Closed 2h 15m
Significant Other
Midtown W
83

Significant Other NYC Reviews and Tickets

83%
(604 Reviews)
Positive
90%
Mixed
7%
Negative
3%
Members say
Funny, Great acting, Entertaining, Clever, Relevant

About the Show

The comedic and heart-wrenching off-Broadway hit transfers to Broadway. Make a date with Jordan (Gideon Glick) as he navigates friendship and courtship as a terminal single in New York City

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Member Reviews (604)

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50
Cliched, Slow, Overrated, Insipid, Well-acted

See it if you can't get enough of Will & Grace; you want to see some fine performances by a cast doing their best to elevate pretty shallow material.

Don't see it if you seek something better than a 2nd-rate gay sitcom with a few chuckles and nothing new to say about modern relationships.

80
Entertaining, Relevant, Slow, Good staging, Good acting

See it if Harmon's clever look at millennial relationships veers between insightful to glib Good ensemble work around Glick's hyper lead performance

Don't see it if Glick works tirelessly to find sympathy in Jordan's overactive, neurotic self-centeredrness but ultimately fails or was that Harmon's point?

Critic Reviews (63)

March 2nd, 2017

"Though there are plenty of details that identify this brightly performed play as belonging to the immediate present, 'Significant Other' often seems to hail from another era...Despite a thoroughly engaging and interdependent ensemble, which conveys the prickly intimacy of longtime acquaintance, 'Significant Other' ultimately talks too much and too explicitly...The play’s structure can start to feel like a sustained musical vamp with only slight variations."
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March 2nd, 2017

"Gay characters in mass culture often serve as supportive accessories in the marriage plots of others, but Harmon keeps Jordan in sharp, brutally revealing focus...Glick delivers a star-making, gut-wrenching performance of deep sweetness and quicksilver mood shifts...Directed with ideal snap by Trip Cullman...Don’t underestimate the value of a smart new American romantic comedy on Broadway: It’s a rare thing indeed, and worth celebrating."
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March 2nd, 2017

"Although Joshua Harmon’s sour comedy has many fine supporting qualities — wit, a neat structure, lacerating dialogue, and a clutch of terrific performances from a cast led by Gideon Glick — they don’t have very much to support...Director Trip Cullman has tightened the staging tremendously, vanishing the dead spots...Despite all the tightening, and all the emotion, 'Significant Other' is still a lot like one of those rituals: a happy occasion, somehow, yet loud, tiresome, and overlong."
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March 2nd, 2017

"Under playwright Joshua Harmon's compassionate gaze, that potentially mopey, extended sitcom scenario becomes by turns hilarious and poignant, delivering a relatable contemporary take on the old-fashioned theme of waiting with increasing impatience for Mr. Right...A big part of what prevents this delightful play from turning either trite or maudlin is the wonderful performance of Gideon Glick...'Significant Other' is consistently pleasurable, funny-sad entertainment."
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March 2nd, 2017

"Stereotypes are dangled...The dialogue can feel rom-com-ish...But what emerges as this play progresses is something sharper and more unsettling. If Harmon doesn’t eschew cliches — the playwright wields them with surprising wit, in fact — he has crafted, in Jordan, a central character who defies them...Glick’s meticulously shaded, irresistibly human performance is further supported, under Trip Cullman’s nimble direction, by other costars."
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March 3rd, 2017

"Cullman repeats his directorial chores with the same insouciant ease while his collaborators make some smart adjustments for the larger Broadway house. Playwright Harmon strikes the perfect balance between comedy and pathos — with the emphasis on comedy...The wonder of his humor is that, while it reflects a youthful sensibility, his clever jokes appeal to all ages...Harmon is that kind of playwright: He makes you laugh, he makes you laugh harder, and then he makes you choke."
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March 2nd, 2017

""All this is the stuff of light entertainment...and 'Significant Other' aspires to nothing more for roughly three-quarters of its length...Halfway through the second act, it suddenly metamorphoses into a different play...The cliché tap is shut off and every character becomes touchingly real, the way they should have been all along...Even when he’s being slick and safe, Mr. Harmon knows how to put a script together, and Trip Cullman, the director, has gotten the most out of what’s there."
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March 7th, 2017

“A dreary New York theater season has suddenly come vibrantly to life with ‘Significant Other’…Gideon Glick is simply marvelous, and so is the play and everyone in it…Joshua Harmon writes with heartbreaking truth and bittersweet honesty. Trip Cullman has directed with warmth and a refreshing lack of sentimentality. Although the entire cast is splendid, it is the career-defining centrifugal force of Glick that holds center stage captive.”
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March 2nd, 2017

