Members say: Entertaining, Quirky, Great singing, Ambitious, Disappointing

About the show

Jessica Walker returns to 59E59 Theaters for an new play-with-songs centering on noted French actress and cabaret sensation, Suzy Solidor.

... Read more

Paris: 1935. Suzy Solidor steps onto the tiny stage of her cramped nightclub, ready to wow the hippest crowd in town with her lesbian erotic songs. She is surrounded by her 225 portraits and high on success, both from her best-selling records and from her status as most painted woman in the world. Suzy Solidor may be the most famous woman you've never heard of. 


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Limited to 4 tickets per order. All offers subject to availability. Offer valid for performances of All I Want Is One Night through 7/1/18. This offer may be revoked or modified at any time without notice. Not valid with any other offer. Standard TicketCentral.com service fees apply to all phone/internet orders.

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Limited to 4 tickets per order. All offers subject to availability. Offer valid on all performances of All I Want Is One Night through 7/1/18. This offer may be revoked or modified at any time without notice. Not valid with any other offer. Standard TicketCentral.com service fees apply to all phone/internet orders.



80
Front Row Center

“Sensual and eager to devour life with every pore in her body. Walker’s portrayal of Solidor makes this abundantly clear. The fine performances of the other members of the cast...not only support Walker but bring needed zest and spark. Walker does her best to convey the passion and determination of Solidor, and she succeeds mightily in the songs...The autobiographical monologues and the patter directed at the audience do not hold up as well as they feel random and disconnected." Full Review

80
TheaterScene.net

“Part of 59E59's Brits Off-Broadway 2018 festival, Jessica Walker's ‘All I Want is One Night’ takes place in an odd combination of cabaret and antique shop. Theater B in the 59E59 Theaters complex has been done over as a café with moody lighting by Kate Ashton and extraordinary period perfect costumes (uncredited). It is 1980 in Haut de Cagnes and Suzy Solidor (Walker) in her dotage is about to be painted by Lindstrom (Alexandra Mathie who plays multiple characters…quite convincingly)." Full Review

80
Off Off Online

"Offers compelling reason to become reacquainted with the cross-dressing French cabaret singer...The show fluidly moves through various nightclubs in Solidor’s long career, weaving onstage performances with dramatized lovers’ quarrels and biographical bits of information. Notably, the play does not shy away from the singer’s controversial stances...Walker’s Solidor is a fascinating creation...The show lasts just 65 minutes, but it is a rich, full evening." Full Review

80
Plays to See

"Walker is magnetic in her portrayal of Solidor. She is vivacious and yet tender, showcasing the complexity of Solidor as a performer, an openly bisexual lover, and a businesswoman in the fluctuating landscape of Jazz Age Paris through Nazi-occupied Vichy France...Not a series of events; it’s a series of emotions...It’s a wonderful celebration of a woman portrayed anew in over two hundred portraits, and now onstage once more." Full Review

80
Theater Pizzazz

"The thrill of Walker’s 'All I Want Is One Night' is that she creates as a performer and playwright a world in which danger and glamour and delusion and talent are mixed altogether with commerce...Walker sings the songs she translated from the French with beautiful simplicity. Her subtle performance of this fascinating woman saves this evening from any possible cliché and the supporting actors are equally as faceted and real." Full Review

70
Lighting & Sound America

“Uneasily stranded between nightclub act and full-out biographic drama. The dialogue scenes play like a highlight reel from a vintage film melodrama...Strains to maintain a steamy atmosphere of intrigue. But when the commanding Walker, with her silvery soprano, takes the stage, all is well...Has some attractively sexy and melancholy songs delivered by a singer who is a mistress of the form. The rest of it is the raw material for a play yet to be written.” Full Review

70
The Observer

“A curious mixture of low camp, high drama, and cabaret that shines some perfumed wattage on one of the world’s once-illustrious, now-forgotten icons from the same nightclub world as Édith Piaf, Josephine Baker, and Mistinguett...Walker never achieves the sultry throatiness of the flamboyant Suzy, but she still dominates the show with ersatz artistry...Some of the flavor of free love Suzy Solidor was selling in that bygone cabaret era comes through again in this uneven but fascinating show.” Full Review

60
Talkin' Broadway

"If there is a touch of Édith Piaf in Solidor, there's even more of Marlene Dietrich in her...She does not seem right for the role that she has created. While she bears a resemblance to photos of Solidor, she is too soft in her delivery, too cautious with her interactions, and too sweet in her singing tone to be completely convincing...In the end, the potentially fascinating character of Suzy Solidor remains stubbornly out of reach." Full Review

