See it if love the movie & the songs. its wonderful & you'll find yourself singing along Excellent I can't say enough Rebecca Naomi Jones Nails it!
Don't see it if don't like musicals or a little twerk to the story. Don't like chili or corn bread. Stay and have a home cooked meal!
See it if You're open minded, and curious about who we are, as a nation.
Don't see it if You like your theater friendly and simple.
See it if you are interested in a fresh take on a classic! Immense talents and a full-sensory experience. Beautiful orchestrations.
Don't see it if you are overwhelmed by extreme stimuli (blackouts, gun shots, graphic violence and sex) or are attached to a more classic interpretation.
See it if The deconstruction of a classic American musical inspires you.
Don't see it if There’s no reason not to see it. Even if you are a traditionalist you will gain insight. Step out of the comfort zone.
See it if you are ready for a reimagining of an American classic that is perfect for times when the world is on fire.
Don't see it if you think you know how Rodgers & Hammerstein "should be done." Read more
See it if Want to see a great classic reinvented in a very cool way. Great acting!
Don't see it if It’s a bit violent in parts.
See it if GO! This is one of the best experiences of my theater-going life. It’s Oklahoma! as you have never imagined it before.
Don't see it if you do not want earlier memories to be upended by a radical re-interpretation of this classic musical. Read more
See it if You want to see a classic musical completely reimagined for a contemporary audience
Don't see it if You want to see a typical production of a classic musical
"Fish’s wide-awake, jolting and altogether wonderful production...Such a metamorphosis has been realized with scarcely a changed word of Oscar Hammerstein II’s original book...A cozy old friend starts to seem like a figure of disturbing — and exciting — depth and complexity...It was an exciting work from the get-go, but it just keeps getting better. The performances are looser and bigger; they’re Broadway-size now, with all the infectious exuberance you expect from a great musical."
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"Fish’s fascinating and unsettling reimagination...has moved to Broadway, with its immediacy, strangeness and eerie sense of danger intact...Seeing the production a second time allows one to appreciate not only the striking darkness that Fish and company have teased out of the material, but also the light they shine on small details. It's thrilling to see a Broadway classic rise to the challenge of so modern a conception. ‘Oklahoma!’ it remains, but there's nothing corny about it."
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"On my second visit to its cornfields, I was struck not only by the production’s menace but by its joy. This 'Oklahoma!' is no stuffy academic revisionist exercise — it’s a theatrical blow-out...The production has gotten fuller, freer, and funnier in its Broadway transfer...I respect a musical that gives me extraordinary performances, gorgeously reimagined songs, a piercing allegory of the American experiment in all its vigor and its brutality, and a cast that knows what they’re working with."
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"A bold reimagining of a familiar work can deliver an altogether different and far more startling thrill, bringing out unexpected textures and exposing previously subterranean thematic seams...For audiences open to experiencing 'Oklahoma!' from a fresh perspective, director Daniel Fish's probing revamp will be a revelation...Even more impressive though is the fact that it remains such bracing entertainment, compromising neither the drama nor the comedy."
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"A crazily experimental theatrical experience...But this revival of ‘Oklahoma!’ happens to be terrific fun, too...The ensemble’s interactions are casual, loose, wiry, and scrappy, with an energetic sense of anticipation, and their singing, while full-throated, can also be raw...When director Fish’s inventively eccentric notions and Rodger and Hammerstein’s confident showmanship completely fuse, you stop fretting about incongruities — the effect is magical."
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"The audience is just a pounding heartbeat away...The wonder of this production is that so much of the joy and optimism of the original work still shines bright through the darkness...Fish exposes those sexual passions that are kept firmly repressed in traditional productions...The only failure with this let-it-all-hang-out directorial style is the Dream Ballet, which is supposed to hint delicately of the lovers’ yearnings but is here allowed to go on ad nauseam."
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"Hammerstein’s large-spirited, all-American optimism is dismissed with contemptuous irony as a tool of the patriarchy at its most violently oppressive..Is there anything good about this production? Absolutely. For openers, Ali Stroker...Mr. Fish’s 'Oklahoma!' is a travesty, a sneering burlesque of the most influential and beloved Broadway musical of the 20th century. If the Rodgers & Hammerstein Organization had any self-respect, it would shut the whole thing down."
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"Cheapened and vulgarized...Designed to appeal to kids who have never heard of ‘Oklahoma!’ and ignorant ticket buyers who hate musicals in general and avoid anything categorized as ‘old-fashioned’ in particular...Everything that can go wrong in a lunkheaded misguided musical actually manages to do so...There is evidence that the cast can sing, but everything has been done by director Daniel Fish to disguise the fact."
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