A Walk in the Woods NYC Reviews and Tickets
Member Reviews (88)
See it if Deep, witty study of character & friendship. People who don't seem to get along eventually bond due to their differences. Makes you think.
Don't see it if You don't enjoy a focus on character development, where little happens on the outside but people grow and change on the inside.
See it if you enjoy good productions of well crafted plays. An older experienced Russian meets with a young inexperienced American to create a treaty
Don't see it if your expectations are very high. The younger actor is not as able as his partner which weakens the necessary balance between the men
See it if Yes, it two men talking but it is very interesting how each thinks, and talks.
Don't see it if Not alot of action in movement with this play. Two men talking.
See it if You like plays that depict real events or events that could have been real. You like plays with a political theme.
Don't see it if You don’t like small stage no scenery 2 actor shows. You like our current occupant of our WH ! You are looking for a happy ending !
See it if The empathy, respect, integrity, fairness, patience, intelligence, flexibility, sense of humor, self-discipline, & honestly of a negotiator.
Don't see it if You think the ignorant, boorish, short-fused bully in DC is a great negotiator.
See it if you want to get a fictionalized view into how politics gets things done - or not!
Don't see it if you want a plot and action heavy story. This is a story more about what goes Unsaid and reading between the lines.
See it if A very inof of two characters and two countries. It is well acted and directed.
Don't see it if If you are looking for a lot of action or a lighthearted romp this is not for you. It is thoughtful and well paced.
See it if If you’re interested in war peace the arms race done in a lighthearted, comical manor
Don't see it if You’re expecting high drama or overt comedy subtle play
Critic Reviews (10)
"Every conversation hovers at the surface, never diving into the specifics of what these two men are actually trying to achieve...None of the artists involved in the production seem to be making any bold choices with the text...The ebb and flow of their relationship feels largely stagnant...Granted, Blessing spends two hours illustrating just how our political system spins its wheels while moving nowhere. But that's no excuse for the play depicting that system to be equally inert."
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"Time has not sharpened its impact. But one can appreciate the play's wit as well as its clear-eyed assessment of a process that, ultimately, becomes an end in itself...If 'A Walk in the Woods' can't reach a satisfactory conclusion, if it ultimately ends up chasing its own tail, Donna Jean Fogel's production benefits from Van Treuren's sly characterization and the contributions of the design team."
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"Unfortunately, civility does not always make for the most gripping drama, and rather shamefully, I thought perhaps some occasional puerile name-calling and pompous boasts might make for a more riveting evening...Under Donna Jean Fogel's unfussy direction, Van Treuren and Manning bring, for the most part, admirable restraint to their roles...The play certainly speaks to audiences today...Perhaps it is advisable to take in a mild and reflective play every now and then."
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"The two talented, delightfully understated actors have taken on these roles with energy and sincerity. Manning makes Honeyman both simple and complex at the same time while Van Treuren mines Botvinnik's uncanny ability to charm and frighten at the same time. You root for them from beginning to end and hope against hope for them to actually produce a treaty."
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"Van Treuren and Manning offer excellent performances, each…providing emotional depth, intellectual nuance, and humorous timing to the conversations. The…silver-haired Van Treuren…masterfully creates the image of a congenial, well-educated, wryly humorous, Continental sophisticate…Manning, although sometimes guilty of mumbling…makes a perfect foil for Andrey's witty ribbing…Still, so much…focuses on the personalities of the…negotiators, it doesn't require two hours for its points to be made."
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"Kudos to Van Treuren, who makes Botvinnik his own...For this play to truly work, you need two actors at the top of their game. Van Treuren is wonderfully cast. I really loved his balance between diplomat and humorist. He is like watching a masterclass in acting. Manning just seems miscast. I never believed he was a diplomat...There is a cadence and a cat-and-mouse feel to their speech and though Honeyman starts off as someone new to this game, he is supposed to be a prized negotiator."
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"Blessing’s deft 1988 two-hander is, unfortunately, no less topical today...The play is beautifully written, humorous and perceptive. Manning's Honeyman is believably ardent and volatile..Somehow, however, the actor only intermittently inhabits the role...As the Russian, Van Treuren is a complete delight...Gestures are in character, manner elegant, timing impeccable...Fogel handles her scenario with utter finesse. Movement always comes from somewhere...Pacing is excellent."
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"As a study in opposites, Blessing’s play still works...Manning plays a dour character and hasn't quite found a way to make him as interesting as Botvinnik is initially, although eventually his Honeyman achieves parity...One suspects that the production was planned because of a resurgence of concerns about nuclear war in the current political climate. But it now feels just as much like a celebration of the foreign-service professionals who devote their lives to negotiating."
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