"The latest play to move from the Roundabout’s off-Broadway truck farm to...Broadway...The play’s strengths and weaknesses both are cast in brighter relief...'Significant Other' is more sensitively drawn than his acrid comedy 'Bad Jews,' though they share a certain glibness and a maddening disconnect from any world outside their own hearts...One of the finer things about 'Significant Other' is that it has in store for us a surprise ending that feels organic, and sad, and true."
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March 2nd, 2017

"Hilarity comes from spry, occasionally crude one-liners showcased to the max by the fine cast as well as Trip Cullman’s deft direction...The annoying part? Contrivances, cartoonishness and the play’s retro sensibility. Why no same-sex nuptials? And peripheral gays are either 'Hey girl' dopes or pining mopes...Glick gives a stellar performance, but self-loathing Jordan gets the pity party he deserves."
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March 2nd, 2017

"On second viewing, I can appreciate it as a fully developed portrait of a shy, sensitive and self-effacing young man confronting social pressure and his own emotional needs. There is a constant fluidity to Trip Cullman’s production, which bounces between short scenes using a tall set that evokes workplace, club and home settings and precise lighting changes. Glick is so adorable and vulnerable that you feel compelled to jump onstage, give him a hug and find him a date."
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March 2nd, 2017

"As skillfully well done as it was before, with director Trip Cullman once again providing a keen, realistic eye to guide the proceedings...A ferociously hilarious, unbearably sad, and astonishingly relatable portrait of the formative friendships we have in our youth...There's a beautiful realness to 'Significant Other.' It's the rare Broadway production that so expertly captures the painful uncertainty of what life is like at the end of an era."
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March 3rd, 2017

"The combination of Harmon's script, which nicely glides between hip humor and touching explorations of loneliness, and the leading performance of Glick - tousled, empathetic and cheerfully witty - might be enough to turn the most cynical soul into a hopeless romantic...There's a noticeably new spark in director Cullman's production, that neatly glides from effervescent to emotionally raw...'Significant Other' is a significant contribution to this Broadway season."
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March 2nd, 2017

"A touching and delightful play...The terrific actor who plays Jordan, Gideon Glick, imbues him with the kind of warmth, humor, and unsullied pathos that's all but unheard of among even today's brightest young stage stars...Although Harmon has painstakingly chiseled Jordan, he's accomplished no less with the other characters...With all the brilliance at work here, 'Significant Other' passes briskly."
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March 17th, 2017

“Unsuccessfully blending comedy and drama, ‘Significant Other’ is a sullen though fitfully compelling take on contemporary romantic life in New York City…It’s well constructed, the dialogue is snappy and filled with some funny one-liners…Moderately entertaining, it attempts to explore a prevalent societal issue, but is undermined by its off-putting main character and its rarified sensibility...An excellent production that cannot compensate for its problematic core."
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March 2nd, 2017

"Trip Cullman directs these proceedings with laser-like precision, getting every laugh out of Harmon’s sharp-witted yet consistently truthful script...Cullman is to be equally commended for guiding all of his actors so well. But the highest praise goes to Glick, who delivers a truly all-out, no-holds-barred performance, both emotionally and physically, that should be remembered come Tony Awards time. It’s that significant."
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March 2nd, 2017

"Harmon once again proved himself to be a wonderful wordsmith and astute chronicler of the quandaries faced by the contemporary young adults...Basically this is an old-fashioned romantic comedy, but with newfangled details and a leading character who's gay...This is a virtuoso performance by Glick. He's on stage throughout, balancing self-absorption and immaturity with vulnerability and charm...Staged with great imagination and style by Trip Cullman."
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March 13th, 2017

"I laughed, I cried, I stood on my feet clapping. And coming from me, that’s actually high praise...While the entire cast is wonderful (kudos to Luke Smith and John Behlmann for each playing three completely different characters so distinctly), Gideon Glick knocks it out of the park. He made Jordan so relatable to everyone in the audience...His performance in the final scene, Laura’s wedding, where I swear I saw unshed tears in his eyes, had me shedding them."
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April 19th, 2017

