Albatross
Closed 1h 25m
Albatross
80

Albatross NYC Reviews and Tickets

80%
(53 Reviews)
Positive
92%
Mixed
6%
Negative
2%
Members say
Great acting, Absorbing, Ambitious, Intense, Great staging

About the Show

The Poets' Theatre, Inc. presents a multimedia solo show inspired by Samuel Taylor Coleridge’s 'The Rime of the Ancient Mariner.'

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Member Reviews (53)

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70
Great acting, Confusing, Slow

See it if you enjoy well acted one man shows which are a bit unusual and require the use of you imagination.

Don't see it if you prefer a clearly developed story not solely dependant on the actor and some stage tricks.

80
Ambitious, Great acting, Great staging, Slow, Overlong

See it if you enjoy accomplished one-man performances. The actor commits entirely and is appealing in the role.

Don't see it if you'll get annoyed that it runs 90 minutes but only holds your interest for about 60. Or if you don't like the poem it's inspired by.

Critic Reviews (23)

The New York Times
January 19th, 2017

"A piece that cries out for simplicity and gets digital distraction instead. Oh, Mariner, those overly literal visual aids fight you for our attention at every turn, breaking the mood in the bargain...It all registers as a lot of visual noise. The sound design is not quite as obtrusive, but it, too, is part of a layering that suggests that the director doesn’t trust the script. As for Mr. Evett, he is best when the production leans on him, not on design."
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BroadwayWorld
January 20th, 2017

“A gripping one-man show…’Albatross’ is an exciting and dramatic portrayal of a mariner's extensive journey…Benjamin Evett's solo performance as the mariner is stunning as he captures the drama, tension, and occasional humor of the show. He masters the physically and emotionally demanding role…The creative team has done a wonderful job of bringing ‘Albatross’ to the stage…’Albatross’ is a riveting and affecting theatrical piece that you will long remember.”
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Lighting & Sound America
January 19th, 2017

“Evett is a powerful presence with oceans of technique at his disposal, but his performance would be infinitely better if he cut the intensity level by at least thirty percent...His full-throated, aim-for-the-balcony approach becomes wearying, then assaultive…'Albatross' seems to exist entirely to give its leading man a workout—and the result is something of an ordeal for the audience. All the additional detail only has the effect of making one appreciate how neatly Coleridge told his tale."
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TheaterScene.net
January 22nd, 2017

"Matthew Spangler and Benjamin Evett have turned this very long story poem into a fascinating drama featuring Mr. Evett as the narrator, the mariner and every other character. As directed by Rick Lombardo, this 'Albatross' is uneven in its storytelling, but still totally involving, mostly due to Evett's tireless performance. This dramatization of the famous, previously much maligned poem, strips away the clichés and finds its dramatic heart."
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Theatre is Easy
January 22nd, 2017

"Matthew Spangler and Benjamin Evett’s script revives Coleridge's ancient poetry and makes this 18th-century stock character relevant. With humanity’s negative impact on nature and cruelty to animals, the Mariner’s story deserves even more urgent attention...My one critique concerns the projections, which become more of a distraction than an enhancement...Yet they ultimately do not prevent 'The Albatross' from being a stirring production centered around a masterful performance."
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Theater Pizzazz
January 20th, 2017

"The venture becomes muddled, beginning as something of a parody and ending as a fairly faithful adaptation of its source material...Evett is fully equipped to hold us at attention throughout...His stamina and consistency as a performer are tested by the script’s inability to decide what it wants to do with the mariner’s story...Whether intended or not, it doesn’t come close to capturing the terror of reading Coleridge’s poem silently."
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CurtainUp
January 19th, 2017

"Visually rich for a drama featuring only one actor...The play quotes Coleridge's verse and its antiquated language, but most of the text is lively prose that's easy to follow and accessible to the contemporary ear...As a performer, Evett has no difficulty holding spectators' attention for the play's 85 minutes. His high energy never flags; his demeanor is at once dauntless and natural...At certain points, the theatrics and the molto agitato tempo are more distraction than enhancement."
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Stage Buddy
January 24th, 2017

"The corn in the husk, Evett‘s acting, coupled with some dramatically psychedelic effects, offers a number of niblets to nibble on throughout. The problem is the husk. The lumbering exposition that takes up so much of the play adds little of any substance to the figure of the Mariner...'The Albatross' doesn’t really interpret Coleridge’s poem or engage with it in a meaningful, personal way; it more or less just adds a lot of unnecessary fat to the haunting skeleton of the source material."
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Front Mezz Junkies
January 19th, 2017

"It’s definitely an attention grabbing opening, and one that doesn’t let us down moving forward...Through the vessel that is Evert and the direction of Rick Lombardo, we are given a rowdy and engaging telling of this tale of guilt and remorse...It’s an exciting tale, shocking, moving, and arresting. Magically and effortlessly told, Evert grabs us and yanks us willingly throughout this 85-minute monologue, leaving us fulfilled and uplifted on the shore of our newly acquired awareness."
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Theatre's Leiter Side
January 19th, 2017

“Spengler and Evett created an intense one-man play around Coleridge's poem, famous for its place in the early history of Romanticism. Evett himself performs the title figure in a tour-de-force of acting chops and physical stamina...The 85-minute play, perhaps 15 minutes longer than it has to be, makes demands that test his endurance and, when the rains begin pouring down on him late in the play, you're happier for the actor than the character that he's finally got water, water, everywhere.”
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W
January 20th, 2017

