See it if Brilliant adaptation of hilary mantel's historical fiction. You get into the heads of thomas cromwell, henry viii, and historical figures
Don't see it if It closed! If you don't like theater, esp drama, skip it.
See it if You want to see an epic play with great dialog, great acting, and great drama.
Don't see it if You can not sat through a long play and are not willing to see both long parts. You do not like drama.
See it if You are interested in history, or like plots that are complicated and involve lots of backstabbing.
Don't see it if You don't have the patience for a six-hour play or are not interested in history.
See it if love history and want to get insight into Cromwell, Henry vII's puppeteer. Brilliant writing and acting.
Don't see it if You don't like plays with a lot of historical details.
See it if you're looking for a great all-day theatre experience.
Don't see it if you don't like history and don't like seeing two shows in one day (though you can see them separately).
See it if you want to witness masterful acting and intelligent insights into politics and human behavior
Don't see it if you need a show that's short!! or unchallenging. This thing is about nothing less than power and the birth of modern England.
See it if You love historical plays that totally captivate and transport you to another time and place.
Don't see it if You only like modern day dramas.
See it if you want strong acting, enjoy period pieces, & like political & emotional intensity.
Don't see it if you're tired of Henry VIII, want something fast-paced, or have a short attention span.
"For the tastiest dish in town, you need to visit the Tudors of 'Wolf Hall,' the riveting two-part theater drama...The stage version is strictly for fun. That may sound like a weak recommendation to those who wear their brows high. But being fun in period costume for nearly five-and-a-half hours of live theater is no mean achievement. This was my third visit to 'Wolf Hall' and I found myself just as much in its thrall, and even more admiring of its accomplishment."
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"The Royal Shakespeare Company’s triumphant, blockbuster adaptation of Hilary Mantel’s Tudor-history novels...as much as the fact-crammed pageantry of 'Wolf Hall' maintains admirable clarity and pacing, it often lacks the sudden burst of lyricism or philosophical depth you find in the Bard. I’d have taken more poetry over plot... Still, as a fast-paced political thriller, it is fiendishly engaging."
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"Part 1 begins with a dance: a court entertainment that introduces some of the major players and themes. The ensuing drama, directed by Jeremy Herrin as tautly as possible, is interspersed with jousts, hunts, investitures, pantos, and — especially in part two — executions...For all its insights, this is not the kind of play that offers much psychology...The stage production is more of a pageant, visually beautiful but a little flat...mostly what we have is an extremely elegant Tudor soap opera."
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"Majestic in scope if slightly reductive in execution...While it might fall short of the pantheon of all-time great stage events, 'Wolf Hall' is nonetheless an impressive feat, a compelling drama played out across the canvas of a nation soaked in rain and mud and blood...This version might be simplified and light on psychology, it's accessible and consistently engrossing."
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"It’s worth every minute...The Royal Shakespeare Company’s outstanding production does justice to the revered Hilary Mantel novels while also offering its own intriguing spin on the oft-retold historical drama...'Wolf Hall' is remarkably efficient in streamlining the Mantel novels down to their most exciting essence, making the play’s pace seem much swifter than six hours. The immensely talented actors manage to make every backroom deal, courtier spat, and royal tantrum fully enjoyable."
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"There’s nothing bookish about the highly theatrical approach taken in director Jeremy Herrin’s lucidly told, handsomely staged and emotionally charged production. In fact, it’s not bookish enough...Just when you expect the drama to move into deeper and darker political territory, it shrivels up and becomes what a lot of American kids took away from high-school history class — the salacious story of a horny king who chopped off his wives’ heads whenever he wanted a new bride."
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"I haven’t read either of the much-praised novels, nor am I a scholar of 16th-century England. I can, however, assure you that Mr. Poulton’s 51/2 -hour stage version of “Wolf Hall,” is competent but dullish, a procession of short, choppy scenes in which nobody ever says anything more memorable than “Bring up the bodies!” The acting is as devoid of sparkle as the script...“Wolf Hall” is not without merit...But stick it out to the end and you’ll likely wish you’d rented “A Man for All Seasons” instead."
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"The bad news is that the two plays that make up “Wolf Hall” will set you back six hours. Even worse is that they feel even longer. It’s amazing that a story jampacked with lust, betrayal, greed and violence can be so...dull. As well-acted, grandly staged and beautifully lit as it is, the show still manages to be tedious...That said, director Jeremy Herrin’s production looks smashing, especially the vast, mostly empty stage, framed by giant, brutalist-style concrete walls."
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