“‘Significant Other’ might have been the most refreshing show of the Broadway season, if the season was 1989...But in the year 2017 its escapism isn’t admirable, it’s downright cowardly…What Harmon has done in the play is simply transpose all the traits of a cliché rom-com heroine and given them to a gay man…It should serve as cautionary tale not for selfish characters, but for the writers who fail to see the world has changed and choose to celebrate what made it ugly.”
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March 2nd, 2017

"If the basic plot were the sum total of 'Significant Other,' it would be easier to dismiss as thin, repetitive and self-pitying. But what 'Significant Other' has going for it is significant, especially some very funny moments and a supremely winning cast...Glick invests the role with just the right notes of comic awkwardness, energy, and warmth, accompanied by a consistent underscoring of melancholy. He makes his character both adorable and irritating."
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March 3rd, 2017

"Joshua Harmon’s moderately appealing comedy...Glick is excellent and extremely likable, causing the audience to root for him...Still, the only new aspect of this often-told plot line is that it is viewed through the lens of a gay man. Ultimately, it’s just not enough...'Significant Other' translates simply to a good date: It’s attractive, it has some wit and a decent personality, but there’s just not enough substance for a full-fledged commitment of time or money."
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C
March 10th, 2017

"Harmon doesn’t settle for familiar problems or solutions. Instead, he delves thoroughly into Jordan’s troubled psyche to reveal a young man sinking from heartbreak...The strength of 'Significant Other' lies in Harmon’s willingness to explore all these possibilities without forcing a definitive conclusion on his audience. Harmon and director Cullman are blessed to have an actor as versatile and gifted as Glick playing Jordan...He can be fun and lively as well as lonely and desperate."
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March 9th, 2017

"Much of the acting, both the highly lauded Glick's and that of the actresses, all of it highly polished, is pushed to unnecessarily energy-consuming extremes, making every moment seem like a this-is-about-me bit where I get to show how charmingly funny or dramatic I can be...Everything about 'Significant Other' has about it a been-there, done-that feeling, reminding us of TV shows, movies, and other plays with similar characters, situations, and dialogue."
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March 2nd, 2017

"A friendly, rollicking, sweet and altogether delectable comedy for today...'Significant Other' is as warm and friendly and lovable as a short-legged, long-eared puppy, and Gideon Glick is just as cuddly...Director Trip Cullman makes a delayed but assured Broadway bow...Mix Harmon’s warm-hearted script with Glick’s superb performance and the artfully flavorful assistance of Mendez and Barrie, and you’ve got an exceedingly winning Broadway comedy."
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March 2nd, 2017

"The show never feels derivative, even though you might get the impression you’ve seen this distraught hero before through a different prism in an alternate universe...How much real despair you see in this 29-year-old’s situation may depend on whether you’re closer in age to Jordan or Grandma...A more stoic ending would be preferred. Tears are for audiences, not leading men, regardless of their character’s sexual orientation."
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March 2nd, 2017

"A slick, well-made, funny-sad new Broadway comedy, the kind that doesn’t often get a first-rate commercial production these days...Cullman draws smart, entertaining performances...What lulls us into the comfort of a good-natured, finely crafted party-play has a serious core of loneliness, which is lovely. In the very center of that core, however, are characters with no life...I question whether this is the way things are right now. If so, this could be the saddest comedy I’ve ever seen."
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March 8th, 2017

"Everything about 'Significant Other' is off and deeply confusing...Harmon seems to believe this is a comic drama with something searing to say about the pain of loneliness in the modern world. But because Jordan isn’t just a normal guy with normal hang-ups who is unlucky in love or hasn’t met the right fellow yet, he’s unrelatable...The fault here begins and ends with the playwright...On the bright side, Cullman has honed the cast to fine effect."
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March 2nd, 2017

"The evening merely becomes an extended sequence of his irritating whining. The play’s peppy (occasionally extremely funny) comedy ill-balances its very dark heart, which is really about one man’s terrible isolation...This trajectory of 'Significant Other' is studded by a baffling series of plot add-ons that go, disappointingly, nowhere—leaving a trail of intelligence-insulting red herrings. It feels like there is a much darker play here buried under a confected whipped cream of levity."
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March 3rd, 2017

"In its move to Broadway, Harmon’s play has been puffed up into something of a broad sitcom...Rather than digging into the underlying causes of his fears and insecurities as a queer person, the production presents Jordan as a sort minstrel of gay neuroses and delusion...Where Harmon’s easy humor previously allowed viewers a way in to a story that revealed itself to be something more sad and unsettling, laughter now drowns out most of the play’s tender moments."
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March 2nd, 2017

