The play centers on Pollie, an OnlyFans creator who seeks significant fame by attempting an extreme public stunt: engaging sexually with 1,000 of her subscribers during the Edinburgh Fringe Festival. This premise reflects a current cultural climate where sex work is framed as highly competitive, leading to attention-seeking, extreme actions by creators vying for dominance in an oversaturated online market. The narrative acknowledges the recent viral nature of claims regarding high "body counts" and the resulting international debate among liberal feminists.

The story is filtered through the perspective of an empathetic Documentary Maker, drawing focus to Pollie's complex relationship with sex and questioning the possibility of separating physical actions from emotional attachment.