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"This overlapping of our responses to a seductive bot is the most ingenious and instructive aspect of 'Blast.' Otherwise, Kazan’s new play, although immaculately mounted and fluently acted, seldom fully grabs our feelings or stirs our thoughts...Characters often seem to have little existence beyond their functions as avatars of a new social order. The relationship between Oliver and Anna never acquires the heat to make us feel anxious when it’s in jeopardy." Full Review
"Full of sensitive insights and glimmers of horror, this domestic drama still moves at the sluggish pace of a recluse who refuses to change out of her pj's...Undoubtedly, that robot is the thing everyone will remember about 'After the Blast'...Milioti and the robot have the most natural chemistry of anyone in the cast...Kazan's play contains echoes of earlier (and more fully realized) science fiction...Director Lila Neugebauer realistically creates this sunless world." Full Review
"Arthur, while claiming no emotions, wins over Anna's affection, asking numerous questions about her world with a naïve warmth...And even with Kazan's text leaning heavily on the human side, it's to Milioti's credit that she's never upstaged by this loveable piece of stagecraft...What began as another cautionary dystopian tale, cleverly draws the audience into a touching story of trying to find something real while surrounded by life's artificial sweeteners." Full Review
"As designed by Noah Mease and voiced by Will Connolly, the robot dominates Zoe Kazan’s cautionary drama 'After the Blast'...It is palpably overlong, and there is some rather heavy-handed finger-wagging about the things we take for granted. But Milioti and Harper are excellent in the central roles, director Lila Neugebauer surrounds them with a top-drawer production and Arthur is downright merchandisable." Full Review
"Sluggishly paced and needlessly attenuated, the drama squanders its provocative ideas through self-indulgence...'After the Blast' delivers an imaginative, understated portrait of a futuristic society...But the writing also feels flabby and unfocused...Director Neugebauer's listless staging doesn't help, making the evening feel even longer than it actually is. She has, however, elicited superb performances from the lead actors." Full Review
"An intriguing, engaging, and laugh-laced philosophical discourse with heart...Arthur provides a cannister full of laughs, yes; but he serves as not only a canny expository device—with Anna filling him in with knowledge and backstory—but as an emotional center of the play as well...Milioti does wonderfully as the desperate housewife...The play has been smartly directed by Lila Neugebauer." Full Review
"It pulls off the bedazzling feat of taking a hyper-politicized topic and using it as the occasion for a taut, sermon-free drama whose true subject is the inability of men and women to see each other plain...Milioti brings a disciplined yet utterly natural intensity that makes it impossible for you to look at anyone else whenever she’s on stage...The true star of 'After the Blast,' however, is its creator. Kazan has emerged as a writer of real individuality." Full Review
“The scripted head butting of cuteness and cuteless might appeal to some but not to others...It’s clear that Kazan is after the miscommunications that can accrue between two people who love each other trying to solve problems, but she doesn’t quite get there—even though Milioti and Harper and the five other supporting players, directed by the busy Lila Neugebauer are fine. That there’s only the slim hint of a premature resolution also doesn’t help.” Full Review
“'After the Blast' teeters disturbingly on the loomingly intrusive interplay between artificial intelligence and basic human instincts and emotions...Kazan has something bigger in mind and not futuristic at all...Under the keenly sensitive direction of Lila Neugebauer, ‘ After the Blast’ has been given a dream showcase, starting with the cast.” Full Review
“Director Lila Neugebauer’s production is sleekly designed — sets and clothes hit subtle futuristic notes — and skillfully acted. Milioti is particularly fine at capturing Anna’s intense feelings. But at 2 1/2 hours, the play loses momentum and the play becomes more pedestrian. Bottom line: Hot jobs post-apocalypse include scientist, doctor, marriage counselor.” Full Review
“Everything about this production supports Kazan’s vision beautifully. First and foremost, the superb talents of Milioti and Harper as Anna and Oliver. Every interaction between the two of them was natural, believable and focused. It was a master class that every acting student should attend. Neugebauer directed with a deft and subtle hand, keeping the pace crisp, accentuating the humor, and playing against the stereotype of a dark underground world.” Full Review