"Playwright Joshua Harmon and director Trip Cullman make their Broadway debuts with the very funny and ultimately poignant 'Significant Other'...Cullman’s direction skillfully balances the humor and insight of the story, as Jordan’s situation goes from silly to serious...Gideon Glick is irresistible as the insecure, anxiety-ridden, and romantically inept Jordan...It’s witty and sensitive, and it will leave you thinking about the old friends you left behind."
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March 2nd, 2017

"Seeing it on Broadway, my feelings about the character, Jordan, had changed. I liked him, and the play, a lot better...Fluidly directed by Trip Cullman...Harmon is a very talented, humane playwright with a sharp eye and ear for the foibles of youth. But I think what made me appreciate his play more this time around was the deepening of Glick’s performance...Jordan still has his annoying qualities, but they’re embedded in a recognizable humanness."
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March 2nd, 2017

"An endearing romantic comedy...Glick has fully realized his character...One word for this performance? Relatable...Barrie’s earning deserved accolades for this role, and it’s because of her unsaccharine performance...These actors have had time to steep in their roles, something we see manifest in silly, spastic, surprisingly well-choreographed dance sequences at assorted bachelorette parties. The piece ends in a sincere fashion."
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March 23rd, 2017

"Has fiercely funny moments. Well, funny in a bittersweet but truthful way...Cullman directs the play with care and understanding...Jordan's friends and his grandmother are all distinctively portrayed characters, adding layered portraits to this universal play. Mendez is a standout with affable tangibility as Laura but it is Glick who grasps the audience with a sensitive, intuitive portrayal of Jordan. His moments of humor ring with wry honesty and his desperation is piercing."
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March 6th, 2017

"The play is nothing new—the eternal bachelor who has problems with the dating game is a familiar theme—but it’s done with wit and pathos, and having a lead character who just happens to be gay gives the whole thing a fresh twist. Gideon Glick is tremendous...Glick makes Jordan adorably appealing, while also letting us see how his self-pity can turn to rage and jealousy...'Significant Other' is light and snappy, but pretty irresistible. Bring a date."
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March 3rd, 2017

"The kind of work that deftly sneaks up on you, disarming you with laughter, until it darkens and deepens and then leaves you devastated...This is not the starriest or showiest Broadway production right now -- but it might just be the most affecting...Glick delivers an arresting, funny, prickly performance, building to a spectacular meltdown...Glick's final, silent moments in the show are a league beyond -- it's the best male performance I've seen on Broadway this year."
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March 8th, 2017

"A harmless comedy...The three BFFs are not so much real characters as they are stereotypical TV sitcom characters...The hardest part, Jordan Berman, becomes a buzzkill by the end of the play...Glick skillfully changes moods like a chameleon and makes the part believable...There are funny and touching moments in 'Significant Other'...Thanks to Trip Cullman’s fast-paced, breezy and inventive direction, he keeps this otherwise obvious fluff story afloat."
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Z
March 3rd, 2017

"Either the saddest play I ever laughed my way through or the funniest play I ever left in tears...A well-written, perfectly cast, laugh-filled comedy is a thing of beauty...Glick’s performance carries the play, delivering sweetness instead of sentimentality and turning what could easily be a far too shallow and irritating character into a heart-wrenching portrait of a good person in trouble...Glick’s is a perfect performance...Director Trip Cullman maintains the pace perfectly."
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March 2nd, 2017

"It has lost nothing in its transfer to Broadway, and, in fact, gained the terrific Rebecca Naomi Jones as a cast member...Once again, I was utterly struck by Jordan's summation of what it all means: finding someone to go through it with...This is the tone playwright Harmon and gifted director, Trip Cullman, sustain throughout: bracing honesty with some lightheartedness and laughs, tracing the highs and lows of relationships...Off-Broadway and on, I was moved by the final tableau."
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March 10th, 2017

"With smarts, sass (literally) and sensitivity, playwright Joshua Harmon tackles the subject of singlehood and tugs at you winningly with humor and heart...Glick does a wonderful job capturing the insecurity beneath his character’s playful exterior. This is a highly memorable star turn by Glick. His face is an emotional canvas, and, he is well supported by the entire cast...Harmon’s got good taste in writers and wit and insight to spare."
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March 4th, 2017

"The big change is that Glick seemed to have toned down the irritating characteristics of Jordan. I now felt deeply for this young man whose immaturity seems to be one obstacle in hampering him to find the right guy...Even some of his antics which were originally grating are now quite charming. It appears that Glick has delved deeper into Jordan along with what might be the great help of director Cullman...I must say I was completely taken with every moment of this production."
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March 28th, 2017

