City Stories
Closed 2h 15m
City Stories

City Stories NYC Reviews and Tickets

(38 Reviews)
Members say
Great acting, Original, Entertaining, Absorbing, Thought-provoking

About the Show

Part of the Brits Off Broadway fest, this musical exploration of love, magic, and the city of London features six stories performed in rotating rep.

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Member Reviews (38)

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Absorbing, Great acting, Resonant

See it if You like beautiful acting, the show challenges notions of love in a demonstrative, yet delicate way. Very well done.

Don't see it if Monologue-ish pieces are not your thing.

Slow, Ambitious, Disappointing, Original, Good music

See it if you enjoy cabaret mixed with futuristic leanings. Attractive performers tell stories. The pianist plays and sings familiar and original

Don't see it if you need closure. Most of the stories drift off rather then end. The cabaret set up makes for squashed seating areas without table service?

Clever, Great acting

See it if love the idea of cabaret seatin but too many seats provided for the small space . Singer/pianist excellent as well as 3 of the Brit actresse

Don't see it if coninued.. dreamy supernatural subconscious thoughts... should do 3 tales in each perf. as to see all 6 you must catch 3 perf Love the Brits

Delightful, Enchanting, Entertaining, Exquisite, Intelligent

See it if you enjoy an unusual cabaret with beautiful and poetic stories accompanied by haunting and mesmerizing music. I was totally caught up in it.

Don't see it if you don't like story telling, poetry or a lovely woman singing sweet/sad songs in an interesting voice.

Entertaining, Great acting, Original

See it if Quite original. Each story was poignant and interesting.

Don't see it if you don't like cerebral.

Charming singer-pianist bookended each pas de deux, 4 romantic playlets w/ casts of 2-3 actors, Playlets dominated by monologue-storytelling, Part of the annual brits-off-broadway play festival

See it if If U like shows in a place so intimate U may need a shoehorn 2 wedge yourself into your seat, w/ actors so close they make deep eye-contact.

Don't see it if If U dislike monologue-storytelling dominating dialogue, British accents, romance without physical intimacy, & a singer that steals the show

Absorbing, Great acting, Original, Slow

See it if you enjoy short narration-drive stories that express humanity and ask thought-provoking questions; some more captivating than others

Don't see it if you dislike monologues/on-stage narration; you need more than simplistic staging; you dislike table seating

Quirky, Wistful, Romantic, Presentational

See it if Enjoy vignette or monologue style contemplations of love and self, for the apt and original songs nicely woven in throughout

Don't see it if Don't enjoy being crammed into a space of uncomfortable and loud chairs, looking for a through plot and realistic stories

Critic Reviews (11)

The New York Times
May 17th, 2016

"The London that exists in the mind of James Phillips, who created these six short plays is a wondrous, languid place made of silky metaphor...For this seductive and consistently well-acted production, Theater B at 59E59 is set up cabaret-style, which helps it seem only logical that each play is introduced by a singer accompanying herself on the piano. Mr. Phillips’s imaginative stories are also punctuated with thought-provoking observations."
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May 21st, 2016

"The poignant stories have just the right touch of fantasy that leaves a great deal to the imagination…The music in 'City Stories' is the ideal complement and the prose is enthralling. Experience these fascinating journeys into longing, love and life."
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Lighting & Sound America
May 17th, 2016

"James Phillips writes so beautifully that one wishes he would find more interesting things to write about. 'City Stories,' is filled with striking turns of phrase and observations that linger in the mind, but the stories themselves are marked by a whimsical, airy-fairy quality that can prove cloying…Gregory's lovely piano and vocal work consistently adds to the evening's introspective mood…It's strange to be so simultaneously seduced and irritated by a play."
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May 25th, 2016

"Each of the actors in the ensemble is featured in at least two stories, and each play has been directed meticulously by the playwright, who made sure to spend time differentiating the roles his actors from one play to the other...A seamless production in many ways, Phillips’ latest is nothing short of ambitious, and Gregory’s music is the perfect companion. Thoughtful and engaging, the enchanting collection of English fairy tales known as 'City Stories' is a serendipitous affair."
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Stage Buddy
May 16th, 2016

“Phillips’ inspired collection of plays defies cliche...Some of the narration drags on too long, and the script favors telling over showing. When pivotal moments are just passively relayed, sometimes their full emotional impact doesn’t quite come through...But the heart of this production is its relatable humanity...Combined with the scintillating score and eloquent prose, ‘City Stories’ is worth experiencing.”
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Theatre's Leiter Side
May 18th, 2016

"If the back wall weren’t black but exposed bricks you might almost think you were in a comedy club, not an evening of contemplative, semi-dramatic, lightly comedic, romantically tinted, magically realistic, imaginatively metaphoric “Tales of Love and Magic in London,” as the evening’s subtitle puts it...Trimming five to seven minutes off each play would go a long way toward keeping everyone’s eyes open. Soothing your audience to sleep is no way to run a cabaret, even a theatre cabaret."
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May 17th, 2016

"Every aspect of this production manifests the unities of drama like a well-crafted monument to creativity...The poetic writing, the distinctive characterizations, the heightened dialogue and the acute sensibilities of the actors who make us believe every important word they say is stark and real. This production is a must-see. I can’t rave about it enough and I am tempted to drop in another night."
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New York Theatre Review
May 15th, 2016

"The ensemble is full of strong and personable actors...The dreamlike quality that is an innate part of this piece also serves as a downfall from time to time with parts getting a little wordy and moments too drawn out. But more often than not the stories carry you to that enjoyable state of melancholy...The most beautiful aspect of the entire production, and its driving force, is the positively enchanting original music from Rosabella Gregory."
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June 2nd, 2015
For a previous production

"If this is a new genre of ‘theatre-cabaret,' as some reviewers have suggested, then I would like more of it! This is work at a sophisticated creative level, where everything depends in a very pure, basic sense on the players themselves…Great credit then to all the players and to James Phillips for his direction, quite apart from his luminous yet precisely calibrated writing."
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February 13th, 2015
For a previous production

"A sublime, atmospheric and enchanting cabaret drama, with two hours of love, hope and delight…Rosabella composed the music for this show and what a brilliant composition it is! A perfect match in my opinion to the stories and one could be totally forgiven to be completely absorbed and lost within its layers of beauty…In essence this evening delivered exactly what it promised...This show, cast, composer, writer and director are a match made in heaven!"
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Everything Theatre (UK)
June 8th, 2015
For a previous production

"In all the stories the dialogue is, I suppose, lyrical, and probably works on paper, but on stage sounds mannered and phoney...Characters are underdeveloped and used simply as a conduit for the many, many words...What’s clever about 'City Stories' is the way it interweaves songs with stories, and I certainly can’t fault either the music or the voices of the various singers. But overall, I found it a draining experience."
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