"Almost every scene runs on too long, particularly in the first act. The play eventually just runs out of steam and ends rather abruptly which is a shame because it contains much of interest. The premise is fascinating, the cast is appealing...Director Lila Neugebauer, who seems to work best with ensembles, doesn’t seem at the top of her form here." Full Review
"Remarkably accomplished...At its heart, 'After the Blast' is a true domestic drama...All of this unfolds smoothly on Daniel Zimmerman’s minimalist sets under Lila Neubeurger’s expert direction, which makes the show’s 2 ½ hours feel far shorter...But Kazan deserves the ultimate praise for making us look deep into our souls and ask what we would do for love and what we would do to survive. I would hardly call 'After the Blast' a blast, but I would call it necessary theatrical viewing." Full Review
“Kazan’s in impressive command of both the text, which is smart and witty, and the subtext, which is heartwarming and inspirational. But credit also must be shared with the sensitive staging by Neugebauer...And still even more praise must go to the excellent cast...’After the Blast’ has its longeurs but they're leavened by its humor and by the play's resolute conviction that the sacrifices we make today are necessary...but also so that we can make life worth living for the people we love now.” Full Review
"Kazan has managed to write the rare play that is enhanced by its genre elements. Rather than serving as mere adornments, the sci-fi elements suggest a level of introspection rarely seen in modern plays...Anchored by Milioti's absolutely luminous performance, 'After the Blast' is a profound meditation on the nature of the soul, our relationship to objects, and our fear of connecting to those who are closer to us." Full Review
"The stage is so close and their expressions so visible that the excellent, very natural performances of Milioti and Jackson Harper feel intensely intimate...The play feels beached between a dark portrait of post-apocalyptic life and a relationship on thin ice, and a comedy about a cute robot entering the domestic realm. It settles, far from detrimentally, for being all of those things and at a time when the possibility of the end of the world feels disconcertingly present." Full Review
"Its heart — and its strength — is its examination of despair, the daily, deadening tug toward the dark...Under Neugebauer’s meticulous, confident hand, Harper and Milioti give mesmerizing performances: painfully raw without a trace of melodrama....Milioti’s interactions with her automated scene partner feel like tiny miracles...'After the Blast’s' brilliance lies in its use of science fiction’s black mirror to cast light on human betrayals both global and personal." Full Review
"Kazan’s play piercingly probes gender dynamics, which have remained stagnant...Kazan’s carefully constructed script is peppered with delightful moments of comedy and social commentary. Passing mentions of the self-described Singles Compound and Anna’s weariness with writing clickbait puff-pieces add moments of levity and criticism. Seeing a complicated woman who is difficult to understand, both written and played with compassion, is a rare thrill." Full Review
"I applaud the decision to include a robot as a major character in a stage play, but the execution of this bot’s design and locomotion is lackluster...The clunky design prevents an emotional connection to Arthur, robbing the play of the dramatic impact it could hold...Kazan has a good ear for dialogue and an impressive skill for creating a universe and doling out exposition, but much of the plot in this play is predictable...However, the performances are exquisite." Full Review
"Perhaps the most surprising and daring element of 'After the Blast' is how natural this all feels...The play occasionally veers into melodrama in the second act...Kazan also waits too long to introduce the concrete specifics of earth’s fallout...At other times, though, she ties together strands of plot with surgical precision." Full Review
"Deals with this tension between reality and chosen illusions in its own provoking way, with equitable humor, empathy, and pathos. Kazan exhibits a formidable talent for writing...Some of the most poignant exchanges are between Anna and the robot, Arthur...Kazan is sensitively navigating the murky, ethical waters of what it means to deceive ourselves and the ones we love when faced with stupefying adversity." Full Review
See it if you want an exceptional heartfelt take on humanity after the apocalypse; great worldbuilding; intricate relationships; + an ADORABLE robot.
Don't see it if you don't like emotional maturity, complexity, great acting and staging, and a beautiful, funny script (seriously just see it, it's SO GOOD)
See it if you like shows that question the future of humanity and our planet.