“The only thing amiss with this script are repeated, thoroughly annoying references to the present, which rip us away from the power of the chronicle and back into our theater seats. A big mistake…Benjamin Evett brings terrific physicality to his role…It might serve the piece to vary emotional level a bit more. Starting aggressive/maddened without respite means we’ve less far to go. Mostly, Lombardo needs to keep an eye on his star. Production values are simply marvelous."
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Let's Talk Off-Broadway
January 19th, 2017

"Benjamin Evett gives us a surpassing performance in a magnificent play…It’s a tragic story with a possible, ambiguous redemption–redemption here less clear than in Coleridge’s poem. What courage to take on a famous, iconic poem, what confidence of vision! These contemporary authors meet that challenge fully. This play is written with a passionate, raw, vernacular poetry of its own that makes the telling of the story near-to-overwhelming."
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Z
January 23rd, 2017

"The story is classic, but through the use of modern technology, multimedia projections, strong sound effects, and a multipurpose set, the play feels of the moment...And there is no better actor to create this world than Benjamin Evett...It is a raw and emotional role to play, and Evett does so flawlessly by putting his whole heart and soul into the role...Hats must be tipped for what is a top-notch performance, but what also must be an exhausting one."
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Epoch Times
January 23rd, 2017

"We should all be so lucky to have this man’s energy, at his age...Evett has converted this story into an environmental tale...A tremendous, if obvious, message...Do you want to go hear this message handed to you, heavily? Heavy-handedly?...Evett’s got gale-force power; it’s a bit much for a small theater. Black Dog in a black box? Biting off pieces of someone’s shoulder, swallowing them, and then blowing chunks? 'Is it too much?' You be the judge."
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British Theatre Guide
August 25th, 2016
For a previous production

"It's a stirring piece of theatre, inventively staged with rigging and ragged sailcloth strewn about the stage to great effect, while Evett himself makes use of ladders, ropes and all to spin the yarn. It does, however, have a slight misstep of a moment, as several references to modern life are well-intentioned but feel somewhat forced, especially as the message is well enough captured in the actions of the Mariner himself. Overall, this is a show well worth the admission."
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B
February 24th, 2015
For a previous production

"The framing devices do go on a bit long...The piece reaches full speed once the mariner’s yarn reaches South America, and there’s a wonderful sense of growing dread...Evett imbues this piece with a Bard-like sense of man’s ability to observe, but not alter, the inexorable progress of fate. Evett’s charisma forges the sense that 'Albatross' would be just as captivating an experience if he stood atop a sea chest and recited it in broad daylight on Boston Common."
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9
February 19th, 2015
For a previous production

"'Albatross' offers us as much history as it does poetry, and as much earthy expression as transcendence of language…Evett’s performance is spellbinding, Rick Lombardo’s direction is dynamic and focused, and the finely attuned production design serves as a living argument for the poetic possibilities of the theatrical form."
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T
May 18th, 2015
For a previous production

"A strikingly dramatic text, one that demands the power and versatility of an actor of Evett’s calibre. Leaving aside his impressive vocal performance, Evett’s physical dexterity is dazzling. He effortlessly shifts from the bawdy clowning of the Italian jester to miming the agonizing strains of a seaman’s labors…The production’s design elements and storytelling are nimbly integrated."
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FringeGuru
August 25th, 2016
For a previous production

"A visually enthralling saga…Evett dominates the stage and owns it completely. From the shockingly coarse tongue of a true-blue sailor to the smooth recital of Coleridge’s poem, the narration flows easily and naturally…The second half of the show is profound…The ending is sublime…The first half hour is slow, however. It takes a while to ramp up to the actual story...But director Rick Lombardo has brought new life to a familiar poem."
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Broadway Baby
August 16th, 2016
For a previous production

"This piece zips by due to its combination of masterful storytelling, beautifully simple yet visually stunning effects, and an acting performance of real quality and stamina-induced intensity by Evett himself...The truthfulness of his performance makes the entire spectacle truly absorbing…While arguably the piece might be shortened slightly, with its opening perhaps the weakest part as the character is established, it is Evett’s tour-de-force performance which is the real champion."
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edfringe review
August 14th, 2016
For a previous production

"The style is captivating; the storytelling transcends the fourth wall with fantastic energy. Whilst remaining utterly true to the rough, ready and foul-mouthed sailor that he is, Evett's performance exudes professional polish, incorporating impressive variations of tone and staging. Evett's dynamism is undeniably the focus of this one-man show…With touches of human honesty, 'Albatross' draws on Coleridge’s symbolism delving into the depths of disbelief, sin, suffering, sorrow, and God."
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Wicked Local
June 23rd, 2016
For a previous production

"A wild ride of gripping theater, performed solo by the remarkable Benjamin Evett…Evett is powerful and mesmerizing, as is the unique play…Backing up Evett's spectacular and physically demanding performance are marvelous special effects…There is nothing static about this one-man tour de force…It seems surprisingly relevant in today's world…Put this show on your must-see list."
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edfringe review
August 14th, 2016
For a previous production

"Alongside his boundless vigor and flawless recital of his script, Evett’s performance is at times astounding…But such is the nature of one-man plays that the story gradually becomes a little flat. As Evett’s character narrates his own painfully slow death of thirst aboard his ship, some audiences will begin to long for a different form of story telling, or at least a new narrator…Ultimately, it is difficult to fault the performance and production. For this alone 'Albatross' is worth seeing."
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