55
Theatre Reviews Limited

"Ms. Walker certainly captures the intriguing beauty of the chanteuse and deftly delivers each of the eight musical numbers...This is all well and good but what is missing is the guttural passion, husky timbre and vulnerable vibrato that were trademarks of Solidor...The sixty-five-minute production is an interesting evening of entertainment that shines a glimmer of light on the fascinating chanteuse but does not qualify or succeed at being a bona fide piece of theater." Full Review

50
Theater Life

"Walker's voice is much closer to a soprano's than to the low, richly throbbing sound for which Solidor was known… Walker's singing and manner, while polished and expressive, don't come close to embodying the Gallic charm one expects…The loosely connected script, which intermingles biographical material within the context of a cabaret show, with action occurring among the tables as well as on the small stage, is too discombobulated to stir much deep interest." Full Review

20
New York Stage Review

"An interminable 65-minute bore...Obviously, Solidor led quite an interesting existence. It’s a pity that 'All I Want Is One Night' is such a drag...Solidor scarcely flickers to life. Painted in fragments by Walker in wordplay that alternately seems precious or stiff, this portrait of the artist is too impressionistic to be informative or satisfying theater. Worse than that, Walker’s portrayal does not connect with the woman she attempts to convey." Full Review

85
The New York Times

"You can see what drew the British performer and writer Jessica Walker to Solidor, whose artistry and wild life she honors in the delightful 'All I Want Is One Night'...What was novel about the show was Ms. Walker’s unabashed way of delivering torch ballads not just about loving women but about having sex with them...The numbers are so good, in fact, that you wish there were more than the eight...The evening does not shy from Solidor’s less savory side." Full Review

80
Everything Theatre (UK)

for a previous production "Walker is one to watch, in my opinion. A technically-accomplished and intelligent performer, she has written a play with snappy dialogue and good jokes, and has translated Solidor’s songs from French to English herself. The songs are pretty filthy, very funny, and at times very moving – mezzo-soprano Walker succeeds in pulling the heart and tenderness out when needed in order to tell the story. Perhaps my only criticism is that the story itself is a little flimsy." Full Review

70
The Stage (UK)

for a previous production "Walker’s short, moving, bittersweet new play, atmospherically staged by Sarah Frankcom...offers a fresh portrayal, successfully rising above biographical details to explore the ambisexual star’s life-long obsession with self-image...She brings a lively sensuous sparkle to Solidar’s songs, performed in English for the first time, while recreating a gender-fluid performance milieu laced with fruity double-entendres." Full Review

70
Musical Theater Review

for a previous production "The show’s real strength is in transporting its audience to the subterranean world of nightspots that were Solidor’s playground...Much of this transportative effect is down to Walker herself...The play’s biggest drawback is its songs – there aren’t enough of them...It doesn’t delve too deeply beneath the surface and there’s definitely scope for development, but as far as it goes, Walker’s bittersweet sojourn is an enjoyably immersive experience." Full Review


96
Absorbing, Enchanting, Intelligent, Resonant, Great singing

See it if You want a terrific cabaret/theater entertainment beautifully written, directed & performed.

Don't see it if Lesbian themes bother you.

92
Delightful, Enchanting, Entertaining

See it if You want a great theater experience in a cabaret setting. An imaginative creation that I thoroughly enjoyed.

Don't see it if No reason

90
Ambitious, Quirky, Raunchy, Entertaining, Great singing

See it if you've seen Jessica Walker previously and enjoy her; you enjoy torch songs; you can get front row seats and interact with the star

Don't see it if you are offended by a presentation about a bi-sexual woman that involves graphic descriptions of lesbian sex

85
Absorbing, Ambitious, Delightful, Edgy, Entertaining

See it if Like a play in a cabaret setting

Don't see it if If you're homophobic

85
Absorbing, Edgy, Intelligent, Quirky, Great singing

See it if you would like seeing a French chanteuse from the 1930s in a night club setting

Don't see it if if you might be offended by lesbian themes and/or if you are interested in something of a traditionally "show tune" vein

Also I do like songs of the 30s and I do like seeing a chanteuse singing su... Read more Read less

83
Absorbing, Clever, Thought-provoking, Great singing

See it if you enjoy learning about a different side of cabaret entertainment from the mid-century and enjoy great singing

Don't see it if you are uncomfortable with GLBTQ themed shows

78
Edgy, Quirky, Resonant

See it if If you like cabaret style pieces. You are interested in seeing works about lesbians

Don't see it if Songs and script with some very explicit description of lesbian sex upset you. Some themes in the show have been explored before

Also It was unclear to me how much of this show was true, especially about ... Read more Read less

75
Quirky, Charming, Great staging

See it if You enjoy cabaret-style immersive shows shows and/or learning about lesser-known queer historical figures.

