See it if you enjoy biting satire, an all-female cast in multiple roles including men,
Don't see it if are easily confused by actors playing multiple parts, don't want your behavior a subject of satire (esp. Trump supporters or feminists)
See it if The first 2 "acts" of the play were very good.But the 3rd didn't follow the pattern and felt out of place.The play just sort of fizzled out
Don't see it if You are annoyed by good plays that go off the rails.Last "act" should have been the adult children of the men and women we met earlier.
See it if you give up easily. A liberal skew—but so self-deprecating it’s resigned to self-humiliation & bows to the reactionary. (see Gadsby, 2018)
Don't see it if Cheap laughs—show traffics in unproductive clichés: suburban wine moms, deplorables, woke millennials. Race seen as an unbridgeable divide. Read more
See it if you are not a Trumper and want to see a new work with a thoughtful message
Don't see it if you don't like loose ends or are looking for linear storytelling
See it if You like exploring contemporary politics.
Don't see it if You want fully nuanced characters. There are some broad stereotypes here.
See it if Attempts to be a breezy and witty social and political satire. Potentially interesting structure and twists.
Don't see it if Writing not sophisticated enough or funny enough. No character development, no plot, doesn't go anywhere and gets tedious.
See it if Del Rosso's meta-comedy is a valiant attempt to view the Republican side of the country Well acted throughout even though cliches abound
Don't see it if Only 53% of the dramedy succeeds: the conservative women amuse & the men appall while liberal millennials choke on their wokeness Ending A+
See it if Great actors portraying many roles. The stage is well appointed. Love the clean modern intimate theater. I was intiqued with the stereotypes
Don't see it if Play does not have cohesion. Characters seem disjointed. Trying too hard . Ending left me flat. Audience seemed to feel the same.
"Del Rosso’s play is a kind of target practice, and in every act those targets are big. But the effect is hit or miss. ... The jokes are very shallow when they could go deep. Flesh wounds only."
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"If you're hoping to gain some new insights into the collective psyche of the white women who voted red in 2016 (and 2020), be warned that '53% Of' and its misleading title will leave that itch unscratched (even in light of recent Supreme Court events, most of the play's triggering comments are too broad to be truly cutting)."
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"Under Tiffany Nichole Greene's resourceful direction, the ninety-minute play moves swiftly, and it hits its satirical marks efficiently. All of the actors are terrific, and they transform effectively without too much caricature into the different characters."
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"'53% Of' works best as an intro-level reminder to check our biases and, to use a platitude, 'do better.' But it doesn't take a strong stance on what a different or better path forward looks like. While well-intentioned and well-acted, it's not the political theatre we need."
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This all-ages musical spectacle tells the untold true story of the Witches of Oz.
A new musical based on the young adult novel by bestselling author Jodi Picoult and her daughter.
A hilarious and mesmerizing evening that combines improv with the power of hypnosis.