"The director Ivo van Hove and a dazzling international cast have plumbed the raw terror in Arthur Miller’s 'The Crucible'. And an endlessly revived historical drama from 1953 suddenly feels like the freshest, scariest play in town...Mr. van Hove knew exactly what he was doing here. All the members of his large ensemble find revealing new shapes within archetypes and insist that we grasp and even sympathize with their characters’ perspectives." Full Review
"Van Hove is the master of visually arresting moments: The alarming third-act opening will have audience members clinging to their seats...Unfortunately, the beats between these set pieces often seem neglected...This may be van Hove's way of dressing up Miller's overwrought dialogue and uneconomical plot development, which causes even the strongest mountings of this play to sag. This is the best production of 'The Crucible' I've ever seen. It is by no means a perfect drama." Full Review
"There’s bound to be head-scratching over Ivo van Hove’s peculiar Broadway production of 'The Crucible'...The ensemble is superb, and the play sustains its power to shock and thrill. But the directorial concept is baffling...It’s too big, too complex, too philosophical to deconstruct and reduce to its 'essence'...Rather than suggesting a universal time frame, this lack of specificity tells us we’re nowhere.” Full Review
"Ivo van Hove's tackling of Arthur Miller's classic seems rather tame...There appears to be a sincere effort to work with the material, rather than completely overwhelm it with his scarcely related vision...By the play's end van Hove seems to be telling us that, yes, the devil is at work here, undercutting the playwright's intention. While there's a cold distancing throughout the evening that keeps the production from fully engaging, there are still numerous good points." Full Review
"Gripping, emotional revival...If van Hove’s directorial choices generally support and enliven the text, and force us to see it fresh, it’s not because he has abandoned his avant-garde armamentarium...I think the mistake teachers often make about 'The Crucible' is that they read it like a novel, and sometimes it’s staged that way. Van Hove sweeps all that away, letting us feel more strongly the role the play’s overwhelming structural brilliance plays in locking us down." Full Review
"Van Hove’s electrifying and audacious staging achieves what more revivals should: It makes old work seem new, blows away the dust and exposes caulked cracks...The production avoids overt reference to contemporary headlines, but resonances with today's religious hypocrisy and xenophobia are hard to ignore...Miller’s masterpiece, still a model of post-Ibsenite drama, holds up...'The Crucible' has to be seen—even if not every flourish works...Still, the cast is ridiculously stuffed with talent." Full Review
"Van Hove stages 'The Crucible' as a horror film...Performed, down to the smallest role, by a superb cast. However, you sometimes have to squint your eyes in order to find them among all the special effects...'The Crucible' sometimes seems like a relic of 19th-century melodrama. Yet it persists because it accurately diagnoses a neurosis that continues to afflict the body politic. Van Hove's production sometimes gets at this and sometimes gets lost in a welter of staging ideas." Full Review
"Uncanniness is everywhere in Ivo van Hove’s probing yet flawed revival...It appears overly reliant on theatrical tricks and somehow incomplete, an exploration of a piece of dramatic literature rather than a fully realized embodiment of or challenge to it. But it is nearly always visually interesting and the actors often bring a really startling emotional intimacy to the work...Much of the play’s tragic intensity has slipped away and the whole lacks any real sense of moral hazard or horror." Full Review
"Director Ivo van Hove’s eerie, often enigmatic but periodically powerful Broadway revival of Arthur Miller’s most frequently produced play...boasts a strong cast of stars and...a live wolf...The production dabbles in the supernatural...As bewitching as these theatrical effects can be, they wind up distracting if not detracting from Miller’s text...Moving and powerful performances compete with distracting horror movie touches in Ivo van Hove’s production." Full Review
"The actors' interactions with one another, despite the fact that all of them give very fine performances, appear choreographed rather than organic...Aided by the unrelenting score that serves the dual functions of driving the audience batty and masking much of the dialog, this production nearly sucks the wind out of our collective sails...This production, for all the sound and fury spread about the stage and flying in through the windows, ends up signifying nothing." Full Review
