary: A Sequel to Titus Andronicus
Gary: A Sequel to Titus Andronicus

Gary: A Sequel to Titus Andronicus NYC Reviews and Tickets

(541 Reviews)
Members say
Great acting, Funny, Disappointing, Raunchy, Confusing

About the Show

Three-time Tony Award winner Nathan Lane and Tony nominee Kristine Nielsen star in this world premiere comedy by Pulitzer Prize finalist and MacArthur Fellow, Taylor Mac.

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Member Reviews (541)

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1113 Reviews | 286 Followers
Insipid, Overrated, Raunchy, Banal

See it if If you want to see nathan lane. Some good comedic moments.

Don't see it if If you want a really good comedy, or something worth your money. Most jokes went flat, most jokes were pervie. Terrible shiw.

982 Reviews | 343 Followers
Sophomoric, Wild and weird, Thought-provoking, Antic, Clever

See it if you like crazy absurdist works. Sometimes funny, philosophical, political...and sometimes gross, puerile, repetitive. An extended sketch.

Don't see it if you want trad'l theater. Strg acting, but LOUD (shouting). Scatological humor abounds. Knowing Titus A helps. Ode to Power of Art (and Fart)

911 Reviews | 265 Followers
Entertaining, Funny, Great writing, Great staging, Great acting

See it if you want to laugh-Nathan Lane at his best as clown, fool and maid, with equal support by Kristine Nielsen on a great set with surprises.

Don't see it if you do not enjoy raw humor set in 400 B.C. that relieves the horrors of war with brilliantly written words, marvelous rhyming and timing.

737 Reviews | 112 Followers
Raunchy, Great staging, Great acting, Entertaining, Clever

See it if you enjoy a raunchy and funny sequel to Shakespeare's play. Very clever and entertaining. There is some gross talk but also very witty.

Don't see it if you don't like talk of farts and private parts. The dialogue is very funny but much is off color. Read more

668 Reviews | 131 Followers
Raunchy, Quirky, Funny, Edgy

See it if Funny and raunchy play with dead bodies, blood. Not something you see every day.

Don't see it if Rhyming, Blood, Dead bodies (Not Real), fart jokes, Raunchy humor. Someone needs to get rid of the bodies.

677 Reviews | 190 Followers
Bold, Great acting, Raunchy, Intelligent, Hilarious

See it if u want to see 3 masterful performances in a subversive, multi-layered, satirical, morbid, comical, poignant, thought-provoking, unique play.

Don't see it if u seek a traditional theatrical experience; ur squeamish & unable to fully embrace raunchy humor in the service of very smart lampoonery. Read more

506 Reviews | 1000 Followers
Thought-provoking, Overrated, Great staging, Ambitious, Edgy

See it if Nathan lane is my hero forever. Taylor Mac is a superstar. The set alone is worth viewing. The audience loved the show

Don't see it if BUT..... It is not my kind of humor. With 3 major performers it is a yelling contest,

513 Reviews | 730 Followers
Raunchy, Resonant, Great staging, Great acting, Funny

See it if you're looking for something completely original and don't mind fart jokes and gore (though the gore is not realistic).

Don't see it if you prefer clear language. The show isn't terribly difficult to follow, but there are moments where the characters lapse into poetic verse.

Critic Reviews (48)

The New York Times
April 21st, 2019

"Where carnage and camp coexist — if not exactly in peace, then in a constructive dialectic...For me, at least, the most convincing and powerful moments came when the performances aligned with the gravity of the premise. Gary’s speech about the power of art to create new realities was one such moment for Mr. Lane: You could feel the hope in the hyperbole he spoke of...Strange bird or not, I’m glad it’s here. Not everything perfect is true, and not everything messy isn’t."
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Time Out New York
April 21st, 2019

"An outrageous mix of the absurd and the grotesque, designed to make audiences gape...Lane is tremendous, and Julie White is screamingly funny as the play’s third character, Carol...While George C. Wolfe’s production delivers all the flatulence a person could desire, there are stretches where it runs out of gas...The design elements are all first-class, but impressive through Wolfe’s staging is, a smaller and scrappier production might better capture 'Gary'’s essence."
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New York Magazine / Vulture
April 21st, 2019

"Though it’s Nathan Lane’s name that tops the marquee and Nielsen’s that comes close behind, it’s all but impossible to imagine ‘Gary’ without White’s brilliantly kooky antics. Of the show’s game trio of actors, she’s the one living most comfortably in its heightened, hyperactive yet pensive, tragical-comical-scatalogical world...Despite the fact that Wolfe’s production is pitched pretty much unrelentingly at 11, ‘Gary’ isn’t as funny or as biting as it could be."
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New Yorker
April 28th, 2019

"It is the work of a real writer expressing depths in a popular form...I have never liked Lane and White as wholeheartedly as I did watching them in 'Gary,' mostly because of their and Neilsen’s admiration for the script, and where it takes them as performers. Mac’s words illuminate them...This show is part burlesque, part lyric. Although I am not especially attracted to the former genre, this doesn’t detract from the lyricism we hear and see.”
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The Hollywood Reporter
April 21st, 2019

"Unfortunately, despite the tremendous abundance of talent both onstage and off, the production is mainly notable for being the most batsh*t-crazy thing to be seen on Broadway in many a moon...An attenuated and increasingly tiresome sketch. To be sure, there are plenty of laughs, at least for a while. All three actors deliver virtuosic comic performances...Wolfe demonstrates here that farce isn't his strong suit...The proceedings feel much longer than their 95 minutes."
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April 21st, 2019

"The political satire is pretty much spelled out...But this is low comedy, so expect plenty of fart jokes and penis wagging and doubles entendre interlaced with the sweet humanity and higher-toned political satire...There’s no shortage of art and craft in this offbeat show; but there’s also a limit to how much goofiness a comedy can support, and Mac may have gone over his limit. The jokes start to feel lame and the crude burlesque routines seem a bit cruel."
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The Wall Street Journal
April 25th, 2019

"Lane almost justifies the play during the first half hour as he bumbles around the mound...The play relies on the supposition that all these goings-on have some weighty import—if only they could be properly understood...Perhaps Mac has read too much Walter Benjamin about the salvationary power of death-saturated Baroque tragic drama. What Mac offers us instead is an exercise in self-indulgence, with a dollop of facile allusion and a dose of bad faith."
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The Observer
April 22nd, 2019

"What Mac excretes from the feast is a pungent, runny substance that won’t be to everyone’s taste. Still, give this prodigious artist credit for trying to transmute the Bard’s crassest, bloodiest play into an ethical work of theater...The most enjoyable bits here are visual...Lord knows we need a laugh, and the piece intermittently delivers, thanks to the immensely graceful director George C. Wolfe and the most accomplished farceurs in New York theater."
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