Limited to 4 tickets per order. All offers subject to availability. Offer valid for performances of All I Want Is One Night through 7/1/18. This offer may be revoked or modified at any time without notice. Not valid with any other offer. Standard TicketCentral.com service fees apply to all phone/internet orders.
Limited to 4 tickets per order. All offers subject to availability. Offer valid on all performances of All I Want Is One Night through 7/1/18. This offer may be revoked or modified at any time without notice. Not valid with any other offer. Standard TicketCentral.com service fees apply to all phone/internet orders.
"You can see what drew the British performer and writer Jessica Walker to Solidor, whose artistry and wild life she honors in the delightful 'All I Want Is One Night'...What was novel about the show was Ms. Walker’s unabashed way of delivering torch ballads not just about loving women but about having sex with them...The numbers are so good, in fact, that you wish there were more than the eight...The evening does not shy from Solidor’s less savory side." Full Review
“Sensual and eager to devour life with every pore in her body. Walker’s portrayal of Solidor makes this abundantly clear. The fine performances of the other members of the cast...not only support Walker but bring needed zest and spark. Walker does her best to convey the passion and determination of Solidor, and she succeeds mightily in the songs...The autobiographical monologues and the patter directed at the audience do not hold up as well as they feel random and disconnected." Full Review
“Part of 59E59's Brits Off-Broadway 2018 festival, Jessica Walker's ‘All I Want is One Night’ takes place in an odd combination of cabaret and antique shop. Theater B in the 59E59 Theaters complex has been done over as a café with moody lighting by Kate Ashton and extraordinary period perfect costumes (uncredited). It is 1980 in Haut de Cagnes and Suzy Solidor (Walker) in her dotage is about to be painted by Lindstrom (Alexandra Mathie who plays multiple characters…quite convincingly)." Full Review
“Uneasily stranded between nightclub act and full-out biographic drama. The dialogue scenes play like a highlight reel from a vintage film melodrama...Strains to maintain a steamy atmosphere of intrigue. But when the commanding Walker, with her silvery soprano, takes the stage, all is well...Has some attractively sexy and melancholy songs delivered by a singer who is a mistress of the form. The rest of it is the raw material for a play yet to be written.” Full Review
“A curious mixture of low camp, high drama, and cabaret that shines some perfumed wattage on one of the world’s once-illustrious, now-forgotten icons from the same nightclub world as Édith Piaf, Josephine Baker, and Mistinguett...Walker never achieves the sultry throatiness of the flamboyant Suzy, but she still dominates the show with ersatz artistry...Some of the flavor of free love Suzy Solidor was selling in that bygone cabaret era comes through again in this uneven but fascinating show.” Full Review
"If there is a touch of Édith Piaf in Solidor, there's even more of Marlene Dietrich in her...She does not seem right for the role that she has created. While she bears a resemblance to photos of Solidor, she is too soft in her delivery, too cautious with her interactions, and too sweet in her singing tone to be completely convincing...In the end, the potentially fascinating character of Suzy Solidor remains stubbornly out of reach." Full Review
"Walker's voice is much closer to a soprano's than to the low, richly throbbing sound for which Solidor was known… Walker's singing and manner, while polished and expressive, don't come close to embodying the Gallic charm one expects…The loosely connected script, which intermingles biographical material within the context of a cabaret show, with action occurring among the tables as well as on the small stage, is too discombobulated to stir much deep interest." Full Review
"An interminable 65-minute bore...Obviously, Solidor led quite an interesting existence. It’s a pity that 'All I Want Is One Night' is such a drag...Solidor scarcely flickers to life. Painted in fragments by Walker in wordplay that alternately seems precious or stiff, this portrait of the artist is too impressionistic to be informative or satisfying theater. Worse than that, Walker’s portrayal does not connect with the woman she attempts to convey." Full Review
for a previous production "Walker is one to watch, in my opinion. A technically-accomplished and intelligent performer, she has written a play with snappy dialogue and good jokes, and has translated Solidor’s songs from French to English herself. The songs are pretty filthy, very funny, and at times very moving – mezzo-soprano Walker succeeds in pulling the heart and tenderness out when needed in order to tell the story. Perhaps my only criticism is that the story itself is a little flimsy." Full Review
for a previous production "Walker’s short, moving, bittersweet new play, atmospherically staged by Sarah Frankcom...offers a fresh portrayal, successfully rising above biographical details to explore the ambisexual star’s life-long obsession with self-image...She brings a lively sensuous sparkle to Solidar’s songs, performed in English for the first time, while recreating a gender-fluid performance milieu laced with fruity double-entendres." Full Review
for a previous production "The show’s real strength is in transporting its audience to the subterranean world of nightspots that were Solidor’s playground...Much of this transportative effect is down to Walker herself...The play’s biggest drawback is its songs – there aren’t enough of them...It doesn’t delve too deeply beneath the surface and there’s definitely scope for development, but as far as it goes, Walker’s bittersweet sojourn is an enjoyably immersive experience." Full Review
See it if you would like seeing a French chanteuse from the 1930s in a night club setting
Don't see it if if you might be offended by lesbian themes and/or if you are interested in something of a traditionally "show tune" vein
See it if interested in Suzy Solidor, risqué between-wars chansons, left bank lesbians. If you don't know her, this will not provide much insight
Don't see it if you're looking for drama, detail or much besides the atmosphere of a semi-seedy Parisian cabaret, which is skillfully evoked by set & singer
See it if You’re up for 65 of the longest minutes you’ll spend in a theatre. Great premise and set but unrealized characters adrift in this script.
Don't see it if You've no interest in 1920's Parisian nightlife, clever lesbian love songs or an unhappy if interesting chanteuse/amoureuse life story.
See it if you have an interest in the life of Suzy Solidar and want to hear some French cabaret songs (sung in English).
Don't see it if you want to be entertained. Only a bit over an hour, but it seemed much longer. She tried to interact with the audience, to little success.
See it if you enjoy following complex story line with a few playing many roles and crossing gender lines
Don't see it if you cannot follow multiple plots;dont ike lesbian references
See it if If you like one woman shows about romance and decadence of the Cabarets and art in 1930s Paris. Stage is set like an intimate Cabaret.
Don't see it if You don't like Cabaret singing and sexual references and lesbians
See it if The multiple erotic identities of Suzy Solidor, the famous Parisian cabaret singer and actress are brought to life by Jessica Walker
Don't see it if you are not interested in LGBT stories
See it if You want an unique & engaging story about artistry,love, aging & survival told in a cabaret format.
Don't see it if You prefer contemporary stories. You don't like cabaret seating. You're uncomfortable w/discussions of sexuality.
See it if This musical falls flat. When writers cast them selfs in a the staring role...Focus dissipates. Ms Jessica Walker is talented but miss caste
Don't see it if If female gay /bisexual topics are uncomfortable for you
See it if You love romance, especially centered around LGBTQ characters. Seeing a woman sing a love song to another woman was so refreshing!
Don't see it if You are picky about plot or are uncomfortable with unapologetic, powerful, mesmerizing, female sexuality.
See it if You like cabaret music, art, Suzy Solidor, or stories about bitter old people remembering their glory days when they were bitter and YOUNG.
Don't see it if You don't like the above. Or lesbians, I suppose. It's a short play with good singing, but it's not going to be for everyone.
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