"I directed a production of 'The Crucible' thirty years ago and have seen several since, but van Hove’s, despite its wildly mixed reviews, and some questionable choices, is the most powerful, riveting, and provocative of them all...The magnetic pull of van Hove’s 'The Crucible' is so strong, even at two hours and forty-five minutes, and its universal message so piercing, that such directorial slip-ups can be forgiven. Clearly, Arthur Miller’s play has withstood the crucible of time." Full Review
"Almost operatic in their intensity, van Hove's productions are designed to leave audiences agitated and uncomfortable, which is notably the case with this distressing drama, with its steadily amplified sense of horror and indignation...Mesmerizingly acted...The production presents a chilling account of the institutional arrogance and ignorance that are a threat to civil liberties in any age, particularly when the dividing lines separating politics, religion and the judiciary become blurred." Full Review
"It’s amazing how much damage Ivo van Hove, the most pretentious stage director of our time, can do to a good play...He’s attacked 'The Crucible' with a steamroller, turning Miller’s play into a slow-moving study in extreme tedium. Directorial miscalculations abound...To do such a play in modern dress is to take its already over-obvious symbolism and make it clownishly blatant...Van Hove’s staging of the first act is so unvaried in pace that he manages to make it boring." Full Review
"Ivo van Hove’s Broadway revival of Arthur Miller’s 1953 Salem witch trial drama/political allegory 'The Crucible' is so bewildering that I hardly know where to start. That being said, the production is, more often than not, absorbing and blazing with intensity...Van Hove is an unapologetically avant-garde artist. His experimental, otherworldly approach is ill-suited to mid-century realistic American drama but can nevertheless be electrifying." Full Review
"For 'The Crucible,' it feels as if van Hove has reverted to his previous attack, although I’m not sure I know what subtextual element(s) he’s stressing...The cast members aren’t so much giving a performance of Miller’s 'Crucible' as they are in the process of rehearsing it...They all do their best within the limitations van Hove imposes...Perhaps Miller’s somehow sad achievement is that as society evolves, 'The Crucible' will continue relevant to whatever is unfolding at whatever era." Full Review
"A perfect storm of didacticism...There's even a constantly rumbling musical soundscape beneath the action that tells us how we're supposed to feel at any given moment, just in case the throbbing lights, choking smoke, and screeching actors leave even the tiniest shred of doubt...These are van Hove's typical games, and they don't connect with the text any more here than they usually do...Even actors this good get lost easily amid van Hove's machinations." Full Review
"Eye-popping and wholly unconventional...A more potent, angrier John (and a more complex Mary) would help this production by leaps and bounds, but it remains a fascinating piece of theater, one that adds layers of visual and sensual meaning to Miller's literate verbosity and thus freshens its point of view...This is a 'Crucible' that focuses on how really decent people can be destroyed by fear and hatemongering; were Miller alive today, he would have approved of its emphasis." Full Review
"Good things come to those who wait. Remember that. Because it takes a long time for Broadway’s star-studded revival of Arthur Miller’s 'The Crucible' to cast a spell. In the end, it does. The final 15 minutes of this play, set amid the Salem witch trials, are built to be shattering and heart-wrenching...As for the preceding 135 minutes — not so much. The drama is packed with ideas about truth and power. But as played here, it’s high on talk, but stubbornly low on impact." Full Review
"Ivo van Hove’s lucid and often mesmerizing production honors all of those big factors without overwhelming us—unless it’s by the sheer impact of a company so right in nearly every detail, from the major roles to those less so...I think the impact must be quite similar to that felt by theatergoers 63 years ago...The set is the production’s major misstep, a serious one...I have often found his work pretentious and misguided. Not here...This is a definitive production." Full Review
"I won’t say a word about Ivo van Hove’s dramatic flair, but it’s very apparent he wanted to excite us visually and dramatically. Many may say it is too much, but I think it works here, once again. His direction and creative storytelling kept me thoroughly engaged and as frustrated as Miller expertly intended...This powerful and superlative cast make an impressive argument, and van Hove’s theatrical flair and intense direction drive this idea home." Full Review
