Soulpepper Theatre Company presents Pamela Mala Sinha's solo show about loss and trauma. More…
After a loved one dies, a woman must face the shattering memories of a past trauma. 'Crash' is the fractured unraveling of memory; blending projections, myth, and dance into a narrative about family, faith and love. Part of the Soulpepper on 42nd Street festival.
See it if you want to be in the mind of a woman who suffered a horrifying sexual assault. The pain is presented intensely.
Don't see it if you want to learn how the woman has learned to carry on or to put the assault into a broader societal/international context.
Also Crash was haunting and disturbing, but it was not for me.
See it if You want to see a unique story about two of the most personal experiences this woman is likely to ever have. Darkly disturbing.
Don't see it if You're not prepared to confront some really serious issues on a deeply personal level. This show meanders a bit but it's uniquely told.
See it if You like fragmented storytelling. You enjoy movement-based staging. You want riveting storytelling. You want great acting.
Don't see it if You don't want or can't hear stories about sexual violence. You dislike one-performer shows. You don't like intense, dark themes.
See it if familial relationships are meaningful to you.Brilliant performance describing the exotic & familiar of an Indian family's response to rape.
Don't see it if you would be uncomfortable watching a one person show exploring the aftermath of a violent rape.
See it if You have an hour to see some great acting...period. The play is a howling bore!! Lucky people escaped midway thru, I wasn't so lucky.
Don't see it if You can get a table at MacDonald's
See it if you're interested in storytelling that takes you on a personal journey and searches for answers in the wake of a traumatic event.
Don't see it if you do not like one-woman shows and cannot handle the dark and tragic recounting of a sexual assault and its aftermath.
See it if you enjoy deeply personal monologues about difficult subject matter. This spare, well done piece was difficult to watch but well done.
Don't see it if you're sensitive to pieces about violence against women and lots of sudden loud noises.
See it if You can see a well crafted one woman show about the aftermath of a horrific rape on the girl and her Hindu family.
Don't see it if It hits too close to home. It is difficult to watch her going through so much pain.
See it if you are interested in Hindu/Canadian perspective on faith, father/daughter and other familial relationships and rape and performance poetry
Don't see it if you are disturbed by depiction/discussion of rape, bored by reflection on religious faith, cannot sit 90 min. w/o interval for 1 woman show
See it if you like one-person "memory plays" that meander over women's issues of seduction, loss, assault, suicide attempts, family & faith
Don't see it if you have unresolved PTSD over rape, suicide attempts or death of a loved one
See it if You are moved by personal (and true) stories of harrowing victimization and the reverberations in a woman's life. You admire truthtelling.
Don't see it if You prefer polished acting/writing. Despite the graphic material, this felt tedious at times and the author/actor had a monotonous tone.
See it if If you want to see a moving show about a tramatic event and how it effected her life and entire family. What a journey you go on!
Don't see it if If you don't like one woman shows, or don't want to see the ripple effects of a tramatic effect on n a family unit.
See it if you like well done one person shows that deal with a very painful subject matter...
Don't see it if you can't handle shows about a person's psychological pain...
See it if You enjoy a one woman show recounting a personal horrible event and the aftermath. She did well with few props and some clever projections
Don't see it if Its about one hour-feels long because the intensity stays constant. There is no relief. Its powerful but not entertaining or enjoyable
See it if Described by the writer/performer as a “fractured unraveling of memory” you are witness to the inner thoughts of a Canadian Hindu girl who
Don't see it if you do not want to deal with serious subjects.
See it if you like poorly written and acted one-woman shows with an utterly confusing plot - if there even was a plot?
Don't see it if you want something thought-provoking and moving - that's what I thought this was going to be and was disappointed.
See it if you enjoy psychological dramas. This one is very well done. Great acting, directing and tech.
Don't see it if You're disturbed by psychological dramas. This show is intense.
See it if you like one women shows about rape
Don't see it if you dont like intense 1 person shows (about rape) & leave show being emotionally drained & question the entertainment value of production
See it if you like one woman shows with dance,poety type,not linear new shows
Don't see it if you want something upbeat,are uncomfortable with sexual attack,break in stories with dance,movement
See it if You want to encounter the worst experience-and then to encounter the opposite through love.
Don't see it if You do not enjoy one person shows even when well written and acted.
See it if you don't mind seeing a disturbing piece about sexual assault. Well staged one-woman show.
Don't see it if The show succeeds in making you feel for the Girl, but does not have the depth to make sitting through the pain worthwhile.
See it if You want to see a powerful and compelling one woman show about a traumatic event and what happens in the aftermath.
Don't see it if You don’t like disjointed productions, loud unexpected noises or shows about violence against women.