Ballyturk NYC Reviews and Tickets

"The dark and enigmatic cosmic farce...'Ballyturk' is so verbally dense that it’s possible to be hypnotized, if not numbed, by some of its lush spoken arias. Even at 90 minutes, it would be better shorter...As a director, Walsh knows how to weave a web of images that defy language. And he infuses them with a kinetic charge...But no matter your immediate response to 'Ballyturk,' it is likely to take up residence in your thoughts after you’ve seen it."
Read more

"Walsh crams big themes into small spaces...After immersing us in this busily static space—Beckett on uppers—Walsh pulls it down with the dramatic arrival of 3 (the magnetic Fouéré)...What this deliberately mysterious play 'means' is left to the audience to imagine. To me, it feels like a theatrical metaphor about the attractions and limits of theater itself; your mileage may vary, but Walsh offers plenty to consider and enjoy along the road."
Read more

“Thrilling...A wild, devastating cry from a playwright who’s both celebrating the small miracle of humankind’s creative impulse and interrogating its ultimate usefulness...A play full of stunning monologues...Walsh turns theatrical examinations of stuckness into exegeses on the art of playmaking. Theater is uniquely good at talking about, eviscerating, celebrating itself — and in 'Ballyturk' you can sense Walsh’s fear that perhaps, in the face of real life’s chaos, that’s all it’s good for.”
Read more

"There are flashes when it’s funny and sad. But mostly it’s a mystery...What’s it all about? That’s never fully explained but intentionally left up in the air. But here’s the thing about a head-scratcher: It can also stimulate your brain. 'Ballyturk' does."
Read more

"As enigmatic, exhilarating, nonsensical, and frustrating as Samuel Beckett's masterpiece...Though Walsh isn't adding any particularly new insight into the theatrical conversation about life, death, and everything in between, once we see the direction in which he's going, we are able to focus more on what's important. The work, too, finds a nice little center, and there is an unexpected poignancy that follows as Murphy and Murfi confront all of the feelings they thought they'd forgotten."
Read more

"Seems to operate on the theory that if a bit of nonsense is amusing, a shipping container's worth is even better. This is not to denigrate the total commitment and skill of the two actors...As 'Ballyturk' begins to acquire a dramatic profile, it also comes to resemble a compendium of absurdist drama tropes…Shuttles between the inexplicable and the derivative, it may be worth seeing if only to catch Fouéré...She very nearly transforms this willfully strange piece into a meaningful experience."
Read more

“A dark comedy...An existential drama about friendship and all the personal sacrifices, large and small, that it can demand from an individual...It is amazing to see Murfi do his frenetic comedy routines on stage, while infusing a genuine humanity...Equally mesmerizing is Murphy, whose physical agility and sensitive acting as Character One terrifically complements Murfi's...Fouere delivers a commanding performance...‘Ballyturk’ at St. Ann's might just convert you into a Walsh fan.”
Read more

"While there is an often frustrating incoherence, this does not diminish the emotional punch thrown by the performance’s climax...Murfi is fantastic...As goofy in 'Ballyturk' as he is devastating...‘Ballyturk’ elicits more questions than it answers in its 95 minutes running time...Be prepared to be thrown off your axis. It is a noteworthy experience, but you’ll land a bit disoriented when the house lights go up.”
Read more

"'Ballyturk' isn’t easily explained, nor do we even need to in order to take in the pleasure of viewing such a wildly captivating creation. We just need to give ourselves over to the bleak oddness, and enjoy…This incredibly well staged production brings to mind the classic absurdism of the powerful and dark ‘Waiting For Godot.’ It tantalizes with its abstract creationism and vagueness…Walsh has found the best of both worlds, puzzling our head, while also engaging our hearts."
Read more

“'Ballyturk'…challenges audiences to break through its surrealistic shield to pick up whatever crumbs of meaning it may now and then deign to share…Walsh's dreamlike combination of slapstick farce, ritual, violence, dance, music, mime, intellectual abstraction, colloquially accessible and lyrically poetic dialogue, Beckettian overtones…, and narrative confusion is performed…with such exceptional conviction that the play's meaning becomes secondary to its physical and vocal expression.”
Read more

“Walsh churns out careening, logorrheic scripts that spurn narrative cohesion and embrace a gritty, athletic staging...We never quite grasp the specific relationship between the men...To lighten the mood, Walsh choreographs nutty dance sequences...Walsh explores the limitations of descriptive language and the perilous gap between imagination and reality...One can’t really grumble that Walsh shirks meaning when, in fact, he bashes it on the nose.”
Read more

"In the drama’s most heartbreaking moment, Murphy’s character recites the names of Ballyturk’s inhabitants, while Murfi’s character impersonates them in rapid succession...The most frightening moment is Fouere’s spectacular entrance...In other words, the best moments in 'Ballyturk' have more to do with Walsh’s direction of his play than what he’s given his characters to say...As a director, Walsh is visceral and vivid. As a writer, he enjoys being obscure."
Read more

"The play is closer to a meditation on death; that undiscovered country...Fouéré’s is a fascinating performance...The manic energy of 'Ballyturk’s' routine, excellently delivered by Murfi and Murphy’s double act, stills with her arrival and a proposal: It’s time for one of them to leave. What they would be departing in 'Ballyturk' is a world of cartoonish exaggeration, tumbling with madcap fictions, avalanches of props and shrieking impersonations - in short, an Enda Walsh play."
Read more

"Wild, zany, dark, and hilarious, 'Ballyturk’s' march through the mayhem of Walsh’s imagination boldly goes where other scripts fear to go. And when it gets there it is very, very good indeed. But when it misses the mark, it can be something of a struggle...It’s still more potent than many other works out there...At its best, 'Ballyturk' is theatrical poetry steeped in sense, nonsense, image, and metaphor...A uniquely powerful theatrical experience."
Read more

"The play is essentially a piece of meta-Walsh, a comment on his own writing practice, one that cannibalizes his earlier themes, characters and motifs. At times, it’s a riot. But the strongest sense of the piece now, three years on, is as a staging post: the work of a writer coming to the end of one approach, and about to begin another...Where Rea was sardonic and innately funny, Fouere plays it straight and humorless. Again, it’s simply not as effective this time round."
Read more