Catch as Catch Can (Playwrights Horizons)
Catch as Catch Can (Playwrights Horizons)
68% 44 reviews
68%
(44 Ratings)
Positive
57%
Mixed
29%
Negative
14%
Members say
Ambitious, Confusing, Great acting, Clever, Absorbing

A new play by Mia Chung about two families opening their homes up to change.

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Critic Reviews (11)

The New York Times
November 15th, 2022

"Though the actors imbue their performances with humor and great emotional strength, they do not, under Gigi Buffington’s vocal coaching, pull these accents off; my date and I left believing we had seen a play about older Jewish ladies from Long Island."
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New York Theatre Guide
November 10th, 2022

"Watching actors instantly become other people without any physical change or costume shift reminds that theatre allows us to tell stories in a way that can’t be done elsewhere."
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Time Out New York
November 10th, 2022

"You may marvel at how finely Chung has woven her thematic threads (about family, heredity, nationality, genetics) into the tapestry that unravels in the play’s second half."
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Theatermania
November 9th, 2022

"If 'Catch as Catch Can' does its job, you'll walk away wondering how often the words that come out of your mouth are actually spoken by another voice."
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Talkin' Broadway
November 9th, 2022

"Viewing 'Catch as Catch Can,' trying to keep up with who's playing whom at this particular moment and where we are and why, you won't find the answer here."
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New York Stage Review
November 9th, 2022

" 'Catch as Catch Can' transitions into a drama that concludes far more dramatically than comically. What Chung hasn’t achieved is an overarching blend that leaves patrons satisfied rather than mildly perplexed."
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TheaterScene.net
November 10th, 2022

Chung has the six characters played by three actors, each playing a parent/child duo switching from one to the other in confusing frequency. In addition, each actor plays a parent of the opposite gender. To muddy things even further, all the characters are played by Asian-Americans who make honest, but failing, attempts to adopt working class Italian and Irish Catholic accents and attitudes. Lon/Daniela are played by Cindy Cheung; Roberta/Robbie by Jon Norman Schneider; and Theresa/Tim by Rob Yang.
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Front Row Center
November 10th, 2022

"I’m disappointed to admit that the same issues rung true and that even upon a second viewing with a different interpretation, I found myself confused by the play’s core message and purpose – walking away with more questions than answers, and not in a good way."
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