"I think this is the kind of play that certain gifted young playwrights need to write; exploring the world they know and the people they know from the perspective they know. But there’s a callowness at the core, and to me...it feels like a play revealing truths that are only deep if you’re still of that generation and trying to dope things out...Anyway: well directed and well acted. And don’t let me dissuade you from the ride. Just don’t kid yourself about what’s under the hood."
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March 9th, 2017

"The Broadway transfer has only strengthened the play. The often quick scenes flow effortlessly and bleed into each other. And all but one cast member, Rebecca Naomi Jones, transferred from the off-Broadway production, and all give strong and unique performances. But this time around, I did feel differently for Jordan. Truly a complex, complete and relatable character, he is a man who longs for a relationship but is in no way ready for or deserving of one."
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March 12th, 2017

"A flawed if fiercely funny and relatable look at obsessive yearning and the vicissitudes of the once-impermeable friendship bond after Mr. Right comes along...Glick’s charisma makes the character’s incessant whining simmer with pathos, but also rings my therapist bell...Happily director Trip Cullman keeps the action moving, preventing the characters’ lack of growth from slowing down the entertaining proceedings."
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June 18th, 2015
For a previous production

"Tenderly unromantic romantic comedy about a gay man aching for love in the 20-something years, when that ache cuts down to the bone. The play is directed with nimble grace by Trip Cullman, and is as richly funny as it is ultimately heart-stirring...Writing with a buoyancy belying the play’s undertow of sadness, Mr. Harmon acutely captures that perilous period in young adulthood when friends from college and work begin paling into mere acquaintances."
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June 18th, 2015
For a previous production

"Directed by Trip Cullman with a gimlet eye for social nuance, 'Significant Other' is a sharp but bittersweet New York comedy studded with wry one-liners. The play’s main assets are right up front, in the keenness of the writing and the humanity of the performances. 'Significant Other' makes you slap your knees until you notice they’re bruised."
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June 19th, 2015
For a previous production

"Nice or even exquisite writing doesn’t make a play. Part of the problem is that Harmon’s themes are so thin and vaporous; another part is that they are so frequently and baldly stated...Oddly, the production seems at pains to emphasize rather than disguise the inertia."
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June 18th, 2015
For a previous production

"The play brings subtlety and nuance to factors beyond Jordan's romantic ineptitude and immaturity. Without judging, Harmon also offers an honest examination of the hidden clauses and imbalances in friendships between women and gay men, illustrated by the fact that...he's never a core member of the bridal party. In many ways, 'Significant Other' is a perceptive gay male variation on female-centric screen comedies about corrosive relationship envy."
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June 18th, 2015
For a previous production

"The dialogue here is sharp, unapologetic and witty. He veers into Sapville, however, with Jordan’s grandmother Helene, who gives one of those wise-old-woman speeches toward the end of the play about romantic struggles just being a chapter in a long book. As Harmon would say: Ugh! For a chilling moment, I thought we were headed for a Hollywood rom-com ending, with a cute guy tapping Jordan on the shoulder just as he’s feeling like he’ll never find love. But this is no rom-com, and it’s all the more 'Significant' for that."
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June 18th, 2015
For a previous production

"You know that sinking feeling when you look around and realize that all your friends are married? Harmon heads for this lonesome place from the very beginning of his frightfully funny relationship comedy, 'Significant Other.' Cullman helms his flawlessly cast ensemble through laughter and tears as all but one of four friends finds the right mate. The lone outcast is the youngish gay man...As played by the irresistibly lovable Glick, you want to fix him up or take him home for yourself."
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June 18th, 2015
For a previous production

"Will resonate with everybody who’s ever forked over hundreds of dollars on engagement bashes and bachelorette parties, not to mention the weddings themselves. Overall, 'Significant Other' is a lot mellower than the withering 'Bad Jews,' but that one scene almost makes up the difference...Director Trip Cullman keeps the action moving fluidly, and the appealing actors mine every drop of comedy and pathos from the script — which, underneath its brashness, is at heart fairly conventional."
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June 18th, 2015
For a previous production

"By turns hilarious, heart-tugging and aggravating, the play is exactly like its main character, Jordan...This is an old story — and, as presented, a very old-fashioned one...The length of Harmon’s play isn’t an issue. It’s the familiarity and contrivances that significantly blunt its impact."
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June 18th, 2015
For a previous production

