Bianco NYC Reviews and Tickets
Show-Score Member Reviews (28)
See it if you are a fan of other like minded shows such as Fuerza Bruta, or are in need for something entirely different from the usual.
Don't see it if you are not a fan of shows such as Fuerza Bruta, or would rather not stand for two hours.
See it if You love excitement, sexy acrobats and a killer live band!
Don't see it if Are afriad of heights or standing for 2 hours. If you don't like Fuerza Bruta style theater.
See it if you want to see a great aerial show. This is not a show for acting. This is for your visual stimulation. The music is also live and is great
Don't see it if you don't like the circus and cirque type shows. If you didn't enjoy this show, then seek help. It's a great show, everyone is so talented.
See it if you like circus and great spot for it. Great team and music. Loooong dress just amazing. See it!
Don't see it if you're too lazy to stand during the show
See it if You want to feel like a kid again. The circus is in town and it doesn't get any cooler and sexier than this!
Don't see it if You don't like standing or if you need your personal space. This is as close as it gets to being in the middle of a three ring circus.
See it if you want to see an edgier, hipper Cirque du Soleil. Skip Paramour. Bianco is where the real circus is.
Don't see it if you're opposed to standing for 2hrs. and moving around with a herd of people.
See it if A Brooklyn hipsterish, grittier version of Cirque du Soleil. Incredible acrobats perform up close, with attitude, charm and unique props.
Don't see it if You need to sit; this is on your feet for 2 hours, being moved around by guides (although some people in the front just sat on the floor).
See it if you want to see a more raw circus experience. Striking visuals with cool aerial acts.
Don't see it if you can't stand up for a couple hours. And if you aren't fast on your feet, ready to move at a moment's notice.
Critic Reviews (15)
"This company exudes an enticingly musky scent of vagabond glamour...Watching this show suggests what it might have been like to experience the circus in the days of Dickens and Hardy, filled with exotic and illicit promises...The cast is steeped in a sort of louche, defiant and highly attractive arrogance. Its members appear to be less courting your applause than allowing you to hang out while they do improbable and seemingly very pleasurable things with their bodies."
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"Though there’s some snazzy stuff with trampolines and visual coups de théâtre, 'Bianco’s' most striking moments utilize little more than strands of rope and the performers’ physical prowess. 'Bianco' wants to be both iconoclastic and flashy but isn’t quite either. The appeal of this big-top show isn’t in the high-concept aesthetics or technical flourishes, which feel a little overcooked. It’s in the curve of a bicep, the arch of a back and the tightrope walker’s foot that negotiates the wire."
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"If hunky dudes in skimpy clothing are your bag, check out NoFit State Circus’ 'Bianco'—at times the show feels like 'Magic Mike' under a big top. There are women in the cast, too, and they’re as fit as you’d expect...The effect is even more striking, since 'Bianco' is mostly aerial and the stunts take place right above our heads — this is literally standing-room only."
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“While it has all the elements of a truly unique circus experience, a series of misfires and oversights leaves us feeling unsatisfied...That's not to say that the acts aren't amazing...Angelique Ross is grace personified in her dance trapeze act...Unfortunately, many of the routines feel quite short compared to the considerable transition time...It may not be the greatest show on earth, but you have to admire the scrappy resourcefulness of its young performers.”
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"If you're tired of the pretensions of the Cirque du Soleil shows, you might find the performers of 'Bianco' to be congenial company...One of the pleasures of 'Bianco' is the ability to roam the tent, watching the action from different angles...Then again, this is a variety show that suffers from a lack of variety...With a program that consists almost entirely of aerial acrobatics, a certain sameness sets in...The novelty factor of 'Bianco' lies in its style rather than its substance,"
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“The general vibe was anti-technology, homespun, sort of old-fashioned and human scale—all of which, of course, is camouflage for extraordinary technical expertise...Frankly, the main difference between ‘Bianco’ and its sister circuses is its ambiance and not the acts, wonderful as they are…‘Bianco’ presents them as people, not virtuosos...Worth a trip to its river’s edge location under the bridge to satisfy a yearning for unpretentious entertainment.”
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"The creator of 'Betty & The Belrays' pretty much dares you to compare his well-meaning, but cartoony, new musical to 'Hairspray', a comparison in which the new musical fares poorly. Written-book and lyrics-and directed by William Electric Black, with music by Black, Valerie Ghent and Gary Schreiner, 'Betty,' like 'Hairspray,' tells the story of a white high school-aged girl, the eponymous Betty (Paulina Breeze), living in a racially divided city, here 1963 Detroit."
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"For families who prefer edgy and scrappy neo-circus troupes to the slick razzle-dazzle of Cirque du Soleil, 'Bianco' is a heart-pumping thrill...Don't worry about the story and focus on the incredible sights. Many performers shine in solo acts...Sometimes a sense of sameness creeps in as the two-hour show stretches on. But just as your mind starts to wander, a breathtaking visual will grab you back, like fake snow covering the audience at the finale."
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