Coal Country NYC Reviews and Tickets
About the Show
Production Covid-19 Safety ProtocolsShow-Score Member Reviews (99)
See it if You like dramas based on true stories. Enjoy documentary style. Enjoy good music. Even if you listened to the audible version this is better
Don't see it if You don’t like documentaries.
See it if If you are ready for the moving experience of this show. Its a beautiful rendition of a tragic event, and something that is vital viewing.
Don't see it if I think everyone should see it, but if you are uncomfortable with shows beyond lighter entertainment/dont like tragedy, it isnt for you
See it if If you love ambitious political true shows about worker exploitation in the mines. Also if you love steve Earle. A great songwriter.
Don't see it if You don’t like political dramA and if you don’t like great country folk rock.
See it if you like interview-based theater or want to consider parts of America that are not the city.
Don't see it if you prefer stylizes-drama. This is very much interview theater with a lovely Appalachian score.
See it if You want to experience part of a worldview you may not otherwise experience — West Virginia coal miners.
Don't see it if You don’t like bluegrass or have prejudices against coal miners.
See it if Documentary play describing in detail the causes and effects of a real 2010 WV mining disaster. Dialog is near verbatim from interviews.
Don't see it if Staging is minimal, basically a talking heads style documentary. No dramatization, little interaction between characters. Read more
See it if You want to see wonderful performances. Great ensemble. A great retelling of a real event.
Don't see it if you are expecting a traditional musical. It has country music between scenes greatly slowing the show. Read more
See it if you enjoy theatre that makes you emotional, and are ready to feel sad and angry. Steve Earle is the man, as always.
Don't see it if you're looking for something light-hearted.
Critic Reviews (19)
"4/5 stars...The laughs in 'Coal Country' are sparse, but like in stand-up, the performers tell true stories directly to the audience and create a strong connection. You may not feel uplifted after hearing the performers' stories...but after we've all experienced collective grief amid the pandemic, you'll feel seen, making the show even more affecting than during its first (abbreviated) run in March 2020...The performances are uniformly excellent."
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"A much-deserved remounting off-Broadway at the Cherry Lane Theatre (a cozy and rustic house even better suited to the show's content than the Public)...Earle sings several refrains of 'Union, God, and Country' — the holy trinity of West Virginia — and invites his Yankee spectators to do the same...This sing-along is one of the most stupefying things I've ever seen rouse a crowd of theater liberals, but if that isn't proof of the power of story, I don't know what is."
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Audible, Inc. has given Coal Country a second chance. Its first run at The Public Theater aborted by the Pandemic, this heartbreaking tale of corporate malfeasance in America’s heartland still deserves to be seen. Jessica Blank and Erik Jensen have taken the Upper Big Branch Mine Disaster in West Virginia twelve years ago—on April 5th to be exact—and have spun it into a play with music that delves into the human toll of that tragic event
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"The riveting, masterful work written by Jessica Blank and Erik Jensen with original music by Steve Earle in a fabulous encore presentation by Audible and the Public Theater seems more impactful each time it is presented. We can never get enough of this exceptionally performed, shining work...With minimalist but trenchant symbolic scenic design (Richard Hoover), effective lighting design (David Lander), sound design (Darron L West) and costume design (Jessica Jahn), 'Coal Country' is an amazing revival. It is profound and memorable in scope and power. Don’t miss it this time around."
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Like a classic folk ballad, full of understated outrage and exquisite down-home music… The pandemic cut short the original run of “Coal Country” at the Public Theater in March 2020. (It was subsequently released as an audio play by Audible…) The play is reopening…at what is arguably an especially opportune moment – when the world’s focus is on the deadly politics of energy. This gives extra heft to an underlying message
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"This bone-chilling exposé will infuriate anyone with an aligned moral compass. But it is the humanity of the survivors of Raleigh County, portrayed with nuance and vulnerability by a cast of 11, that brings theatricality to the inevitable outcome...The words are the real star here. Confessionals of compassion and fury ring similarly true."
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Coal Country’s excellent ensemble hits the motherlode over and over, mining it for its every ounce of unbearable grief, labor unity, and moral outrage. How deeply you’re affected by it, though, now that—as Tom says in The Glass Menagerie—the world is again “lit by lightning,” and your worries are pulled hither and yon, is something you’ll have to determine for yourself.
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CRITIC’S PICK. "Songs and Stories in a Disaster’s Aftermath: Jessica Blank and Erik Jensen’s show at the Public Theater, with live music by Steve Earle, is based on a real-life West Virginia mining tragedy."
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