Don't see it if you are expecting to fully connect emotionally. A robot literally gave me more feels than the humans.
See it if you want to see two excellent lead performances in a deeply touching and moving play about relationships, humanity, and mental health.
Don't see it if You shy away from darker subjects or you prefer larger more outlandish production values.
See it if You want a beautiful and interesting look at what life might be like post apocalypse. You like to see good actors having fun on stage
Don't see it if The main character is a little bit whiny, conceited, and annoying- which makes the show feel long at times.
See it if you're up for science fiction with heart. The post-apocalyptic setting is merely a backdrop for other themes: grief, betrayal, delusion.
Don't see it if a serious, albeit often fresh and even charming, meditation on grief and human connection is not for you.
See it if you like post-apocalyptic worlds and are interested in shows that explore relationship dynamics.
Don't see it if fertility is a trigger for you or you are looking for something incredibly fast paced and tight.
See it if You want an inventive, searing portrayal of existential questions and human bonds set in the future, underground.
Don't see it if you disdain science fiction narratives or can't suspend your disbelief.
See it if You’re up for the latest post-apocalyptic show, with depression, robots, and strangely good acting with all of the above.
Don't see it if You get bored easily. This should have been 90 minutes, but was about an hour longer. There were lots of slow moments.
See it if You’re anticipating a future living like a mole......underground. Or see it if you think that robots are under-represented in the theater.
Don't see it if If you’re hoping to see a play that doesn’t telegraph in act 1 scene 2 exactly how the rest of the play is going to move forward.
See it if Immersion in sci-fi world from within a small apt. Interesting themes. Endearing robot. Need we be honest about an unpleasant reality?
Don't see it if You aren't interested in philosophical discussion about the purpose of life. Long winded in spots.
See it if You want to see a post-apocalyptic drama with heart, brought to vivid life through fine acting, direction and staging.
Don't see it if You don't like future-set post-apocalyptic themed plays.
See it if you like post-apocalyptic dramas that focus on a relationship (or if you think robots are cute)
Don't see it if depression, betrayal and a general bleakness aren't your idea of entertaining theater.
See it if You're a fan of dystopian fiction. You like Black Mirror, Bradbury, or Asimov. You want to see some truly impressive world-building.
Don't see it if You can't sit through a 2.5 hour + intermission show - but the time really does fly by.
See it if You're interested in future/dystopian stories; you want to see nuanced and affecting performances (even by non-humans)
Don't see it if You don't like robots? Only complaint was that it could have been trimmed down a little, but really enjoyed it.
See it if you want an apolitical, sensitively-written, plausible (if somewhat bleak) vision of the future, w/an authentic relationship at its heart.
Don't see it if you can't face another fictional post-apocalyptic drama in this real pre-apocalyptic atmosphere; you can't endure a long, cloying ending.
See it if you are interested in very new-feeling theater. You like black mirror, the giver, ready player one, etc.
Don't see it if You don't like fantasy/the future. You don't care about stories about marriage or depression.
See it if you are looking for an interesting futuristic story. It's well written and it makes you think, but I wasn't enthralled.
Don't see it if you aren't a sci-fi fan, it might not be for you.
See it if You like a sort of black mirroresque theater experience, that is very smart, funny, and a reaction to our political times.
Don't see it if You don't want to see a futuristic type play featuring a robot.
See it if you like stories about individual life in a post-apocalyptic society, where free choice is limited, and most experiences are simulated.
Don't see it if you dislike sci-fi, robots, or plays that take time to reveal their strength, but do see it if you appreciate fantastic acting.
See it if post-apocalyptic works that infuse all that makes us human, displacing most "sci-fi" elements to the borders of the story, sounds alluring.
Don't see it if eschewing anything even slightly moralizing--here, about how we're destroying our environment; losing ourselves in technology; losing touch.
See it if You want to see fantastic acting in an engaging story. Very interesting and thought provoking throughout.
Don't see it if You don’t want to see a depiction life after a nuclear holocaust.