A Midsummer Night's Dream (New Victory) NYC Reviews and Tickets

74%

(11 Reviews)

Positive

64%

Mixed

18%

Negative

18%

Members say

Clever, Enchanting, Confusing, Indulgent, Disappointing

About the Show

New Victory presents South Africa's Isango Ensemble, whose production interweaves Britten's ethereal opera of Shakespeare's most famous comedy with the rich choral traditions of African folklore.

A lovers' quarrel, a host of fairies, unrequited affection and that pixie Puck create an evening of pure magic. Mixed messages, misunderstandings, and magic lead lovers awry and will leave the audience questioning which wedding we'll attend before the story ends. In this operatic staging of Shakespeare, exhilarating orchestrations of marimbas, djembes and ululation resound with South Africa's rich choral traditions when the commanding cast of the Isango Ensemble lifts up their voices to weave African folklore into Shakespeare's most celebrated comedy.

Member Reviews (11)

Dizzying, Confusing, Ambitious, Fluffy, Indulgent

See it if if you like the classics and know this story well.

Don't see it if must concentrate can be confusing at times, over the top some times, not the best I have seen.

Enchanting, Entertaining, Original, Operatic, Gloriously african folk tale

See it if you like innovative theatre and opera - not sure all kids will be able to understand - however the music, dancing & staging are engaging

Don't see it if expecting the Lion King and don't know the story behind the Shakespeare play

Critic Reviews (4)

"With this inventive adaptation the Isango Ensemble claims Britten’s work on its own terms. Rightly so. If Britten could turn a Shakespeare play into a 20th-century British opera, why shouldn’t this ensemble turn that opera into a 21st-century South African theater piece?"
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"If you are thinking about bringing your kids to this Shakespeare production, you might want to read them the play first. This version is an opera, but the plot is a little convoluted...For those who love opera, these voices are glorious, the musicality is superb and this is a unique version complete with masks and tribal dances."
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"This super-energetic interpretation doesn’t take any such factors too seriously or too strictly. Sure, the plot, as it survives, still toys with quarrelling lovers, misplaced fairies, a finagling arch-pixie and timely intrusions by a brash band of mechanicals. Though reduced to two hours, the show bumbles, tumbles and rumbles along merrily, vocal outpourings of varied intensity accompanied (or contradicted) by gutsy percussion."
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"I thought this blurring of Shakespearean and South African characters such as the fairies and Puck was really magical…The first half of the play did at times feel confusing…The second half was more energized…The cross cultural exchange felt fluid and celebratory and we all left the theatre feeling totally enchanted."
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