See it if your penchant for O'Neill outweighs the knowledge that this is one of his lesser-known works (perhaps for a reason); you like one man shows.
Don't see it if you require more than one character's input to sustain interest in a show, or if you don't like Forrest Whitaker.
See it if You're a fan of Forest Whitaker
Don't see it if You're expecting Robards
See it if you are a fan of Forrest Whitaker A Eugene O'Neill completist
Don't see it if you want to gain clarity on ultimately an overrated play
See it if You love O'Neil and want to see this terrific character study
Don't see it if you expect more than 55 minutes of show for your $150-200. I also HATED the padding of this 45 minute show with absurd pauses.
See it if you love O'Neill or Whitaker
Don't see it if You want the classic Broadway Drama Experience
See it if You love Forest Whittaker. He doesn't disappoint. Unfortunately the script needed updating.
Don't see it if You wouldn't enjoy watching a monologue with no intermission.
See it if you like the actors and can sit through a 65-minute slow one-act. It's a moderately engaging character study and I'm glad I went.
Don't see it if you have a poor attention span and need a show to go somewhere. Hughie isn't "exciting", but it's an interesting piece if you pay attention.
See it if You're an O'Neill and Whittaker fan
Don't see it if You'll be upset paying full price for 60 mins of show
“With his sleepy eyes, soulful voice and fluttering hands, Whitaker is a superb actor who can wear sorrow like a baggy overcoat. However, as watchable as he is, the real star of Michael Grandage's production is the design team…Grandage and his team of frequent collaborators have honored the inherent theatricality of the slender piece while fortifying it with an immersive cinematic presentation.”
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“Whitaker may have an Oscar but his Broadway debut is largely inconsequential — he brings no heft or insight to Erie Smith…Michael Grandage’s direction emphasizes a spooky atmosphere that makes you wonder if the characters are dead and in some kind of purgatory. It’s an interesting thought to ponder, which you’ll have time to do as you daydream during Whitaker’s monotone monologues.”
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“The hour-long show passes quickly, and as Erie’s stories get bigger, the man himself seems to get smaller…‘Hughie’ exacts complex, commendable performances from its two leads, both effectively carrying the show’s study into a man’s need for success, both real and perceived. There’s only so much a shorter show like this can answer — I was left wanting to know more about both Erie and the night clerk after I left for the night — but it’s still a hotel stay you won’t regret."
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“There’s a reason why O’Neill’s 1942 two-hander ‘Hughie’ is usually presented on a double bill: it is only an hour long and is essentially a rambling monologue…Oram’s towering set design of a decaying hotel lobby is visually impressive but inappropriate for such a small piece. Whitaker gives a hyperactive yet sensitive performance…while Wood does a fine job serving as the blank-faced listener.”
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“Whitaker's inexperience is clearly evident throughout the first two-thirds of the evening…Yet as we come toward the end Whitaker suddenly comes to life. The artifice in his line readings virtually disappears…Whitaker's physicality is extremely surefooted and thoroughly heartbreaking...If only he could get the first half of his performance up to the level of the second, this 'Hughie' would be a safe bet.”
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“Whitaker's performance is far too undistinguished…Under Michael Grandage's direction, he's a rather ordinary...There's little depth, or even vocal variety in his portrayal and the proceedings get dull quickly. It would be unfair to say that Wood steals the show with his tiny role, but his fine, understated turn is a lovely display of a stage actor's craft.”
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“Whitaker delivers a thoroughly amiable and thoughtful performance…The problem with Whitaker's approach, however, is that it's a shallow one… moments are angled so wide that they become arid, not rich, and feel more like filler…Although Whitaker is not there yet, he may still make it. The energy, resourcefulness, and raw ability he shows here suggest it's a distinct possibility. But right now, like Erie, Whitaker is potential and fantasies unrealized, underutilized, and underwhelming.”
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"Director Michael Grandage has taken an unconventional approach in presenting this small-scale work by creating tremendous imagery with theatrical stagecraft that inventively and faithfully realizes the material...This production of 'Hughie' vividly fulfills O’Neill’s intentions with its inspired physical representation and engrossing performances."
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