Don't see it if You don't like actors physically interacting with the audience.

75
Funny, Clever, Raunchy

See it if mid 20th century cabaret, raunchy songs from your grandparents era, plot light but keeps it moving

Don't see it if it's very naughty

70
Clever, Great acting, Quirky, Entertaining, Great singing

See it if interesting idea on a dated concept

Don't see it if adult themes, baudy

70
Ambitious, Thought-provoking, Indulgent

See it if You like french cabaret music and are interested in Suzy Solidor

Don't see it if You dislike audience interaction

67
Stranded between cabaret & play, Well performed chansons but leaden dialogue, Illustrated wikipedia entry on solidor

See it if interested in Suzy Solidor, risqué between-wars chansons, left bank lesbians. If you don't know her, this will not provide much insight

Don't see it if you're looking for drama, detail or much besides the atmosphere of a semi-seedy Parisian cabaret, which is skillfully evoked by set & singer

Also Although this piece in its current form outstays its welcome at a mere... Read more Read less

67
Dizzying, Confusing, Disappointing

See it if you like lesbian themes

Don't see it if the singing were better

55
Flat, Ambitious, Disappointing, Lifeless, Slow

See it if You’re up for 65 of the longest minutes you’ll spend in a theatre. Great premise and set but unrealized characters adrift in this script.

Don't see it if You've no interest in 1920's Parisian nightlife, clever lesbian love songs or an unhappy if interesting chanteuse/amoureuse life story.

Also As Mark Twain said of his wife's attempts at swearing, "The words are ... Read more Read less

50
Edgy, Disappointing, Slow, Self-indulgent

See it if you have an interest in the life of Suzy Solidar and want to hear some French cabaret songs (sung in English).

Don't see it if you want to be entertained. Only a bit over an hour, but it seemed much longer. She tried to interact with the audience, to little success.

35
Banal, Disappointing, Cliched, Slow

See it if you're a fan of this era or want a historical insignt.

Don't see it if you wont a good cabaret show or night at the theater. Was disappointing.

30
Slow, Forgettable

See it if You're a huge fan of the singer and her life or really into cabarets.

Don't see it if You're looking for a memorable production.

11
Ambitious, Clever, Enchanting, Intense, Entertaining

See it if You enjoy moulin rouge type cabaret dreams gone awry

Don't see it if You aren’t into the nostalgia of 1940’s Paris.

69
Absorbing, Overrated

See it if You want an interesting night with songs. You have a passion for the subject matter already.

Don't see it if you want something fast paced or entertaining.

Also My second visit to 59 theaters after seeing the astonishing Secret Liv... Read more Read less

100
During previews
Absorbing, Enchanting, Exquisite, Entertaining, Great singing

See it if you enjoy following complex story line with a few playing many roles and crossing gender lines

Don't see it if you cannot follow multiple plots;dont ike lesbian references

91
During previews
Clever, Edgy, Intelligent, Entertaining, Great singing

See it if If you like one woman shows about romance and decadence of the Cabarets and art in 1930s Paris. Stage is set like an intimate Cabaret.

Don't see it if You don't like Cabaret singing and sexual references and lesbians

86
During previews
Absorbing, Clever, Entertaining, Great singing

See it if Has the feel of Cabaret in World War II. Great singing I found it entertaining

Don't see it if Same sex and some of the words to the songs lyrics may bother some people.

Also Some of the seat were around tables. I found this play interesting for... Read more Read less

84
During previews
Absorbing, Great acting, Relevant, Great singing, Great staging

See it if The multiple erotic identities of Suzy Solidor, the famous Parisian cabaret singer and actress are brought to life by Jessica Walker

Don't see it if you are not interested in LGBT stories

Also with excellent finesse. Walker is able to render precise meaning to ea... Read more Read less

84
During previews
Clever, Great acting, Quirky, Entertaining, Great staging

See it if You want an unique & engaging story about artistry,love, aging & survival told in a cabaret format.

Don't see it if You prefer contemporary stories. You don't like cabaret seating. You're uncomfortable w/discussions of sexuality.

81
During previews
Ambitious, Disappointing, Slow, Miss casted

See it if This musical falls flat. When writers cast them selfs in a the staring role...Focus dissipates. Ms Jessica Walker is talented but miss caste

Don't see it if If female gay /bisexual topics are uncomfortable for you

Also Sally needs to be a much broader crazamaric personality. I would love ... Read more Read less


Cast & Creatives (5)