The Cottage (Broadway) NYC Reviews and Tickets
Show-Score Member Reviews (525)
See it if Simply one of the funniest shows I've seen.
Don't see it if You don't have a sense of humour.
See it if you want to laugh out loud all night long. Laura Bell Bundy is amazing!
Don't see it if you are looking for a serious play.
See it if Prepare to be captivated and delighted by the enchanting experience that is ‘Cottage on Broadway’! This show is an absolute gem.
Don't see it if Nothing, it’s a comedy that is amazing!! So don’t see it if you don’t like it
See it if You like Noel Coward comedies.
Don't see it if You have trouble following fast-moving comedies with clever dialogue. Read more
See it if you want to laugh for 2 hours. The physical comedy is amazing in this show
Don't see it if there is no reason not to see it Read more
See it if You want something light and funny. You don’t have to think too much and it’ll put a smile on your face
Don't see it if You are an incredibly boring, negative person. I honestly don’t know how anyone could hate this show Read more
See it if You want a rollicking good time. Just a very enjoyable experience. Bring tissues for the laughter.
Don't see it if You are not a fan of Oscar Wilde, Noel Coward, physical comedy, sight gags or farce in general.
See it if you want a fun story & be delighted by a talented cast. Found myself laughing and being fully amazed by the physical stunts & comedic timing
Don't see it if you don't like plays, comedies or even silly/sexual jokes. I wouldn't miss this cast though. They're just *so* good.
Critic Reviews (26)
“...though ‘The Cottage’ operates like a farce it only rarely achieves a farce’s liftoff. That’s when the pressure on the characters becomes so intense that it initiates a kind of verbal and physical fission.”
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"While the architecture of the plot is solid, what really keeps 'The Cottage' up is the comedic industry of its cast. Directed by Jason Alexander, a seasoned hand at classic timing, the actors leap gamely into their funny business."
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“ ‘The Cottage’ is about Sylvia opening her eyes to her relationships with men. But the moment that sticks out is the hilarious sight of Sylvia plugging her nose with an old-timey phone receiver. Moments like that make ‘The Cottage’ a Broadway funhouse.”
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“There’s a fizz that bubbles up near the end of a door-slamming farce when the characters, one by one, have to explain to one another what’s actually going on...’The Cottage' tries to emphasize the fizz, but nobody remembered to shake the soda can beforehand. It’s full of explanations, light on mess.”
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"Given the year the play is set, these developments seem more a matter of pandering to contemporary ideas than anything else. But linear logic is not a hallmark of farce, good, bad or, as in this case, indifferent."
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“Just check with everyone in your group: Some will be tickled pink by ‘The Cottage’ and thrill to the très outré comic stylings...Others will be ready to head to the basement bar at intermission to nurse their headache and remain there...All that said, given the givens, I still had several good laughs.”
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“...this comedy of manners by the playwright Sandy Ruskin is so thoroughly old-fashioned that it may come as a surprise it’s not based — like so many Broadway outings lately are — on existing material. Which is not to say that any part of it feels original.”
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“The best thing about ‘The Cottage’ is the cottage, designed by someone with the name Paul Tate dePoo III. Everything else is more like the outhouse. Even as a lark, it’s beneath the standards of Broadway.”
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