A Day by the Sea
Closed 2h 55m
A Day by the Sea
80

A Day by the Sea NYC Reviews and Tickets

80%
(121 Reviews)
Positive
90%
Mixed
7%
Negative
3%
Members say
Great acting, Intelligent, Slow, Absorbing, Entertaining

About the Show

The Mint Theater Company revives N.C. Hunter's forgotten 1953 play, a warm and often humorous depiction of the 'crisis' of middle age.

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Member Reviews (121)

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706 Reviews | 214 Followers
100
Funny, Enchanting, Profound, Intelligent, Introspective

See it if Beautiful language, wonderful characters, regrets, fears and hopes ... an insightful, melancholy contemplation of life.

Don't see it if You prefer more action and intensity.

692 Reviews | 152 Followers
79
Great acting, Thought-provoking, Relevant, Banal, Slow

See it if you like discovering lost English plays from the early 20th century, like Chekhov pacing, outstanding costumes, reflect on aging and success

Don't see it if you can't enjoy a three act, slow, old fashioned style play with sad, mournful characters contemplating what they have made of their lives

687 Reviews | 114 Followers
83
Great acting, Intelligent, Slow, Resonant

See it if Enjoy classic well made play format (3 acts), a Chekhovian flavored melodrama, moving performances

Don't see it if Have little patience for the well crafted play which takes its time (3hrs) to resolution, the "Masterpiece Theatre" genre

513 Reviews | 129 Followers
79
Good acting, Good staging, Intelligent, Charming, Slow

See it if you enjoy quirky characters with heart, who either cannot express their feelings or cannot stop. This would be wonderful with a long edit.

Don't see it if you will have trouble sitting through a slice of life story, with three acts that run close to three hours. Read more

414 Reviews | 74 Followers
81
Funny, Great acting, Intelligent, Resonant, Entertaining

See it if you want a simple story with witty, quirky characters who contemplate their missed chances in life & their futures; wonderful performances

Don't see it if you want a complex plot or a fast-moving story. With 3 acts & 2 intermissions some may find it too long. Also if you don't like Chekhov.

427 Reviews | 48 Followers
75
Great acting, Entertaining, Dated, Intelligent, Slow

See it if Great acting in a neglected play.

Don't see it if Wish for more action - this is a play of words.

371 Reviews | 150 Followers
85
Great acting, Resonant, Slow, Thought-provoking, Classic-in-feel

See it if you have three hours to become immersed in this slowly-paced but well-acted Modern play; can relate to mid-life crises and growing older.

Don't see it if you need intense action, elaborate staging, famous actors, musical numbers, or a quick turn at the theatre. This play requires commitment.

385 Reviews | 72 Followers
79
Ambitious, Slow, Thought-provoking

See it if You like Chekhov. If you like depressing unhappy but realistic endings. If you want thoughtful interesting theater. A good not great Mint.

Don't see it if You want short plays. This is three hours including two intermissions. First act very slow. If you don't like Chekhov you will not like this

Critic Reviews (31)

The New York Times
August 25th, 2016

"This is a very well made play, and Austin Pendleton, the director, gets the most out of it…Mr. Elfer is terrific, and so is Ms. Firth, whose Frances gradually emerges during this two-intermission play as the most complex character on the stage. Their pas de deux is a beautiful study in conversations never had, or had too late…Miss Mathieson isn’t around much, but what Ms. McKie does with her one big scene, a confessional moment of yearning, is heart-stopping."
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Time Out New York
August 25th, 2016

"Apart from the easily parodied genteel surface of Hunter’s work, one is struck by its derivativeness. At moments, it’s as if Hunter wrote on tracing paper laid over 'Uncle Vanya.' Of course, there are worse talents to ape, and Hunter is a sensitive observer of English neuroses and resilience. The fine cast navigates the quippy, stiff-upper-lipness with vibrant grace…A melancholy study of middle-age malaise leavened by flashes of wit and humor, good for 'Downton Abbey' addicts."
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The Wall Street Journal
August 25th, 2016

"The Mint has outdone itself with its latest effort…It is that rarest of rarities, a forgotten masterpiece, acted by the best ensemble cast I’ve seen in recent seasons and staged with taut vitality by Pendleton…Ms. Firth, a familiar face to fans of the Mint, and Mr. Elfer, who is new to me, are as good as they could possibly be, though no more so than the eight other members of the cast, all of whom give vividly drawn performances…Everything about this staging is as right as the play itself."
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Theatermania
August 25th, 2016

"While the feelings presented in this play are universal, they're strained by the three-act structure, with too little action to justify its length…While 'A Day by the Sea' is surprisingly relevant (loneliness never goes out of style), Pendleton's production, no matter how attractive it is, cannot overcome the tediousness of the script…Despite Pendleton managing to guide a few of the cast members to performances of genuine ache, most of the company is too actorly to be truly believable."
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BroadwayWorld
September 4th, 2016

"'A Day by the Sea' is now receiving a jewel of a production by the Mint Theater Company, directed with deft delicacy by Austin Pendleton...It's the second act when the sparks start flying and the drama gets intense...While missed opportunities and dim futures are the major themes of the play, they contrast with Hunter's language and the setting's nostalgic elegance, giving 'A Day by the Sea' a bucolic beauty that tries to defend against the darkness of reality."
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Lighting & Sound America
August 26th, 2016

"Such delicate materials need the most careful handling, and it's a good thing the Mint has engaged Austin Pendleton, a director who sifts meaning from the subtlest of details. He has assembled a cast that knows exactly how to dig under their characters' polite surfaces in search of the quiet torments that afflict them…Once again, we are in debt to the Mint for bringing to our attention a playwright we should have known better all along."
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Talkin' Broadway
August 25th, 2016

"The play's length and its three-act structure seem ill advised...Most of the subplots and interrelationships between the characters are interesting in themselves, but they are not woven together very well by the playwright — a flaw exacerbated in the Mint production by the flaccid direction of Austin Pendleton…Whatever flaws exist in the show's direction and some details of the performances, the Mint has given 'A Day by the Sea' a typically gorgeous, thoroughly professional production."
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TheaterScene.net
August 30th, 2016

“‘A Day by the Sea’’s first act is entirely made up of exposition and back stories, and Austin Pendleton’s leisurely direction makes the play slower than it needs to be. And then in the second of the play’s three acts all of the characters seem to have a catharsis as to what their lives might be and the temperature heats up. The casting could not be better and the play turns extremely poignant as Hunter’s characters must come face to face with the choices they have made.”
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