"This is the best, most riveting version of the play I've seen...This just-as-long version is consistently forceful and lightning fast...The entire 38-strong cast vividly give life to their characters...However, van Hove and designer Versweyveld once again give in to their occasional lapse into theatrical overkill...That said, these are minor complaints in the light of a thoroughly satisfying new look at an enduringly absorbing and provocative play." Full Review
"Staging the play in a modern dress production, van Hove has brought the contemporary relevance of this parable of the Salem Witch Trials to the forefront and many will be more impressed with this production than his groundbreaking ‘A View from the Bridge’. With a terrific ensemble cast, this production of 'The Crucible' will make you feel as if you have never seen it before even if you think you know it very well.” Full Review
"Too long, too wordy and too didactic...The stellar casting and my curiosity to see how hotshot director Ivo van Hove would impose his stamp on the material led me to buy a ticket...While I had some reservations about van Hove’s take on 'A View from the Bridge,' I did find it compelling and unified. Not so with 'The Crucible'...As for the actors, it’s a mixed bag." Full Review
"The revival, with visionary director Ivo van Hove at the wheel, is uneven, lacking the singular, brilliant focus of his earlier Miller revival this season...Van Hove’s stripped-down approach does starkly illuminate the paranoia and descent into madness as a small town turns on itself...This is a production that can feel somewhat cluttered, which is a strange thing for a van Hove show. But there’s no denying it is a brilliant debut for Whishaw. He has magic in spades." Full Review
"In van Hove’s new revival of 'The Crucible,' evil lurks in ways that it’s best for theatergoers to discover on their own and not in this review. What can be written is that van Hove knows how to put on a good old-fashioned fire-and-brimstone spectacle, and he makes us believe it...Over the years, van Hove’s challenging, insightful productions have given the city some of its most illuminating nights in the theater. With 'The Crucible,' he shows an even surer hand with his actors." Full Review
See it if youre a fan of one of Arthur Miller's most resonant works. Want a somewhat modernized version of the show with keeping Miller's writing
Don't see it if you want a classic version of this play, want a show that gives justice and truth and dont want to be frustrated with the ending
See it if you love the source material and want to see how it can be transformed in our modern social climate.
Don't see it if you prefer revivals to stay pure to their source or dislike updated staging.
See it if you like modernized adaptations of drama classics; this one is beautifully executed and the set is stunning.
Don't see it if you're fed up with reality of a bleak political landscape, fear-mongering, & destructive power of lies, & don't care to see it on stage...
See it if You're interested in seeing a classic play done differently. You're historically interested in the Salem Witch trials & fascinated by mania.
Don't see it if You don't want to see what is normally a smaller show on a massive stage. You don't want your classic plays messed with or updated.
See it if you would like to see a slightly new spin on Arthur Miller's classic story. The women in this production are superb.
Don't see it if you're looking for a show that flows. The plot drags whenever the women are offstage. There are also some confusing choices (e.g. a wolf??)
See it if you don't mind that Ivo van Hove's directing takes an, "I know better than the author approach", and a few surprisingly wooden performances.
Don't see it if your concept of the piece has been set since you read the play in school. Mr. van Hove, for better or worse, does not interpret literally.
See it if you want to see this American classic with new perspective. I absolutely love van Hove's theatrical imagination and kinetic resourcefulness.
Don't see it if you don't like your classics messed with and you think theatrical imagination is just gimmickry.
See it if you want to fall asleep, you are only interested in seeing the talented ensemble of actors live
Don't see it if you loved Ivo van Hove's other recent works and don't want to be disappointed
See it if you enjoy attempts at re-imagining classics. Miller's script is in tact in a contemporary setting. An exploration of the darkness in people.
Don't see it if intense plays aren't your bag. Also avoid if you're expecting a traditional staging, which this is not.
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