"It’s an unusually bare staging for Broadway, stuffed with ideas but stripped clean of folderol. For the majority of the company, director Sam Gold has settled on a kind of still-in-rehearsal vibe, with big events whirling up out of an empty theater lit dimly by ghost light. Who is a witch and who is a laird in any single moment seems fluid — appropriately for a cast hamstrung repeatedly by COVID setbacks, anyone might play anyone. In contrast, Craig and Ruth Negga, as Lady Macbeth, are incontrovertibly stars, gliding across the space like slow, gleaming peacocks. They are dressed differently, conceived differently, even move differently from the rest. The result is oddly cool and lonely. "