"It doesn't take long for 'Significant Other' to prove itself one of the most astutely observed contemporary works about loneliness and the eternal quest for companionship. With a text that layers humor over a very realistic melancholy, Harmon's second play shows a greater maturity and self-assurance than his first, and also makes more of a profound impact...'Significant Other' is an extremely relatable must-see."
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June 18th, 2015
For a previous production

"Joy and pain travel hand in hand in relationships of all stripes, but rarely is the interconnection between the two feelings explored as fully, and as blissfully, as it is in 'Significant Other'. Joshua Harmon's winning new play...What makes the performance — and 'Significant Other' — are the quieter moments...His battle is ours as well, Harmon warns, and not something to take for granted, especially if we're not in that place ourselves."
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June 18th, 2015
For a previous production

"Hilarious and bittersweet...The kind of all-out, no-holds-barred performance, both emotionally and physically, that some actors might be afraid to. Ultimately, 'Significant Other' may not end up being a significant addition to the theatrical canon, but it serves up an evening’s entertainment, food for thought, and a starring role that actors around the country will be dying to sink their teeth into."
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June 29th, 2015
For a previous production

"Harmon offers an offbeat balance of comedy and drama, of character and caricature, and director Trip Cullman deals with the material with equal strangeness, but not without effect. He injects an overload of physical comedy into the proceedings which sets the action spinning at a proper pace."
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June 18th, 2015
For a previous production

"'Significant Other' is another smart, laugh-a-minute, contemporary comedy from the author of 'Bad Jews...' Sondheim or Wasserstein, both or neither; Harmon is in good company with 'Significant Other.' This one is not as immediately startling as 'Bad Jews,' but every bit as rewarding and funny. Keep 'em coming, Mr. Harmon."
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June 19th, 2015
For a previous production

"'Significant Other' is often amusing and insightful but tends to be too much of a mostly good thing. The work suffers from excessive repetition, uneven tonal issues and an underdeveloped protagonist. Still, the time passes quickly enough, thanks to the fluency of Harmon's writing and the ease of director Trip Cullman’s smart staging. "
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June 19th, 2015
For a previous production

"A funny and touching if narrow-minded new play...Harmon writes frank and disarming humor with a natural hand, and finds novel ways to express his characters’ neuroses. There’s also a freshness to Harmon’s depiction of universal experiences...But, Harmon’s play begs some big questions that aren’t answered here, like: Where are Jordan’s gay friends? Why is he only attracted to straight-acting men? And why does the play’s only flamboyantly gay character essentially serve as a punch line?"
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June 19th, 2015
For a previous production

"Harmon is a charitable, insightful writer, with a knack for an amusing line. But 'Significant Other' plays like it needs further development — and not only to tone down Jordan so that we can maintain some positive feelings for him. Despite the effort of director Trip Cullman to keep things snappy, the play moves very slowly, telegraphing plot turns well before they arrive. And there are script holes, principally the disappearance of Will from the story with only a weak explanation."
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June 22nd, 2015
For a previous production

"With 'Significant Other,' Harmon has wandered into often-traversed territory and unearthed a sweet and painfully honest coming-of-age story that’ll probably seem familiar to many 20-somethings, gay or straight...Being single in the city is hard, and Harmon doesn’t sugar coat any of it. 'Significant Other,' holds a mirror to the life of a young gay man in New York City, with all its foibles, absurdities and confusion."
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June 18th, 2015
For a previous production

"'Significant Other' is a must see. Joshua Harmon has written a play that is modern in its specifics but classic in its themes, and is, for better or worse, thoroughly relatable...Trip Cullman directs with sensitivity and excellent timing, and the cast couldn't be better."
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June 29th, 2015
For a previous production

"Jordan is a perpetually single gay guy, for reasons that become obvious as he social media stalks his crushes to such a degree that he can barely function around them in reality...Jordan struggles to feel happy for his friends while dying a little inside with each passing bachelorette shower and wedding reception — we see three of each, and every time it cuts a little deeper. It’s a special show and I’m glad I caught it."
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June 18th, 2015
For a previous production

"Three weddings and a pity party. That pretty much describes Joshua Harmon's new play. Unlike his funny and insightful 'Bad Jews', 'Significant Other' is notable only for its lack of significance, others notwithstanding. A shallow play about shallow people, it presents pathos for our amusement/admiration/sympathy...Two hours in the company of these people is really two too many."
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