See it if You are interested in theater without language. It's captivating.
Don't see it if You're going to laugh the entire time. It's strange worth letting go.
See it if you enjoy new interdisciplinary theatre experiences, and if your letters to Santa as a kid always included asking for world peace.
Don't see it if you prefer your plays with words.
See it if You are a thinker and like physical theatre with interesting movement and
Don't see it if you like commercial theatre with linear ideas and text.
See it if You appreciate seeing an ensemble cast lift one another up!
Don't see it if You have no patience for dance or movement theatre and prefer dialogue to drive a story forward.
See it if You enjoy interpretative dance, don't need words to follow a plot and enjoy instrumental pieces.
Don't see it if You dont enjoy dance performances with no dialogue and music without lyrics.
See it if Well-staged & choreographed modern dance. Some large group scenes, some intimate two-person.
Don't see it if Modern dance isn't your thing? Honestly it's pretty enjoyable.
See it if You're up for something thought provokingly different!
Don't see it if You don't like anything out of the norm!
See it if What to see relevant story-telling dance/movement. The piece itself is very timely and well-crafted.
Don't see it if Expect a show with dialogue or song.
"'The Tower of Babel' does not take up much space in the Bible, so it's a big feat to expand this tale to an alluring, 75-minute show that’s constantly dynamic...Going through the entire ensemble and creating a partner identity for all 12 duos makes this section seem a bit long. But what they all share is the exhilaration of finding a sense of partnership, a sense of belonging...It is Convergences Collective’s earnest effort to demonstrate the strength and perseverance of the human spirit."
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"The stellar ensemble offers a fresh take on the story of the 'Tower of Babel,' utilizing acrobatics, movement theatre, and contemporary dance. The story is linear and specific, compelling to seasoned avant-garde audiences but direct enough for audiences less familiar with nonverbal pieces to follow...The play leaves the audience feeling hopeful and united, which proves timely for the current state of American culture and politics."
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